Sony A7 II versus Nikon D100
The Sony Alpha A7 II and the Nikon D100 are two enthusiast cameras that were revealed to the public, respectively, in November 2014 and February 2002. The A7 II is a mirrorless interchangeable lens camera, while the D100 is a DSLR. The cameras are based on a full frame (A7 II) and an APS-C sensor. The Sony has a resolution of 24 megapixel, whereas the Nikon provides 6 MP.
The physical size and weight of the Sony A7 II and the Nikon D100 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A7 II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D100 is considerably larger (37 percent) than the Sony A7 II. Moreover, the D100 is markedly heavier (30 percent) than the A7 II. It is worth mentioning in this context that the A7 II is splash and dust resistant, while the D100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7 II) and the Nikon Lens Catalog (D100). Mirrorless cameras, such as the Sony A7 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
|Camera Body Specifications
|Sony A7 II (⇒ rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||latest||check|
|Nikon D100 (⇒ lft)||144 mm||116 mm||81 mm||780 g||370||no||2002||1,999||discont.||check|
|Canon 10D (⇒ lft | rgt)||150 mm||107 mm||75 mm||850 g||500||no||2003||1,999||discont.||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D300S (⇒ lft | rgt)||147 mm||115 mm||81 mm||938 g||950||YES||2009||1,799||discont.||check|
|Nikon D200 (⇒ lft | rgt)||147 mm||113 mm||74 mm||920 g||400||YES||2005||1,699||discont.||check|
|Nikon D70 (⇒ lft | rgt)||140 mm||111 mm||78 mm||679 g||400||no||2004||999||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Sony A9 (⇒ lft | rgt)||127 mm||96 mm||63 mm||673 g||650||YES||2017||4,499||latest||check|
|Sony A7R III (⇒ lft | rgt)||127 mm||96 mm||74 mm||650 g||650||YES||2017||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||127 mm||96 mm||60 mm||627 g||370||YES||2015||2,999||latest||check|
|Sony A77 II (⇒ lft | rgt)||143 mm||104 mm||81 mm||647 g||480||YES||2014||1,199||latest||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
|Sony A7R (⇒ lft | rgt)||127 mm||94 mm||48 mm||465 g||340||YES||2013||2,299||discont.||check|
|Sony A77 (⇒ lft | rgt)||143 mm||104 mm||81 mm||732 g||470||YES||2011||1,999||discont.||check|
|Sony A850 (⇒ lft | rgt)||156 mm||117 mm||82 mm||895 g||880||YES||2009||1,999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A7 II features a full frame sensor and the Nikon D100 an APS-C sensor. The sensor area in the D100 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the D100 (6MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 7.85μm for the D100). However, the A7 II is a somewhat more recent model (by 12 years and 9 months) than the D100, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A7 II (⇒ rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Nikon D100 (⇒ lft)||APS-C||6.0||3008||2000||no||-||-||-||-|
|Canon 10D (⇒ lft | rgt)||APS-C||6.3||3072||2048||no||21.1||10.9||571||57|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D300S (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70|
|Nikon D200 (⇒ lft | rgt)||APS-C||10.0||3872||2592||no||22.3||11.5||583||64|
|Nikon D70 (⇒ lft | rgt)||APS-C||6.0||3008||2000||no||20.4||10.3||529||50|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Sony A9 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7R III (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II (⇒ lft | rgt)||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A77 II (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A7R (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Sony A77 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24||13.2||801||78|
|Sony A850 (⇒ lft | rgt)||Full Frame||24.4||6048||4032||no||23.8||12.2||1415||79|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7 II indeed provides movie recording capabilities, while the D100 does not. The highest resolution format that the A7 II can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the D100 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony A7 II and Nikon D100 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Sony A7 II (⇒ rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Nikon D100 (⇒ lft)||optical||YES||1.8||118||fixed||no||4000||3.0||11||no|
|Canon 10D (⇒ lft | rgt)||optical||YES||1.8||118||fixed||no||4000||3.0||13||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D300S (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||7.0||12||no|
|Nikon D200 (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||5.0||12||no|
|Nikon D70 (⇒ lft | rgt)||optical||no||1.8||130||fixed||no||8000||3.0||11||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Sony A9 (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Sony A7R III (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||10.0||no||YES|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7S II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A77 II (⇒ lft | rgt)||2359||YES||3.0||1229||full-flex||no||8000||12.0||12||YES|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
|Sony A7R (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||4.0||no||no|
|Sony A77 (⇒ lft | rgt)||2359||YES||3.0||921||full-flex||no||8000||12.0||12||YES|
|Sony A850 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||3.0||no||YES|
The A7 II is a current model that online retailers, such as amazon, will have in stock. In contrast, the D100 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the D100 was succeeded by the Nikon D200.
So what conclusions can be drawn? Is there a clear favorite between the Sony A7 II and the Sony A7 II? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha A7 II:
- More detail: Offers more megapixels (24 vs 6MP) with a 100% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x96mm vs 144x116mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 181g or 23 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More modern: Reflects 12 years and 9 months of technical progress since the D100 launch.
Advantages of the Nikon D100:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in February 2002).
If the count of relative strengths (bullet points above) is taken as a measure, the A7 II is the clear winner of the match-up (15 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the A7 II or the D100 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A7 II (⇒ rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||latest||check|
|Nikon D100 (⇒ lft)||-||HiRec||reviewed||reviewed||-||2002||1,999||discont.||check|
|Canon 10D (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2003||1,999||discont.||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D300S (⇒ lft | rgt)||90/100 HiRec||82/100 HiRec||4/5||5/5||4.5/5||2009||1,799||discont.||check|
|Nikon D200 (⇒ lft | rgt)||91/100 HiRec||HiRec||reviewed||5/5||-||2005||1,699||discont.||check|
|Nikon D70 (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2004||999||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Sony A9 (⇒ lft | rgt)||..||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Sony A7R III (⇒ lft | rgt)||HiRec||90/100 Gold||..||..||..||2017||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||Rec||-||4.5/5||5/5||5/5||2015||2,999||latest||check|
|Sony A77 II (⇒ lft | rgt)||-||80/100 Silver||4.5/5||4/5||5/5||2014||1,199||latest||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
|Sony A7R (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||5/5||2013||2,299||discont.||check|
|Sony A77 (⇒ lft | rgt)||91/100||81/100 Silver||-||4.5/5||5/5||2011||1,999||discont.||check|
|Sony A850 (⇒ lft | rgt)||-||75/100||-||4/5||4.5/5||2009||1,999||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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