Sony A7 III vs Nikon D300
The Sony Alpha A7 III and the Nikon D300 are two enthusiast cameras that were announced, respectively, in February 2018 and August 2007. The A7 III is a mirrorless interchangeable lens camera, while the D300 is a DSLR. The cameras are based on a full frame (A7 III) and an APS-C (D300) sensor. The Sony has a resolution of 24 megapixels, whereas the Nikon provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 III and the Nikon D300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony A7 III and the Nikon D300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D300 is notably larger (37 percent) than the Sony A7 III. Moreover, the D300 is substantially heavier (42 percent) than the A7 III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 III) and the Nikon Lens Catalog (D300). Mirrorless cameras, such as the Sony A7 III, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A7 III gets 610 shots out of its Sony NP-FZ100 battery, while the D300 can take 1000 images on a single charge of its Nikon EN-EL3e power pack. The power pack in the A7 III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
2. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
3. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
4. | Nikon D2Xs | 158 mm | 150 mm | 86 mm | 1252 g | 3800 | Y | Jun 2006 | 4,699 | ebay.com | |
5. | Nikon D200 | 147 mm | 113 mm | 74 mm | 920 g | 400 | Y | Nov 2005 | 1,699 | ebay.com | |
6. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
7. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
8. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
9. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | 1,999 | ebay.com | |
10. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
11. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | 2,499 | amazon.com | |
12. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
13. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
14. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
16. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
17. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D300 was somewhat cheaper (by 10 percent) than the A7 III at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7 III features a full frame sensor and the Nikon D300 an APS-C sensor. The sensor area in the D300 is 56 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 III offers a higher resolution than the D300 (12.2MP), but the A7 III nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 5.53μm for the D300) due to its larger sensor. Moreover, the A7 III is a much more recent model (by 10 years and 6 months) than the D300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A7 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D300 are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A7 III has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Nikon D300 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
In terms of underlying technology, the A7 III is build around a BSI-CMOS sensor, while the D300 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7 III provides substantially higher image quality than the D300, with an overall score that is 29 points higher. This advantage is based on 2.9 bits higher color depth, 2.7 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
2. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
3. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
4. | Nikon D2Xs | APS-C | 12.2 | 4288 | 2848 | none | 22.2 | 10.9 | 489 | 59 | |
5. | Nikon D200 | APS-C | 10.0 | 3872 | 2592 | none | 22.3 | 11.5 | 583 | 64 | |
6. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
7. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
8. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
9. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
10. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
11. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
12. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
13. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
14. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
16. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
17. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 |
Many modern cameras are not only capable of taking still images, but can also record movies. The A7 III indeed provides movie recording capabilities, while the D300 does not. The highest resolution format that the A7 III can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the D300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7 III has a higher magnification than the one of the D300 (0.78x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A7 III, the Nikon D300, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
2. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
3. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
4. | Nikon D2Xs | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
5. | Nikon D200 | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 5.0/s | Y | n | |
6. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
7. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
8. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
9. | Nikon Z6 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 12.0/s | n | Y | |
10. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
11. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
13. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
17. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the A7 III and the D300 is in-body image stabilization (IBIS). The A7 III reduces the risk of handshake-induced blur with all attached lenses, while the D300 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7 III and the Nikon D300 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A7 III writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the D300 uses Compact Flash cards. The A7 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the D300 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 III and Nikon D300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
2. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
3. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Nikon D2Xs | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Nikon D200 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
8. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Nikon Z6 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
10. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
11. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
12. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
13. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
17. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y |
It is notable that the A7 III offers wifi support, while the D300 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D300 (unlike the A7 III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the D300 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D300 was succeeded by the Nikon D300S. Further information on the features and operation of the A7 III and D300 can be found, respectively, in the Sony A7 III Manual (free pdf) or the online Nikon D300 Manual.
Review summary
So what is the bottom line? Is the Sony A7 III better than the Nikon D300 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A7 III:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 40% higher linear resolution.
- Better image quality: Scores substantially higher (29 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.5 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.63x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 147x114mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 275g or 30 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 10 years and 6 months of technical progress since the D300 launch.
Reasons to prefer the Nikon D300:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (1000 versus 610) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the count of relative strengths (bullet points above) is taken as a measure, the A7 III is the clear winner of the match-up (24 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7 III and the Nikon D300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A7 III or the D300. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
2. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
3. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
4. | Nikon D2Xs | .. | .. | .. | .. | .. | .. | Jun 2006 | 4,699 | ebay.com | |
5. | Nikon D200 | .. | + + | .. | + + | o | .. | Nov 2005 | 1,699 | ebay.com | |
6. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
7. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
8. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
9. | Nikon Z6 | 5/5 | .. | 5/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 1,999 | ebay.com | |
10. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
11. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | 2,499 | amazon.com | |
12. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
13. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
14. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
16. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
17. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Sony A7 III vs Nikon D300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A7 III | Nikon D300 |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Sony E mount lenses | Nikon F mount lenses |
Launch Date | February 2018 | August 2007 |
Launch Price | USD 1,999 | USD 1,799 |
Sensor Specs | Sony A7 III | Nikon D300 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | Full Frame Sensor | APS-C Sensor |
Sensor Size | 35.6 x 23.8 mm | 23.6 x 15.8 mm |
Sensor Area | 847.28 mm2 | 372.88 mm2 |
Sensor Diagonal | 42.8 mm | 28.4 mm |
Crop Factor | 1.0x | 1.5x |
Sensor Resolution | 24 Megapixels | 12.2 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4288 x 2848 pixels |
Pixel Pitch | 5.94 μm | 5.53 μm |
Pixel Density | 2.83 MP/cm2 | 3.28 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | no Video |
ISO Setting | 100 - 51,200 ISO | 200 - 3,200 ISO |
ISO Boost | 50 - 204,800 ISO | 100 - 6,400 ISO |
Image Processor | BIONZ X | EXPEED |
DXO Sensor Quality (score) | 96 | 67 |
DXO Color Depth (bits) | 25.0 | 22.1 |
DXO Dynamic Range (EV) | 14.7 | 12.0 |
DXO Low Light (ISO) | 3730 | 679 |
Screen Specs | Sony A7 III | Nikon D300 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.78x | 0.63x |
Viewfinder Resolution | 2359k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 922k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Sony A7 III | Nikon D300 |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 10 shutter flaps/s | 6 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 150 000 actuations |
Electronic Shutter | YES | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | CF cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Sony A7 III | Nikon D300 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.1 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Sony A7 III | Nikon D300 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FZ100 | Nikon EN-EL3e |
Battery Life (CIPA) | 610 shots per charge | 1000 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
127 x 96 x 74 mm (5.0 x 3.8 x 2.9 in) |
147 x 114 x 74 mm (5.8 x 4.5 x 2.9 in) |
Camera Weight | 650 g (22.9 oz) | 925 g (32.6 oz) |
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