Sony A7 II vs Canon 1D Mark II
The Sony Alpha A7 II and the Canon EOS-1D Mark II are two digital cameras that were revealed to the public, respectively, in November 2014 and January 2004. The A7 II is a mirrorless interchangeable lens camera, while the 1D Mark II is a DSLR. The cameras are based on a full frame (A7 II) and an APS-H (1D Mark II) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 8.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 II and the Canon EOS-1D Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony A7 II and the Canon 1D Mark II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D Mark II is considerably larger (102 percent) than the Sony A7 II. Moreover, the 1D Mark II is substantially heavier (156 percent) than the A7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony FE Lens Catalog (A7 II) and the Canon EF Lens Catalog (1D Mark II). Mirrorless cameras, such as the Sony A7 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A7 II gets 350 shots out of its Sony NP-FW50 battery, while the 1D Mark II can take 1200 images on a single charge of its Canon NP-E3 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on ebay). The power pack in the A7 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
2. | Canon 1D Mark II | 156 mm | 158 mm | 80 mm | 1535 g | 1200 | Y | Jan 2004 | 4,499 | ebay.com | |
3. | Canon 1D | 156 mm | 158 mm | 80 mm | 1585 g | 500 | Y | Sep 2001 | 6,499 | ebay.com | |
4. | Canon 1D Mark II N | 156 mm | 158 mm | 80 mm | 1565 g | 1200 | Y | Aug 2005 | 3,999 | ebay.com | |
5. | Canon 1Ds Mark II | 156 mm | 158 mm | 80 mm | 1215 g | 1200 | Y | Sep 2004 | 7,999 | ebay.com | |
6. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
7. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 g | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
8. | Sony A7 | 127 mm | 94 mm | 48 mm | 474 g | 340 | Y | Oct 2013 | 1,699 | ebay.com | |
9. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
10. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
11. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | 2,299 | ebay.com | |
12. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
13. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
14. | Sony A7S II | 127 mm | 96 mm | 60 mm | 627 g | 370 | Y | Sep 2015 | 2,999 | ebay.com | |
15. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
16. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
17. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 II was launched at a markedly lower price (by 56 percent) than the 1D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A7 II features a full frame sensor and the Canon 1D Mark II an APS-H sensor. The sensor area in the 1D Mark II is 36 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.3. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the 1D Mark II (8.2MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 8.17μm for the 1D Mark II). However, the A7 II is a much more recent model (by 10 years and 9 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A7 II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Canon EOS-1D Mark II are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 50-3200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A7 II provides substantially higher image quality than the 1D Mark II, with an overall score that is 24 points higher. This advantage is based on 2.6 bits higher color depth, 2.5 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
2. | Canon 1D Mark II | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.1 | 1003 | 66 | |
3. | Canon 1D | APS-H | 4.1 | 2496 | 1662 | none | .. | .. | .. | .. | |
4. | Canon 1D Mark II N | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.2 | 975 | 66 | |
5. | Canon 1Ds Mark II | Full Frame | 16.6 | 4992 | 3328 | none | 23.3 | 11.3 | 1480 | 74 | |
6. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
7. | Canon 5D | Full Frame | 12.7 | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
8. | Sony A7 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 14.2 | 2248 | 90 | |
9. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
10. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
11. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
12. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
13. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
14. | Sony A7S II | Full Frame | 12.0 | 4240 | 2832 | 4K/30p | 23.6 | 13.3 | 2993 | 85 | |
15. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
16. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
17. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 |
Many modern cameras cannot only take still pictures, but also record videos. The A7 II indeed provides movie recording capabilities, while the 1D Mark II does not. The highest resolution format that the A7 II can use is 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7 II has a higher magnification than the one of the 1D Mark II (0.71x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A7 II, the Canon 1D Mark II, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
2. | Canon 1D Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 8.3/s | n | n | |
3. | Canon 1D | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 8.0/s | n | n | |
4. | Canon 1D Mark II N | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 8.5/s | n | n | |
5. | Canon 1Ds Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 4.0/s | n | n | |
6. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon 5D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 3.0/s | n | n | |
8. | Sony A7 | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | n | |
9. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
10. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
11. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
12. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
13. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7S II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
15. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
16. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
17. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the A7 II and the 1D Mark II is in-body image stabilization (IBIS). The A7 II reduces the risk of handshake-induced blur with all attached lenses, while the 1D Mark II offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The A7 II writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 1D Mark II uses Compact Flash or SD cards. The 1D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 II and Canon EOS-1D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
2. | Canon 1D Mark II | Y | - / - | - | - | - | 1.1 | - | - | - | |
3. | Canon 1D | Y | - / - | - | - | - | FW | - | - | - | |
4. | Canon 1D Mark II N | Y | - / - | - | - | - | 1.1 | - | - | - | |
5. | Canon 1Ds Mark II | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
7. | Canon 5D | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Sony A7 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
9. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
10. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
11. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
12. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
13. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A7S II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
15. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
16. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
17. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the A7 II offers wifi support, while the 1D Mark II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 1D Mark II (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the A7 II and the 1D Mark II have been discontinued, but can regularly be found used on ebay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the A7 II was followed by the Sony A7 III. Further information on the features and operation of the A7 II and 1D Mark II can be found, respectively, in the Sony A7 II Manual (free pdf) or the online Canon 1D Mark II Manual.
Review summary
So how do things add up? Which of the two cameras – the Sony A7 II or the Canon 1D Mark II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Alpha A7 II:
- More detail: Offers more megapixels (24 vs 8.2MP) with a 71% higher linear resolution.
- Better image quality: Scores substantially higher (24 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (127x96mm vs 156x158mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 936g or 61 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 10 years and 9 months of technical progress since the 1D Mark II launch.
Arguments in favor of the Canon EOS-1D Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster burst: Shoots at higher frequency (8.3 vs 5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (1200 versus 350) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in January 2004).
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the match-up (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7 II and the Canon 1D Mark II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A7 II and the 1D Mark II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
2. | Canon 1D Mark II | .. | .. | .. | + + | .. | .. | Jan 2004 | 4,499 | ebay.com | |
3. | Canon 1D | .. | .. | .. | + + | .. | .. | Sep 2001 | 6,499 | ebay.com | |
4. | Canon 1D Mark II N | .. | .. | .. | .. | .. | .. | Aug 2005 | 3,999 | ebay.com | |
5. | Canon 1Ds Mark II | .. | .. | .. | + + | .. | .. | Sep 2004 | 7,999 | ebay.com | |
6. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
7. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
8. | Sony A7 | 5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Oct 2013 | 1,699 | ebay.com | |
9. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
10. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
11. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | 2,299 | ebay.com | |
12. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
13. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
14. | Sony A7S II | 5/5 | + | .. | .. | 4.5/5 | 5/5 | Sep 2015 | 2,999 | ebay.com | |
15. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
16. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
17. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II vs Canon D30
- Canon 1D Mark II vs Nikon D2H
- Canon 1D Mark II vs Nikon D7500
- Canon 1D Mark II vs Sony A6100
- Canon 1D Mark II vs Sony A7C R
- Canon 1D Mark II vs Sony RX100 IV
- Canon 1Ds Mark III vs Sony A7 II
- Canon R7 vs Sony A7 II
- Panasonic FT7 vs Sony A7 II
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- Sony A7 II vs Sony A7 III
- Sony A7 II vs Sony A99 II
Specifications: Sony A7 II vs Canon 1D Mark II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A7 II | Canon 1D Mark II |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Sony E mount lenses | Canon EF mount lenses |
Launch Date | November 2014 | January 2004 |
Launch Price | USD 1,999 | USD 4,499 |
Sensor Specs | Sony A7 II | Canon 1D Mark II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | APS-H Sensor |
Sensor Size | 35.8 x 23.9 mm | 28.7 x 19.1 mm |
Sensor Area | 855.62 mm2 | 548.17 mm2 |
Sensor Diagonal | 43 mm | 34.5 mm |
Crop Factor | 1.0x | 1.3x |
Sensor Resolution | 24 Megapixels | 8.2 Megapixels |
Image Resolution | 6000 x 4000 pixels | 3504 x 2336 pixels |
Pixel Pitch | 5.97 μm | 8.17 μm |
Pixel Density | 2.80 MP/cm2 | 1.49 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | no Video |
ISO Setting | 100 - 25,600 ISO | 100 - 1,600 ISO |
ISO Boost | 50 - 51,200 ISO | 50 - 3,200 ISO |
Image Processor | BIONZ X | DIGIC II |
DXO Sensor Quality (score) | 90 | 66 |
DXO Color Depth (bits) | 24.9 | 22.3 |
DXO Dynamic Range (EV) | 13.6 | 11.1 |
DXO Low Light (ISO) | 2449 | 1003 |
Screen Specs | Sony A7 II | Canon 1D Mark II |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.71x | 0.55x |
Viewfinder Resolution | 2400k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 2.0inch |
LCD Resolution | 1230k dots | 230k dots |
LCD Attachment | Tilting screen | Fixed screen |
Shooting Specs | Sony A7 II | Canon 1D Mark II |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 5 shutter flaps/s | 8.3 shutter flaps/s |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | MS or SDXC cards | CF or SD cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | no |
Connectivity Specs | Sony A7 II | Canon 1D Mark II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 1.1 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Sony A7 II | Canon 1D Mark II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Sony NP-FW50 | Canon NP-E3 |
Battery Life (CIPA) | 350 shots per charge | 1200 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
127 x 96 x 60 mm (5.0 x 3.8 x 2.4 in) |
156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in) |
Camera Weight | 599 g (21.1 oz) | 1535 g (54.1 oz) |
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