Sony A7R III versus Canon 60D
The Sony Alpha A7R III and the Canon EOS 60D are two enthusiast cameras that were revealed to the public, respectively, in October 2017 and August 2010. The A7R III is a mirrorless interchangeable lens camera, while the 60D is a DSLR. The cameras are based on a full frame (A7R III) and an APS-C sensor. The Sony has a resolution of 42.2 megapixel, whereas the Canon provides 17.9 MP.
An illustration of the physical size and weight of the Sony A7R III and the Canon 60D is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A7R III – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 60D is notably larger (26 percent) than the Sony A7R III. Moreover, the 60D is markedly heavier (16 percent) than the A7R III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7R III) and the Canon EF Lens Catalog (60D). Mirrorless cameras, such as the Sony A7R III, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony A7R III (⇒ rgt)||127 mm||96 mm||74 mm||650 g||650||YES||2017||3,199||latest||check|
|Canon 60D (⇒ lft)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 7D II (⇒ lft | rgt)||149 mm||112 mm||78 mm||910 g||670||YES||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Canon 7D (⇒ lft | rgt)||148 mm||111 mm||74 mm||860 g||800||YES||2009||1,699||discont.||check|
|Canon 50D (⇒ lft | rgt)||146 mm||108 mm||74 mm||822 g||800||YES||2008||1,299||discont.||check|
|Hasselblad X1D (⇒ lft | rgt)||150 mm||98 mm||71 mm||725 g||..||YES||2016||8,995||latest||check|
|Pentax K-1 (⇒ lft | rgt)||137 mm||110 mm||86 mm||1010 g||760||YES||2016||1,799||latest||check|
|Sony A9 (⇒ lft | rgt)||127 mm||96 mm||63 mm||673 g||650||YES||2017||4,499||latest||check|
|Sony A99 II (⇒ lft | rgt)||143 mm||104 mm||76 mm||849 g||490||YES||2016||3,199||latest||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||127 mm||96 mm||60 mm||627 g||370||YES||2015||2,999||latest||check|
|Sony A7 II (⇒ lft | rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||latest||check|
|Sony A7R (⇒ lft | rgt)||127 mm||94 mm||48 mm||465 g||340||YES||2013||2,299||discont.||check|
|Sony A99 (⇒ lft | rgt)||147 mm||111 mm||78 mm||812 g||500||YES||2012||2,799||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 60D was launched at a markedly lower price (by 56 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A7R III features a full frame sensor and the Canon 60D an APS-C sensor. The sensor area in the 60D is 61 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the 60D (17.9MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 4.31μm for the 60D) due to its larger sensor. Moreover, the A7R III is a somewhat more recent model (by 7 years and 2 months) than the 60D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the 60D, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7R III provides substantially higher image quality than the 60D, with an overall score that is 34 points higher. This advantage is based on 3.8 bits higher color depth, 3.2 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A7R III (⇒ rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Canon 60D (⇒ lft)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 7D II (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Canon 50D (⇒ lft | rgt)||APS-C||15.1||4752||3168||no||21.8||11.4||696||63|
|Hasselblad X1D (⇒ lft | rgt)||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Pentax K-1 (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60i||25.4||14.6||3280||96|
|Sony A9 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A99 II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II (⇒ lft | rgt)||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A7 II (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7R (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Sony A99 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a higher video resolution than the 60D. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the 60D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Sony A7R III and Canon 60D in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Sony A7R III (⇒ rgt)||3686||no||3.0||1440||tilting||YES||8000||10.0||no||YES|
|Canon 60D (⇒ lft)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 7D II (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Canon 50D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||6.3||13||no|
|Hasselblad X1D (⇒ lft | rgt)||2360||no||3.0||920||fixed||YES||2000||2.3||no||no|
|Pentax K-1 (⇒ lft | rgt)||optical||YES||3.2||1037||full-flex||no||8000||4.4||no||YES|
|Sony A9 (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Sony A99 II (⇒ lft | rgt)||2400||YES||3.0||1229||tilting||no||8000||12.0||no||YES|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7S II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7 II (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Sony A7R (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||4.0||no||no|
|Sony A99 (⇒ lft | rgt)||2359||YES||3.0||1229||full-flex||no||8000||6.0||no||YES|
The A7R III is a current model that online retailers, such as amazon, will have in stock. In contrast, the 60D has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 60D was succeeded by the Canon 70D.
So what is the bottom line? Which of the two cameras – the Sony A7R III or the Canon 60D – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha A7R III:
- More detail: Offers more megapixels (42.2 vs 17.9MP) with a 53% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (34 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 1040k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 5.3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x96mm vs 145x106mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 105g or 14 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More modern: Reflects 7 years and 2 months of technical progress since the 60D launch.
Reasons to prefer the Canon EOS 60D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Gets more shots (1100 versus 650) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the A7R III is the clear winner of the match-up (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A7R III and the 60D in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A7R III (⇒ rgt)||HiRec||90/100 Gold||..||..||..||2017||3,199||latest||check|
|Canon 60D (⇒ lft)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 7D II (⇒ lft | rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Canon 50D (⇒ lft | rgt)||90/100 HiRec||HiRec||4.5/5||5/5||4.5/5||2008||1,299||discont.||check|
|Hasselblad X1D (⇒ lft | rgt)||-||-||-||-||4/5||2016||8,995||latest||check|
|Pentax K-1 (⇒ lft | rgt)||-||84/100 Silver||5/5||4.5/5||5/5||2016||1,799||latest||check|
|Sony A9 (⇒ lft | rgt)||..||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Sony A99 II (⇒ lft | rgt)||-||85/100 Silver||4.5/5||4.5/5||4.5/5||2016||3,199||latest||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||Rec||-||4.5/5||5/5||5/5||2015||2,999||latest||check|
|Sony A7 II (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||latest||check|
|Sony A7R (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||5/5||2013||2,299||discont.||check|
|Sony A99 (⇒ lft | rgt)||-||84/100 Gold||4.5/5||reviewed||4.5/5||2012||2,799||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to locate and add the respective data to the application.
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