Sony A7 vs Canon T5
The Sony Alpha A7 and the Canon EOS Rebel T5 (labelled Canon 1200D in some countries) are two digital cameras that were announced, respectively, in October 2013 and February 2014. The A7 is a mirrorless interchangeable lens camera, while the T5 is a DSLR. The cameras are based on a full frame (A7) and an APS-C (T5) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 17.9 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony A7||Canon T5|
|Mirrorless system camera||Digital single lens reflex|
|Sony E mount lenses||Canon EF mount lenses|
|24 MP, Full Frame Sensor||17.9 MP, APS-C Sensor|
|1080/60p Video||1080/30p Video|
|ISO 100-25600 (50-51200)||ISO 100-6400 (100-12800)|
|Electronic viewfinder (2400k dots)||Optical viewfinder|
|3.0" LCD, 1230k dots||3.0" LCD, 460k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|340 shots per battery charge||500 shots per battery charge|
|127 x 94 x 48 mm, 474 g||130 x 100 x 78 mm, 480 g|
Body comparison: Sony A7 vs Canon T5
An illustration of the physical size and weight of the Sony A7 and the Canon T5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T5 is notably larger (9 percent) than the Sony A7. Moreover, the T5 is slightly heavier (1 percent) than the A7. It is worth mentioning in this context that the A7 is splash and dust resistant, while the T5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7) and the Canon EF Lens Catalog (T5). Mirrorless cameras, such as the Sony A7, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A7 gets 340 shots out of its NP-FW50 battery, while the T5 can take 500 images on a single charge of its LP-E10 power pack. The power pack in the A7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A7»||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Canon T5«||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon T6« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon T6|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon T3|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Samsung NX1« »||5.5 in||4.0 in||2.6 in||19.4 oz||500||Y||Sep 2014||1,499||-||Samsung NX1|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T5 was launched at a markedly lower price (by 74 percent) than the A7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A7 vs Canon T5
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A7 features a full frame sensor and the Canon T5 an APS-C sensor. The sensor area in the T5 is 61 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 offers a higher resolution than the T5 (17.9MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 4.31μm for the T5) due to its larger sensor. However, the T5 is a somewhat more recent model (by 3 months) than the A7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Sony Alpha A7 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Canon EOS Rebel T5 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7 provides substantially higher image quality than the T5, with an overall score that is 27 points higher. This advantage is based on 2.9 bits higher color depth, 2.9 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A7»||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Canon T5«||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon T6« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon T6|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon T3« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Samsung NX1« »||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7 provides a higher frame rate than the T5. It can shoot video footage at 1080/60p, while the Canon is limited to 1080/30p.
Feature comparison: Sony A7 vs Canon T5
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 has an electronic viewfinder (2400k dots), while the T5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Sony A7 and Canon T5 in connection with corresponding information for a sample of similar cameras.
|Sony A7»||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Canon T5«||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon T5|
|Canon T6« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n||Canon T6|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6i|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T5i|
|Canon T3« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon T3|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||8000||12.0||Y||n||Panasonic GH4|
|Samsung NX1« »||2360||Y||3.0||1036||tilting||Y||8000||15.0||Y||n||Samsung NX1|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A6300« »||2359||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6300|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||8000||5.0||n||n||Sony A7S|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1R|
|Sony RX1« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1|
One difference between the cameras concerns the presence of an on-board flash. The T5 has one, while the A7 does not. While the built-in flash of the T5 is not very powerful, it can at times be useful as a fill-in light.
The A7 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the T5 uses SDXC cards.
Connectivity comparison: Sony A7 vs Canon T5
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 and Canon EOS Rebel T5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7»||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Canon T5«||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon T6« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon T6|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon T3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Samsung NX1« »||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the A7 has a microphone port, which is missing on the T5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the A7 and the T5 have been discontinued, but can regularly be found used on eBay. The A7 was replaced by the Sony A7 II, while the T5 was followed by the Canon T6.
Review summary: Sony A7 vs Canon T5
So what conclusions can be drawn? Which of the two cameras – the Sony A7 or the Canon T5 – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Sony Alpha A7:
- More detail: Offers more megapixels (24 vs 17.9MP) with a 16% higher linear resolution.
- Better image quality: Scores substantially higher (27 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.6 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
Advantages of the Canon EOS Rebel T5:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (500 versus 340) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More modern: Was introduced somewhat (3 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 is the clear winner of the match-up (19 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7 or the T5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A7 vs Canon T5
This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Sony A7»||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Canon T5«||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon T6« »||rev||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon T6|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon SL1« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon T3« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon T3|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Panasonic GH4« »||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Samsung NX1« »||-||87/100||5/5||4.5/5||5/5||Sep 2014||1,499||-||Samsung NX1|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Sony RX1R« »||-||-||4/5||rev||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Nikon D3200 vs Pentax K-5
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- Ricoh GR II vs Canon R
- Sony NEX-5R vs Sony NEX-3
Specifications: Sony A7 vs Canon T5
|Camera Model||Sony A7||Canon T5|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Canon EF mount lenses|
|Launch Date||October 2013||February 2014|
|Launch Price||USD 1699||USD 449|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.8 x 23.9 mm||22.3 x 23.9 mm|
|Sensor Area||855.62 mm2||332.27 mm2|
|Sensor Diagonal||43 mm||26.8 mm|
|Sensor Resolution||24 Megapixels||17.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3456 pixels|
|Pixel Pitch||5.97 μm||4.31 μm|
|Pixel Density||2.80 MP/cm2||5.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-6400 ISO|
|ISO Boost||50-51200 ISO||100-12800 ISO|
|Image Processor||BIONZ X||DIGIC 4|
|DXO Sensor Quality (score)||90||63|
|DXO Color Depth (bits)||24.8||21.9|
|DXO Dynamic Range (EV)||14.2||11.3|
|DXO Low Light (ISO)||2248||724|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2400k dots||n/a|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-FW50 power pack||LP-E10 power pack|
|Battery Life (CIPA)||340 shots per charge||500 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
|Camera Weight||474 g (16.7 oz)||480 g (16.9 oz)|
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