Sony A7 II vs Leica M8

The Sony Alpha A7 II and the Leica M8 are two enthusiast cameras that were announced, respectively, in November 2014 and September 2006. The A7 II is a mirrorless interchangeable lens camera, while the M8 is a rangefinder-focusing mirrorless. The cameras are based on a full frame (A7 II) and an APS-H (M8) sensor. The Sony has a resolution of 24 megapixels, whereas the Leica provides 10.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A7 II		Leica M8
Mirrorless system camera		Rangefinder camera
Sony E mount lenses		Leica M mount lenses
24 MP – Full Frame sensor		10.4 MP – APS-H sensor
1080/60p Video		no Video
ISO 100-25,600 (50 - 51,200)		ISO 160-2,500
Electronic viewfinder (2400k dots)		Optical viewfinder
3.0" LCD – 1230k dots		2.5" LCD – 230k dots
Tilting screen (no touchscreen)		Fixed screen (not touch-sensitive)
5 shutter flaps per second		2 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		not weather sealed
350 shots per battery charge		550 shots per battery charge
127 x 96 x 60 mm, 599 g		139 x 80 x 37 mm, 591 g

Check A7 II offers at
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Check M8 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 II and the Leica M8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Sony A7 II and the Leica M8. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The M8 can be obtained in two different colors (black, silver), while the A7 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M8 is notably smaller (9 percent) than the Sony A7 II. Moreover, the M8 is slightly lighter (1 percent) than the A7 II. It is worth mentioning in this context that the A7 II is splash and dust resistant, while the M8 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 II) and the Leica M Lens Catalog (M8).

Concerning battery life, the A7 II gets 350 shots out of its Sony NP-FW50 battery, while the M8 can take 550 images on a single charge of its Leica BLI-312 power pack. The power pack in the A7 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
2.		Leica M8	139 mm	80 mm	37 mm	591 g	550	n	Sep 2006	5,499	ebay.com
3.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	799	ebay.com
4.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
5.		Leica M9	139 mm	80 mm	37 mm	585 g	550	n	Sep 2009	7,999	ebay.com
6.		Nikon D80	132 mm	103 mm	77 mm	668 g	600	n	Aug 2006	999	ebay.com
7.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
8.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
9.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
10.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
11.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
12.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
13.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
14.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
15.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
17.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 II was launched at a markedly lower price (by 64 percent) than the M8, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A7 II features a full frame sensor and the Leica M8 an APS-H sensor. The sensor area in the M8 is 43 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.3. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A7 II offers a higher resolution than the M8 (10.4MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 6.84μm for the M8). However, the A7 II is a much more recent model (by 8 years and 2 months) than the M8, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the M8 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica M8 are 19.7 x 13.2 inches or 50 x 33.4 cm for good quality, 15.7 x 10.5 inches or 40 x 26.7 cm for very good quality, and 13.1 x 8.8 inches or 33.3 x 22.3 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A7 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Leica M8 are ISO 160 to ISO 2500 (no boost).

In terms of underlying technology, the A7 II is build around a CMOS sensor, while the M8 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7 II provides substantially higher image quality than the M8, with an overall score that is 31 points higher. This advantage is based on 3.8 bits higher color depth, 2.3 EV in additional dynamic range, and 1.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
2.		Leica M8	APS-H	10.4	3936	2630	none	21.1	11.3	663	59
3.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
4.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
5.		Leica M9	Full Frame	18.1	5212	3472	none	22.5	11.7	884	69
6.		Nikon D80	APS-C	10.0	3872	2592	none	22.1	11.2	524	61
7.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
8.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
9.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
10.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
11.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
12.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
13.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
14.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
15.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78

Many modern cameras are not only capable of taking still images, but can also record movies. The A7 II indeed provides movie recording capabilities, while the M8 does not. The highest resolution format that the A7 II can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the M8 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Sony A7 II and Leica M8 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
2.		Leica M8	optical	n	2.5 / 230	fixed	n	1/8000s	2.0/s	n	n
3.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
4.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
5.		Leica M9	optical	n	2.5 / 230	fixed	n	1/4000s	2.0/s	n	n
6.		Nikon D80	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
7.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
8.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
9.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
10.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
11.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
13.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The A7 II writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the M8 uses SDXC cards. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the M8 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 II and Leica M8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
2.		Leica M8	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
4.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
5.		Leica M9	Y	- / -	-	-	-	2.0	-	-	-
6.		Nikon D80	Y	- / -	-	-	-	2.0	-	-	-
7.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
8.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
9.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
10.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
11.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
12.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
13.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A7 II offers wifi support, while the M8 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the A7 II and the M8 have been discontinued, but can regularly be found used on ebay. The M8 was replaced by the Leica M9, while the A7 II was followed by the Sony A7 III. Further information on the features and operation of the A7 II and M8 can be found, respectively, in the Sony A7 II Manual (free pdf) or the online Leica M8 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Sony A7 II and the Leica M8? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Sony Alpha A7 II:

• More detail: Offers more megapixels (24 vs 10.4MP) with a 52% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (31 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (3.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.9 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 1080/60p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster burst: Shoots at higher frequency (5 vs 2 flaps/sec) to capture the decisive moment.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
• More modern: Reflects 8 years and 2 months of technical progress since the M8 launch.

Advantages of the Leica M8:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Gets more shots (550 versus 350) out of a single battery charge.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
• More heavily discounted: Has been around for much longer (launched in September 2006).

If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the match-up (21 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A7 II or the M8 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
2.		Leica M8	..	..	..	+ +	..	..	Sep 2006	5,499	ebay.com
3.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	799	ebay.com
4.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
5.		Leica M9	..	..	..	..	4.5/5	..	Sep 2009	7,999	ebay.com
6.		Nikon D80	..	+	..	+ +	o	4.5/5	Aug 2006	999	ebay.com
7.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
8.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
9.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
10.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
11.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
12.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
13.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
14.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
15.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
17.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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