Sony A7 II vs Canon 1D Mark III

The Sony Alpha A7 II and the Canon EOS-1D Mark III are two digital cameras that were revealed to the public, respectively, in November 2014 and February 2007. The A7 II is a mirrorless interchangeable lens camera, while the 1D Mark III is a DSLR. The cameras are based on a full frame (A7 II) and an APS-H (1D Mark III) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 10.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A7 II		Canon 1D Mark III
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Canon EF mount lenses
24 MP – Full Frame sensor		10.1 MP – APS-H sensor
1080/60p Video		no Video
ISO 100-25,600 (50 - 51,200)		ISO 100-3,200 (50 - 6,400)
Electronic viewfinder (2400k dots)		Optical viewfinder
3.0" LCD – 1230k dots		3.0" LCD – 230k dots
Tilting screen (no touchscreen)		Fixed screen (not touch-sensitive)
5 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
350 shots per battery charge		2200 shots per battery charge
127 x 96 x 60 mm, 599 g		156 x 157 x 80 mm, 1155 g

Check A7 II offers at
ebay.com
Check 1D Mark III offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 II and the Canon EOS-1D Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A7 II and the Canon 1D Mark III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D Mark III is considerably larger (101 percent) than the Sony A7 II. Moreover, the 1D Mark III is substantially heavier (93 percent) than the A7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 II) and the Canon EF Lens Catalog (1D Mark III). Mirrorless cameras, such as the Sony A7 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A7 II gets 350 shots out of its Sony NP-FW50 battery, while the 1D Mark III can take 2200 images on a single charge of its Canon LP-E4 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on ebay). The power pack in the A7 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
2.		Canon 1D Mark III	156 mm	157 mm	80 mm	1155 g	2200	Y	Feb 2007	4,499	ebay.com
3.		Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	4,999	ebay.com
4.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	7,999	ebay.com
5.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	4,499	ebay.com
6.		Canon 1Ds	156 mm	158 mm	80 mm	1265 g	600	Y	Sep 2002	8,999	ebay.com
7.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	4,999	ebay.com
8.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
9.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
10.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
11.		Sony A7R III	127 mm	96 mm	74 mm	650 g	650	Y	Oct 2017	3,199	ebay.com
12.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
13.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
14.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
15.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
17.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 II was launched at a markedly lower price (by 56 percent) than the 1D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A7 II features a full frame sensor and the Canon 1D Mark III an APS-H sensor. The sensor area in the 1D Mark III is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.3. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A7 II offers a higher resolution than the 1D Mark III (10.1MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 7.21μm for the 1D Mark III). However, the A7 II is a much more recent model (by 7 years and 8 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A7 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Canon EOS-1D Mark III are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 50-6400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A7 II provides substantially higher image quality than the 1D Mark III, with an overall score that is 19 points higher. This advantage is based on 2.2 bits higher color depth, 1.9 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
2.		Canon 1D Mark III	APS-H	10.1	3888	2592	none	22.7	11.7	1078	71
3.		Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
4.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
5.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
6.		Canon 1Ds	Full Frame	11.0	4064	2704	none	21.8	11.0	954	63
7.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
8.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
9.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
10.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
11.		Sony A7R III	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
12.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
13.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
14.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
15.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78

Many modern cameras cannot only take still pictures, but also record videos. The A7 II indeed provides movie recording capabilities, while the 1D Mark III does not. The highest resolution format that the A7 II can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7 II has a higher magnification than the one of the 1D Mark III (0.71x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Sony A7 II and Canon 1D Mark III in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
2.		Canon 1D Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	10.0/s	n	n
3.		Canon 1D Mark IV	optical	Y	3.0 / 920	fixed	n	1/8000s	10.0/s	n	n
4.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
5.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
6.		Canon 1Ds	optical	Y	2.0 / 120	fixed	n	1/8000s	3.0/s	n	n
7.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
8.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
9.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
10.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
11.		Sony A7R III	3686	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
13.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
14.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the A7 II and the 1D Mark III is in-body image stabilization (IBIS). The A7 II reduces the risk of handshake-induced blur with all attached lenses, while the 1D Mark III offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The A7 II writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 1D Mark III uses Compact Flash or SDHC cards. The 1D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 II and Canon EOS-1D Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
2.		Canon 1D Mark III	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 1D Mark IV	Y	stereo / -	Y	-	mini	2.0	-	-	-
4.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
5.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
6.		Canon 1Ds	Y	- / -	-	-	-	FW	-	-	-
7.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-
8.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
9.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
10.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
11.		Sony A7R III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
12.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
13.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A7 II offers wifi support, while the 1D Mark III does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Canon 1D Mark III (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A7 II and the 1D Mark III have been discontinued, but can regularly be found used on ebay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the A7 II was followed by the Sony A7 III. Further information on the features and operation of the A7 II and 1D Mark III can be found, respectively, in the Sony A7 II Manual (free pdf) or the online Canon 1D Mark III Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Sony A7 II and the Canon 1D Mark III? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Sony Alpha A7 II:

• More detail: Offers more megapixels (24 vs 10.1MP) with a 54% higher linear resolution.
• Better image quality: Scores substantially higher (19 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.2 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.2 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 1080/60p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.58x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More compact: Is smaller (127x96mm vs 156x157mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 556g or 48 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
• More modern: Reflects 7 years and 8 months of technical progress since the 1D Mark III launch.

Reasons to prefer the Canon EOS-1D Mark III:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (2200 versus 350) out of a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been around for much longer (launched in February 2007).

If the count of individual advantages (bullet points above) is taken as a guide, the A7 II is the clear winner of the match-up (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A7 II and the Canon 1D Mark III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A7 II or the 1D Mark III perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
2.		Canon 1D Mark III	..	..	..	..	..	..	Feb 2007	4,499	ebay.com
3.		Canon 1D Mark IV	5/5	..	..	89/100	..	..	Oct 2009	4,999	ebay.com
4.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	7,999	ebay.com
5.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	4,499	ebay.com
6.		Canon 1Ds	..	..	..	+ +	..	..	Sep 2002	8,999	ebay.com
7.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	4,999	ebay.com
8.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
9.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
10.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
11.		Sony A7R III	..	+ +	4/5	90/100	4.5/5	5/5	Oct 2017	3,199	ebay.com
12.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
13.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
14.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
15.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
17.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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