Sony A7 III vs NEX-5T
The Sony Alpha A7 III and the Sony Alpha NEX-5T are two digital cameras that were announced, respectively, in February 2018 and August 2013. Both the A7 III and the NEX-5T are mirrorless interchangeable lens cameras that are based on a full frame (A7 III) and an APS-C (NEX-5T) sensor. The A7 III has a resolution of 24 megapixels, whereas the NEX-5T provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A7 III||Sony NEX-5T|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Sony E mount lenses|
|24 MP, Full Frame Sensor||16 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-51200 (50-204800)||ISO 100-25600|
|Electronic viewfinder (2359k dots)||Viewfinder optional|
|3.0" LCD, 922k dots||3.0" LCD, 922k dots|
|Tilting touchscreen||Tilting touchscreen|
|10 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|610 shots per battery charge||330 shots per battery charge|
|127 x 96 x 74 mm, 650 g||111 x 59 x 39 mm, 2776 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 III and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony A7 III and the Sony NEX-5T are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The NEX-5T can be obtained in two different colors (black, silver), while the A7 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is considerably smaller (46 percent) than the Sony A7 III. However, the NEX-5T is substantially heavier (327 percent) than the A7 III. It is worth mentioning in this context that the A7 III is splash and dust resistant, while the NEX-5T does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 III) and the Sony E-Mount Lens Catalog (NEX-5T). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the A7 III gets 610 shots out of its NP-FZ100 battery, while the NEX-5T can take 330 images on a single charge of its NP-FW50 power pack. The power pack in the A7 III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A7 III»||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony NEX-5T«||111 mm||59 mm||39 mm||2776 g||330||n||Aug 2013||699||Sony NEX-5T|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Nikon Z6« »||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A9 II« »||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||Sony A9 II|
|Sony A7R III« »||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A5100« »||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||Sony A6000|
|Sony NEX-5R« »||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||Sony NEX-5R|
|Sony NEX-F3« »||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599||Sony NEX-F3|
|Sony NEX-3« »||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-5T was launched at a markedly lower price (by 65 percent) than the A7 III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7 III features a full frame sensor and the Sony NEX-5T an APS-C sensor. The sensor area in the NEX-5T is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 III offers a higher resolution than the NEX-5T (16MP), but the A7 III nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.78μm for the NEX-5T) due to its larger sensor. Moreover, the A7 III is a much more recent model (by 4 years and 6 months) than the NEX-5T, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony NEX-5T are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A7 III has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7 III provides substantially higher image quality than the NEX-5T, with an overall score that is 18 points higher. This advantage is based on 1.4 bits higher color depth, 1.7 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony NEX-5T||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93||Sony A9 II|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A5100||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony NEX-5R||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-3||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7 III provides a higher video resolution than the NEX-5T. It can shoot video footage at 4K/30p, while the NEX-5T is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 III has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-5T relies on live view and the rear LCD for framing. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Sony A7 III and Sony NEX-5T in connection with corresponding information for a sample of similar cameras.
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony NEX-5T||optional||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Nikon Z6||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A9 II|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A5100||none||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony NEX-5R||optional||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3||optional||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-3||optional||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One feature that differentiates the A7 III and the NEX-5T is in-body image stabilization (IBIS). The A7 III reduces the risk of handshake-induced blur with all attached lenses, while the NEX-5T has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The NEX-5T has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A7 III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the A7 III and the NEX-5T write their files to SDXC or Memory Stick PRO Duo cards. The A7 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-5T only has one slot. The A7 III supports UHS-II cards on its first slot and UHS-I on its second one, while the NEX-5T cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 III and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony NEX-5T||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Nikon Z6||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A9 II|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A5100||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony NEX-5R||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the A7 III has a microphone port, which is missing on the NEX-5T. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the NEX-5T has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the NEX-5T was succeeded by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what is the bottom line? Which of the two cameras – the Sony A7 III or the Sony NEX-5T – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony Alpha A7 III:
- More detail: Offers more megapixels (24 vs 16MP) with a 22% higher linear resolution.
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 2126g or 77 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (610 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 4 years and 6 months of technical progress since the NEX-5T launch.
Reasons to prefer the Sony Alpha NEX-5T:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (111x59mm vs 127x96mm) and will fit more readily into a bag.
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the A7 III is the clear winner of the match-up (22 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7 III and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A7 III or the NEX-5T. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Sony A7 III
- Canon 450D vs Sony A7 III
- Canon SX610 vs Sony A7 III
- Fujifilm X100V vs Sony A7 III
- Nikon Coolpix A vs Sony NEX-5T
- Nikon D70 vs Sony A7 III
- Panasonic GF6 vs Sony NEX-5T
- Panasonic GF7 vs Sony A7 III
- Panasonic GM5 vs Sony A7 III
- Samsung NX1 vs Sony A7 III
- Sony A7 III vs Sony NEX-F3
- Sony A7 III vs Sony RX0 II
Specifications: Sony A7 III vs Sony NEX-5T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A7 III||Sony NEX-5T|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||February 2018||August 2013|
|Launch Price||USD 1999||USD 699|
|Sensor Specs||Sony A7 III||Sony NEX-5T|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.6 x 23.8 mm||23.4 x 15.6 mm|
|Sensor Area||847.28 mm2||365.04 mm2|
|Sensor Diagonal||42.8 mm||28.1 mm|
|Sensor Resolution||24 Megapixels||16 Megapixels|
|Image Resolution||6000 x 4000 pixels||4912 x 3264 pixels|
|Pixel Pitch||5.94 μm||4.78 μm|
|Pixel Density||2.83 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-51200 ISO||100-25600 ISO|
|ISO Boost||50-204800 ISO||no Enhancement|
|Image Processor||BIONZ X||BIONZ|
|DXO Sensor Quality (score)||96||78|
|DXO Color Depth (bits)||25.0||23.6|
|DXO Dynamic Range (EV)||14.7||13.0|
|DXO Low Light (ISO)||3730||1015|
|Screen Specs||Sony A7 III||Sony NEX-5T|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A7 III||Sony NEX-5T|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Sony A7 III||Sony NEX-5T|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Sony A7 III||Sony NEX-5T|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||610 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||650 g (22.9 oz)||2776 g (97.9 oz)|
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