Sony A7 II versus Fujifilm X-Pro2
The Sony Alpha A7 II and the Fujifilm X-Pro2 are two enthusiast cameras that were revealed to the public, respectively, in November 2014 and January 2016. Both the A7 II and the X-Pro2 are mirrorless interchangeable lens cameras that are based on a full frame (A7 II) and an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
The side-by-side display below illustrates the physical size and weight of the Sony A7 II and the Fujifilm X-Pro2. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A7 II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is somewhat smaller (4 percent) than the Sony A7 II. Moreover, the X-Pro2 is markedly lighter (17 percent) than the A7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7 II) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony A7 II (⇒ rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||discont.||check|
|Fujifilm X-Pro2 (⇒ lft)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||140 mm||82 mm||43 mm||450 g||300||no||2012||1,699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Sony A7 III (⇒ lft | rgt)||127 mm||96 mm||74 mm||650 g||610||YES||2018||1,999||latest||check|
|Sony A9 (⇒ lft | rgt)||127 mm||96 mm||63 mm||673 g||650||YES||2017||4,499||latest||check|
|Sony A7R III (⇒ lft | rgt)||127 mm||96 mm||74 mm||650 g||650||YES||2017||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||127 mm||96 mm||60 mm||627 g||370||YES||2015||2,999||latest||check|
|Sony A77 II (⇒ lft | rgt)||143 mm||104 mm||81 mm||647 g||480||YES||2014||1,199||latest||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
|Sony A7R (⇒ lft | rgt)||127 mm||94 mm||48 mm||465 g||340||YES||2013||2,299||discont.||check|
|Sony A77 (⇒ lft | rgt)||143 mm||104 mm||81 mm||732 g||470||YES||2011||1,999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-Pro2 was launched at a somewhat lower price (by 15 percent) than the A7 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A7 II features a full frame sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A7 II has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A7 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.92μm for the X-Pro2), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the X-Pro2 is a somewhat more recent model (by 1 year and 1 month) than the A7 II, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7 II (⇒ rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Fujifilm X-Pro2 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-Pro1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Sony A7 III (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A9 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7R III (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II (⇒ lft | rgt)||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A77 II (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A7R (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Sony A77 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24||13.2||801||78|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a slightly higher resolution than the one in the X-Pro2 (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Sony A7 II and Fujifilm X-Pro2 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Sony A7 II (⇒ rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Fujifilm X-Pro2 (⇒ lft)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Fujifilm X-Pro1 (⇒ lft | rgt)||1440||no||3.0||1230||fixed||no||4000||6.0||no||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Sony A7 III (⇒ lft | rgt)||2359||no||3.0||922||tilting||YES||8000||10||no||YES|
|Sony A9 (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Sony A7R III (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||10.0||no||YES|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7S II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A77 II (⇒ lft | rgt)||2359||YES||3.0||1229||full-flex||no||8000||12.0||12||YES|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
|Sony A7R (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||4.0||no||no|
|Sony A77 (⇒ lft | rgt)||2359||YES||3.0||921||full-flex||no||8000||12.0||12||YES|
The X-Pro2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A7 II has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7 II was succeeded by the Sony A7 III.
So what conclusions can be drawn? Which of the two cameras – the Sony A7 II or the Fujifilm X-Pro2 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Sony Alpha A7 II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More heavily discounted: Has been on the market for longer (launched in November 2014).
Reasons to prefer the Fujifilm X-Pro2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1230k dots).
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 104g or 17 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (15 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 1 month) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 comes out slightly ahead of the A7 II (6 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A7 II and the X-Pro2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A7 II (⇒ rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||discont.||check|
|Fujifilm X-Pro2 (⇒ lft)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4/5||4.5/5||2012||1,699||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Sony A7 III (⇒ lft | rgt)||HiRec||..||..||..||5/5||2018||1,999||latest||check|
|Sony A9 (⇒ lft | rgt)||HiRec||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Sony A7R III (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||5/5||2017||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony A7S II (⇒ lft | rgt)||Rec||-||4.5/5||5/5||5/5||2015||2,999||latest||check|
|Sony A77 II (⇒ lft | rgt)||-||80/100 Silver||4.5/5||4/5||5/5||2014||1,199||latest||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
|Sony A7R (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||5/5||2013||2,299||discont.||check|
|Sony A77 (⇒ lft | rgt)||91/100||81/100 Silver||-||4.5/5||5/5||2011||1,999||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, please send me an email, and I will try to locate and add the respective data to the application.
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