Sony A68 vs Canon 500D
The Sony Alpha SLT-A68 and the Canon EOS 500D (labelled Canon T1i in some countries) are two digital cameras that were officially introduced, respectively, in November 2015 and March 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 15.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha SLT-A68 and the Canon EOS 500D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Sony A68 and the Canon 500D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 500D is notably smaller (15 percent) than the Sony A68. Moreover, the 500D is markedly lighter (15 percent) than the A68. In this context, it is worth noting that neither the A68 nor the 500D are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A68 gets 540 shots out of its Sony NP-FM500H battery, while the 500D can take 400 images on a single charge of its Canon LP-E5 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A68 | 143 mm | 104 mm | 81 mm | 610 g | 540 | n | Nov 2015 | 699 | ebay.com | |
2. | Canon 500D | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | 799 | ebay.com | |
3. | Canon 450D | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | 799 | ebay.com | |
4. | Canon 550D | 129 mm | 98 mm | 62 mm | 530 g | 440 | n | Feb 2010 | 699 | ebay.com | |
5. | Canon 650D | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | 849 | ebay.com | |
6. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
7. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
8. | Canon T6i | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | 749 | ebay.com | |
9. | Canon T6s | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
10. | Nikon D5600 | 124 mm | 97 mm | 70 mm | 465 g | 970 | n | Nov 2016 | 699 | ebay.com | |
11. | Panasonic ZS100 | 111 mm | 65 mm | 44 mm | 312 g | 300 | n | Jan 2016 | 699 | ebay.com | |
12. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | 749 | ebay.com | |
13. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
14. | Sony A58 | 129 mm | 95 mm | 78 mm | 492 g | 690 | n | Feb 2013 | 599 | ebay.com | |
15. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
16. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | 1,199 | ebay.com | |
17. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A68 was launched at a somewhat lower price (by 13 percent) than the 500D, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 500D is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A68) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A68 offers a higher resolution than the 500D (15.1MP), but the A68 has smaller individual pixels (pixel pitch of 3.91μm versus 4.69μm for the 500D). However, the A68 is a much more recent model (by 6 years and 7 months) than the 500D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
The Sony Alpha SLT-A68 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Canon EOS 500D are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A68 provides substantially higher image quality than the 500D, with an overall score that is 16 points higher. This advantage is based on 2.4 bits higher color depth, 2 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A68 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.5 | 701 | 79 | |
2. | Canon 500D | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
3. | Canon 450D | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
4. | Canon 550D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 784 | 66 | |
5. | Canon 650D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
6. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
7. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
8. | Canon T6i | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
9. | Canon T6s | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
10. | Nikon D5600 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 14.0 | 1306 | 84 | |
11. | Panasonic ZS100 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.5 | 559 | 70 | |
12. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
13. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
14. | Sony A58 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.3 | 12.5 | 753 | 74 | |
15. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
16. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
17. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A68 provides a higher frame rate than the 500D. It can shoot video footage at 1080/60i, while the Canon is limited to 1080/20p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A68 has an electronic viewfinder (1440k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A68 offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A68 has a higher magnification (0.57x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Sony A68 and Canon 500D in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A68 | 1440 | Y | 2.7 / 460 | tilting | n | 1/4000s | 8.0/s | Y | Y | |
2. | Canon 500D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
3. | Canon 450D | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
4. | Canon 550D | optical | n | 3.0 / 1040 | fixed | n | 1/4000s | 3.7/s | Y | n | |
5. | Canon 650D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
6. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
7. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
8. | Canon T6i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
9. | Canon T6s | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Nikon D5600 | optical | n | 3.2 / 1037 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
11. | Panasonic ZS100 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
12. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
13. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
14. | Sony A58 | 1440 | n | 2.7 / 460 | tilting | n | 1/4000s | 5.0/s | Y | Y | |
15. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
16. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
17. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the A68, but is missing on the 500D is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The A68 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 500D uses SDHC cards. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A68 and Canon EOS 500D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A68 | Y | stereo / mono | Y | - | micro | 2.0 | - | - | - | |
2. | Canon 500D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 450D | Y | - / - | - | - | mini | 2.0 | - | - | - | |
4. | Canon 550D | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
5. | Canon 650D | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
6. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
8. | Canon T6i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
9. | Canon T6s | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
10. | Nikon D5600 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
11. | Panasonic ZS100 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
13. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
14. | Sony A58 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
17. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the A68 has a microphone port, which is missing on the 500D. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the A68 and the 500D have been discontinued, but can regularly be found used on ebay. The 500D was replaced by the Canon 550D, while the A68 does not have a direct successor. Further information on the features and operation of the A68 and 500D can be found, respectively, in the Sony A68 Manual (free pdf) or the online Canon 500D Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Sony A68 or the Canon 500D – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha SLT-A68:
- More detail: Offers more megapixels (24 vs 15.1MP) with a 26% higher linear resolution.
- Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/20p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.54x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 3.4 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (540 versus 400) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
- More modern: Reflects 6 years and 7 months of technical progress since the 500D launch.
Arguments in favor of the Canon EOS 500D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More compact: Is smaller (129x98mm vs 143x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 90g or 15 percent) and is thus easier to take along.
- More heavily discounted: Has been around for much longer (launched in March 2009).
If the count of relative strengths (bullet points above) is taken as a measure, the A68 is the clear winner of the match-up (17 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A68 and the Canon 500D place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A68 or the 500D. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A68 | 3/5 | .. | .. | .. | 4/5 | 4/5 | Nov 2015 | 699 | ebay.com | |
2. | Canon 500D | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | 799 | ebay.com | |
3. | Canon 450D | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 799 | ebay.com | |
4. | Canon 550D | .. | + + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2010 | 699 | ebay.com | |
5. | Canon 650D | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | 849 | ebay.com | |
6. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
7. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
8. | Canon T6i | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
9. | Canon T6s | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
10. | Nikon D5600 | 4/5 | .. | 4/5 | 79/100 | 4.5/5 | 4/5 | Nov 2016 | 699 | ebay.com | |
11. | Panasonic ZS100 | 4.5/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
12. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | 749 | ebay.com | |
13. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
14. | Sony A58 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 599 | ebay.com | |
15. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
16. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | 1,199 | ebay.com | |
17. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Sony A68 vs Canon 500D
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A68 | Canon 500D |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Sony A mount lenses | Canon EF mount lenses |
Launch Date | November 2015 | March 2009 |
Launch Price | USD 699 | USD 799 |
Sensor Specs | Sony A68 | Canon 500D |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 23.5 x 15.6 mm | 22.3 x 14.9 mm |
Sensor Area | 366.6 mm2 | 332.27 mm2 |
Sensor Diagonal | 28.2 mm | 26.8 mm |
Crop Factor | 1.5x | 1.6x |
Sensor Resolution | 24 Megapixels | 15.1 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4752 x 3168 pixels |
Pixel Pitch | 3.91 μm | 4.69 μm |
Pixel Density | 6.55 MP/cm2 | 4.53 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60i Video | 1080/20p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 6,400 ISO |
ISO Boost | no Enhancement | 100 - 12,800 ISO |
Image Processor | BIONZ X | DIGIC 4 |
DXO Sensor Quality (score) | 79 | 63 |
DXO Color Depth (bits) | 24.1 | 21.7 |
DXO Dynamic Range (EV) | 13.5 | 11.5 |
DXO Low Light (ISO) | 701 | 663 |
Screen Specs | Sony A68 | Canon 500D |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 95% |
Viewfinder Magnification | 0.57x | 0.54x |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.7inch | 3.0inch |
LCD Resolution | 460k dots | 920k dots |
LCD Attachment | Tilting screen | Fixed screen |
Shooting Specs | Sony A68 | Canon 500D |
Focus System | Phase-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 8 shutter flaps/s | 3.4 shutter flaps/s |
Shutter Life Expectancy | 100 000 actuations | 100 000 actuations |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | SDHC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Sony A68 | Canon 500D |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | no Wifi | no Wifi |
Body Specs | Sony A68 | Canon 500D |
Battery Type | Sony NP-FM500H | Canon LP-E5 |
Battery Life (CIPA) | 540 shots per charge | 400 shots per charge |
Body Dimensions |
143 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
129 x 98 x 62 mm (5.1 x 3.9 x 2.4 in) |
Camera Weight | 610 g (21.5 oz) | 520 g (18.3 oz) |
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