Sony A7 III vs Canon Rebel
The Sony Alpha A7 III and the Canon EOS Digital Rebel (labelled Canon 300D in some countries) are two digital cameras that were announced, respectively, in February 2018 and August 2003. The A7 III is a mirrorless interchangeable lens camera, while the Rebel is a DSLR. The cameras are based on a full frame (A7 III) and an APS-C (Rebel) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 6.3 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony A7 III||Canon Rebel|
|Mirrorless system camera||Digital single lens reflex|
|Sony E mount lenses||Canon EF mount lenses|
|24 MP, Full Frame Sensor||6.3 MP, APS-C Sensor|
|4K/30p Video||no Video|
|ISO 100-51200 (50-204800)||ISO 100-1600|
|Electronic viewfinder (2359k dots)||Optical viewfinder|
|3.0" LCD, 922k dots||1.8" LCD, 118k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||2.5 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|610 shots per battery charge||400 shots per battery charge|
|127 x 96 x 74 mm, 650 g||142 x 99 x 72 mm, 649 g|
Body comparison: Sony A7 III vs Canon Rebel
The side-by-side display below illustrates the physical size and weight of the Sony A7 III and the Canon Rebel. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon Rebel is notably larger (15 percent) than the Sony A7 III. However, the Rebel is slightly lighter (0 percent) than the A7 III. It is worth mentioning in this context that the A7 III is splash and dust resistant, while the Rebel does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 III) and the Canon EF Lens Catalog (Rebel). Mirrorless cameras, such as the Sony A7 III, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A7 III gets 610 shots out of its NP-FZ100 battery, while the Rebel can take 400 images on a single charge of its BP-511 power pack. The power pack in the A7 III can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony A7 III»||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Canon Rebel«||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-||Canon T6s|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||-||Sony A850|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Rebel was launched at a markedly lower price (by 55 percent) than the A7 III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Sony A7 III vs Canon Rebel
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A7 III features a full frame sensor and the Canon Rebel an APS-C sensor. The sensor area in the Rebel is 60 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 III offers a higher resolution than the Rebel (6.3MP), but the A7 III has smaller individual pixels (pixel pitch of 5.94μm versus 7.38μm for the Rebel). However, the A7 III is a somewhat more recent model (by 14 years and 6 months) than the Rebel, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The A7 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Sony Alpha A7 III has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Canon EOS Digital Rebel are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A7 III provides substantially higher image quality than the Rebel, with an overall score that is 41 points higher. This advantage is based on 4 bits higher color depth, 3.9 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7 III»||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Canon Rebel«||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon 10D« »||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||-||-||-||-||Nikon Z6|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A850« »||Full Frame||24.4||6048||4032||-||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but can also record movies. The A7 III indeed provides movie recording capabilities, while the Rebel does not. The highest resolution format that the A7 III can use is 4K/30p.
Feature comparison: Sony A7 III vs Canon Rebel
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 III has an electronic viewfinder (2359k dots), while the Rebel has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony A7 III, the Canon Rebel, and comparable cameras.
|Sony A7 III»||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Canon Rebel«||optical||n||1.8||118||fixed||n||4000||2.5||Y||n||Canon Rebel|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon T7i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6s|
|Canon XT« »||optical||n||1.8||115||fixed||n||4000||3.0||Y||n||Canon XT|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||8000||5.0||Y||n||Canon 20D|
|Canon 10D« »||optical||Y||1.8||118||fixed||n||4000||3.0||Y||n||Canon 10D|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||8000||12.0||n||Y||Nikon Z6|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y||Sony A7R III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Sony A850« »||optical||Y||3.0||922||fixed||n||8000||3.0||n||Y||Sony A850|
One feature that differentiates the A7 III and the Rebel is in-body image stabilization (IBIS). The A7 III reduces the risk of handshake-induced blur with all attached lenses, while the Rebel has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A7 III features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The A7 III writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the Rebel uses Compact Flash cards.
Connectivity comparison: Sony A7 III vs Canon Rebel
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 III and Canon EOS Digital Rebel and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A7 III»||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Canon Rebel«||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon 10D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A850« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A850|
It is notable that the A7 III offers wifi support, while the Rebel does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The A7 III is a recent model that features in the current product line-up of Sony. In contrast, the Rebel has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the Rebel was succeeded by the Canon XT.
Review summary: Sony A7 III vs Canon Rebel
So how do things add up? Is the Sony A7 III better than the Canon Rebel or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A7 III:
- More detail: Offers more megapixels (24 vs 6.3MP) with a 95% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (41 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.8 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 142x99mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (610 versus 400) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 14 years and 6 months of technical progress since the Rebel launch.
Reasons to prefer the Canon EOS Digital Rebel:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2003).
If the count of individual advantages (bullet points above) is taken as a guide, the A7 III is the clear winner of the match-up (26 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A7 III and the Rebel in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A7 III vs Canon Rebel
This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A7 III»||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Canon Rebel«||-||HiRec||-||rev||-||Aug 2003||899||-||Canon Rebel|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon T6s|
|Canon XT« »||80/100||HiRec||rev||rev||-||Feb 2005||899||-||Canon XT|
|Canon 20D« »||-||HiRec||-||rev||-||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||-||HiRec||-||rev||-||Feb 2003||1,999||-||Canon 10D|
|Nikon Z6« »||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A7R III« »||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A850« »||-||75/100||-||4/5||4.5/5||Aug 2009||1,999||-||Sony A850|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
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- Leica D-LUX Typ 109 vs Panasonic G1
- Nikon D7500 vs Sony RX100 IV
- Panasonic GM5 vs Sony RX10 II
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- Panasonic GX80 vs Nikon D5
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- Sony A7R II vs Nikon D5300
Specifications: Sony A7 III vs Canon Rebel
|Camera Model||Sony A7 III||Canon Rebel|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Canon EF mount lenses|
|Launch Date||February 2018||August 2003|
|Launch Price||USD 1999||USD 899|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.6 x 23.8 mm||22.7 x 23.8 mm|
|Sensor Area||847.28 mm2||342.77 mm2|
|Sensor Diagonal||42.8 mm||27.3 mm|
|Sensor Resolution||24 Megapixels||6.3 Megapixels|
|Image Resolution||6000 x 4000 pixels||3072 x 2048 pixels|
|Pixel Pitch||5.94 μm||7.38 μm|
|Pixel Density||2.83 MP/cm2||1.84 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||100-51200 ISO||100-1600 ISO|
|ISO Boost||50-204800 ISO||no Enhancement|
|DXO Sensor Quality (score)||96||55|
|DXO Color Depth (bits)||25.0||21.0|
|DXO Dynamic Range (EV)||14.7||10.8|
|DXO Low Light (ISO)||3730||544|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2359k dots||n/a|
|LCD Framing||Live View||n/a|
|Rear LCD Size||3.0 inch||1.8 inch|
|LCD Resolution||922k dots||118k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||2.5 shutter flaps/s|
|Silent Shooting||Electronic Shutter||no E-Shutter|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 3.1||USB 1.1|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-FZ100 power pack||BP-511 power pack|
|Battery Life (CIPA)||610 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
142 x 99 x 72 mm
(5.6 x 3.9 x 2.8 in)
|Camera Weight||650 g (22.9 oz)||649 g (22.9 oz)|
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