Sony A77 vs RX10
The Sony Alpha SLT-A77 and the Sony Cyber-shot DSC-RX10 are two enthusiast cameras that were announced, respectively, in August 2011 and October 2013. The A77 is a DSLR, while the RX10 is a fixed lens compact. The cameras are based on an APS-C (A77) and an one-inch (RX10) sensor. The A77 has a resolution of 24 megapixels, whereas the RX10 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A77||Sony RX10|
|Digital single lens reflex||Fixed lens compact camera|
|Sony A mount lenses||24-200mm f/2.8|
|24 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-16000 (50-25600)||ISO 125-12800 (80-25600)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1229k dots|
|Fully flexible screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|12 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Weathersealed body||Weathersealed body|
|470 shots per battery charge||420 shots per battery charge|
|143 x 104 x 81 mm, 732 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha SLT-A77 and the Sony Cyber-shot DSC-RX10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Sony A77 and the Sony RX10. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 is notably smaller (24 percent) than the Sony A77. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 has a lens built in, whereas the A77 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the A77 gets 470 shots out of its NP-FM500H battery, while the RX10 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A77»||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Sony RX10«||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-||Sony RX10|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Pentax K-3« »||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||-||Sony A9|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony A68« »||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A77 II« »||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX10 was launched at a lower price than the A77, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A77 features an APS-C sensor and the Sony RX10 an one-inch sensor. The sensor area in the RX10 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A77 offers a higher resolution than the RX10 (20MP), but the A77 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the RX10) due to its larger sensor. However, the RX10 is a much more recent model (by 2 years and 1 month) than the A77, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A77 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony RX10 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The Sony Alpha SLT-A77 has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 50-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A77 has a notably higher overall DXO score than the RX10 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.1 bits higher color depth, 0.6 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A77»||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony RX10«||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Pentax K-3« »||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony A68« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77 II« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A77 offers a substantially higher resolution than the one in the RX10 (2359k vs 1440k dots). The table below summarizes some of the other core capabilities of the Sony A77 and Sony RX10 in connection with corresponding information for a sample of similar cameras.
|Sony A77»||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony RX10«||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Pentax K-3« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony A68« »||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77 II« »||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
Concerning the storage of imaging data, both the A77 and the RX10 write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A77 and Sony Cyber-shot DSC-RX10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A77»||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony RX10«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Pentax K-3« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony A68« »||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77 II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
It is notable that the RX10 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the A77 does not offer wifi capability.
Studio photographers will appreciate that the Sony A77 (unlike the RX10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the A77 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the A77 and the RX10 have been discontinued, but can regularly be found used on eBay. The A77 was replaced by the Sony A77 II, while the RX10 was followed by the Sony RX10 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So how do things add up? Is the Sony A77 better than the Sony RX10 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha SLT-A77:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (470 versus 420) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2011).
Reasons to prefer the Sony Cyber-shot DSC-RX10:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 921k dots).
- Ready to shoot: Comes with an integrated lens, while the A77 requires a separate lens.
- More compact: Is smaller (129x88mm vs 143x104mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 1 month of technical progress since the A77 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A77 is the clear winner of the match-up (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A77 and the Sony RX10 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A77 and the RX10 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A77»||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Sony RX10«||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-||Sony RX10|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Pentax K-3« »||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||-||Sony A9|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony A68« »||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A77 II« »||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Sony A77 II
- Canon 1100D vs Sony A77 II
- Canon 1D Mark II vs Sony RX10 II
- Canon 400D vs Sony RX10 II
- Canon XC10 vs Sony RX10
- Leica M8 vs Sony RX10 III
- Nikon D100 vs Sony A77 II
- Nikon D50 vs Sony RX10 II
- Pentax K-3 II vs Sony RX10 IV
- Sony A7 vs Sony RX10 II
- Sony A77 vs Sony A7R III
- Sony RX10 vs Sony RX10 IV
Specifications: Sony A77 vs Sony RX10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A77||Sony RX10|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Sony A mount lenses||24-200mm f/2.8|
|Launch Date||August 2011||October 2013|
|Launch Price||USD 1399||USD 1299|
|Sensor Specs||Sony A77||Sony RX10|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.91 μm||2.41 μm|
|Pixel Density||6.55 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-16000 ISO||125-12800 ISO|
|ISO Boost||50-25600 ISO||80-25600 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||78||69|
|DXO Color Depth (bits)||24.0||22.9|
|DXO Dynamic Range (EV)||13.2||12.6|
|DXO Low Light (ISO)||801||474|
|Screen Specs||Sony A77||Sony RX10|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1229k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Shooting Specs||Sony A77||Sony RX10|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/3200/s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A77||Sony RX10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Sony A77||Sony RX10|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||470 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||732 g (25.8 oz)||813 g (28.7 oz)|
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