Sony A77 II vs Leica CL
The Sony Alpha SLT-A77 II and the Leica CL (Typ 7323) are two digital cameras that were announced, respectively, in May 2014 and November 2017. The A77 II is a DSLR, while the CL is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixels, whereas the Leica provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A77 II||Leica CL|
|Digital single lens reflex||Mirrorless system camera|
|Sony A mount lenses||Leica T mount lenses|
|24 MP, APS-C Sensor||24.1 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600 (50-51200)||ISO 100-50000|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1229k dots||3.0" LCD, 1040k dots|
|Fully flexible screen (no touchscreen)||Fixed touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|480 shots per battery charge||220 shots per battery charge|
|143 x 104 x 81 mm, 647 g||131 x 78 x 45 mm, 403 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha SLT-A77 II and the Leica CL (Typ 7323)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony A77 II and the Leica CL is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica CL is considerably smaller (31 percent) than the Sony A77 II. Moreover, the CL is substantially lighter (38 percent) than the A77 II. It is worth mentioning in this context that the A77 II is splash and dust resistant, while the CL does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A77 II»||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Leica CL«||5.2 in||3.1 in||1.8 in||14.2 oz||220||n||Nov 2017||2,795||Leica CL|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Leica TL2« »||5.3 in||2.7 in||1.3 in||14.1 oz||250||n||Jul 2017||1,950||Leica TL2|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||5.2 in||3.9 in||3.0 in||28.2 oz||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Sony A68« »||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A58« »||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||-||Sony A58|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A77 II was launched at a markedly lower price (by 57 percent) than the CL, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the CL is 1 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.1MP, the CL offers a higher resolution than the A77 II (24MP), but the CL nevertheless has marginally larger individual pixels (pixel pitch of 3.92μm versus 3.91μm for the A77 II) due to its larger sensor. Moreover, the CL is a much more recent model (by 3 years and 6 months) than the A77 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the CL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Sony Alpha SLT-A77 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Leica CL (Typ 7323) are ISO 100 to ISO 50000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A77 II»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Leica CL«||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica CL|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Leica TL2« »||APS-C||24.1||6014||4014||4K/30p||-||-||-||-||Leica TL2|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Pentax K-3 II« »||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Pentax K-3« »||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A68« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A58« »||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the CL provides a better video resolution than the A77 II. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the CL offers a slightly higher resolution than the one in the A77 II (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony A77 II, the Leica CL, and comparable cameras.
|Sony A77 II»||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Leica CL«||2360||Y||3.0||1040||fixed||Y||1/8000s||10.0||n||n||Leica CL|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Leica TL2« »||-||n||3.7||1230||fixed||Y||1/4000s||7.0||n||n||Leica TL2|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Pentax KP« »||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax K-3 II« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||n||Y||Pentax K-3 II|
|Pentax K-3« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A68« »||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A58« »||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One difference between the cameras concerns the presence of an on-board flash. The A77 II has one, while the CL does not. While the built-in flash of the A77 II is not very powerful, it can at times be useful as a fill-in light.The A77 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the CL does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the CL is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica CL has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A77 II writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the CL uses SDXC cards. The CL supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A77 II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A77 II and Leica CL (Typ 7323) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A77 II»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Leica CL«||Y||stereo||mono||-||-||-||-||Y||-||-||Leica CL|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Leica TL2« »||Y||stereo||mono||-||-||micro||3.0||Y||-||-||Leica TL2|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Pentax K-3 II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Pentax K-3« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A68« »||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A58« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the A77 II has a microphone port, which is missing on the CL. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Sony A77 II (unlike the CL) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the A77 II and the CL are recent models that are part of the current product line-up. The A77 II replaced the earlier Sony A77, while the CL does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Leica websites.
So what conclusions can be drawn? Is there a clear favorite between the Sony A77 II and the Leica CL? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha SLT-A77 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.49x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (480 versus 220) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in May 2014).
Arguments in favor of the Leica CL (Typ 7323):
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (131x78mm vs 143x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 244g or 38 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 3 years and 6 months of technical progress since the A77 II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A77 II is the clear winner of the match-up (15 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A77 II and the Leica CL place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A77 II or the CL. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A77 II»||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Leica CL«||-||-||-||-||4/5||Nov 2017||2,795||Leica CL|
|Fujifilm X-T20« »||+ +||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Leica TL2« »||-||-||4/5||-||4/5||Jul 2017||1,950||Leica TL2|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Pentax K-3 II« »||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Pentax K-3« »||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Sony A68« »||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A58« »||-||-||4.5/5||4.5/5||4.5/5||Feb 2013||599||-||Sony A58|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 77D vs Leica CL
- Fujifilm X-A10 vs Sony A77 II
- Fujifilm X-E2 vs Sony A77 II
- Leica CL vs Leica T
- Leica CL vs Nikon Z7
- Leica CL vs Olympus E-PL6
- Leica CL vs Panasonic GX9
- Leica X Vario vs Sony A77 II
- Nikon D1H vs Sony A77 II
- Olympus E-M5 II vs Sony A77 II
- Olympus E-P2 vs Sony A77 II
- Sony A77 II vs Sony NEX-5N
Specifications: Sony A77 II vs Leica CL
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A77 II||Leica CL|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Sony A mount lenses||Leica T mount lenses|
|Launch Date||May 2014||November 2017|
|Launch Price||USD 1199||USD 2795|
|Sensor Specs||Sony A77 II||Leica CL|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm||23.6 x 15.7 mm|
|Sensor Area||366.6 mm2||370.52 mm2|
|Sensor Diagonal||28.2 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||24.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||6014 x 4014 pixels|
|Pixel Pitch||3.91 μm||3.92 μm|
|Pixel Density||6.55 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-50000 ISO|
|ISO Boost||50-51200 ISO||no Enhancement|
|Image Processor||BIONZ X||Maestro II|
|Screen Specs||Sony A77 II||Leica CL|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2360k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1229k dots||1040k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony A77 II||Leica CL|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/25000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Sony A77 II||Leica CL|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB no|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Sony A77 II||Leica CL|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||480 shots per charge||220 shots per charge|
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
131 x 78 x 45 mm
(5.2 x 3.1 x 1.8 in)
|Camera Weight||647 g (22.8 oz)||403 g (14.2 oz)|
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