Sony A6500 vs RX1R
The Sony Alpha A6500 and the Sony Cyber-shot DSC-RX1R are two enthusiast cameras that were announced, respectively, in October 2016 and June 2013. The A6500 is a mirrorless interchangeable lens camera, while the RX1R is a fixed lens compact. The cameras are based on an APS-C (A6500) and a full frame (RX1R) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Sony Cyber-shot DSC-RX1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony A6500 and the Sony RX1R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R is notably smaller (9 percent) than the Sony A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the RX1R does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the RX1R can take 270 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|2.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|3.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|4.||Leica X Typ 113||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295|
|5.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|6.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|7.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|8.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|9.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|10.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|11.||Sony RX1R II||113 mm||65 mm||72 mm||507 g||220||n||Oct 2015||3,299|
|12.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|13.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|14.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|15.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|16.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Sony RX1R a full frame sensor. The sensor area in the RX1R is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the RX1R has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the RX1R has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is much more recent (by 3 years and 3 months) than the RX1R, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the RX1R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX1R has a markedly higher DXO score than the A6500 (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 0.1 EV of lower dynamic range, and 0.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|4.||Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||23.6||12.8||1491||78|
|5.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|6.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|9.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|11.||Sony RX1R II||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97|
|12.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|13.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|15.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a higher video resolution than the RX1R. It can shoot video footage at 4K/30p, while the RX1R is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the RX1R relies on live view and the rear LCD for framing. That said, the RX1R can be equipped with an optional viewfinder – the FDA-EV1MK. The following table reports on some other key feature differences and similarities of the Sony A6500, the Sony RX1R, and comparable cameras.
|1.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|2.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|3.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|4.||Leica X Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|5.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|6.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|7.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|8.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||n||Y|
|9.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|10.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|11.||Sony RX1R II||2360||n||3.0 / 1229||tilting||n||1/4000s||5.0/s||n||n|
|12.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|13.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|14.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|15.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|16.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the RX1R has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A6500 and the RX1R write their files to SDXC or Memory Stick PRO Duo cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the RX1R cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Sony Cyber-shot DSC-RX1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|2.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Leica X Typ 113||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|7.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|8.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|9.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|10.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Sony RX1R II||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|12.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A6500 offers wifi support, while the RX1R does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the A6500 and the RX1R have been discontinued, but can regularly be found used on eBay. The RX1R was replaced by the Sony RX1R II, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what is the bottom line? Is the Sony A6500 better than the Sony RX1R or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Sony Alpha A6500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 270) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 3 months of technical progress since the RX1R launch.
Reasons to prefer the Sony Cyber-shot DSC-RX1R:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Ready to shoot: Has an integrated lens, whereas the A6500 necessitates an extra lens.
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (16 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6500 and the Sony RX1R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the A6500 or the RX1R perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|2.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|3.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|4.||Leica X Typ 113||3.5/5||..||..||..||3.5/5||4/5||Sep 2014||2,295|
|5.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|6.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|7.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|8.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|9.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|10.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|11.||Sony RX1R II||5/5||..||..||82/100||..||4.5/5||Oct 2015||3,299|
|12.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|13.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|14.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|15.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|16.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II vs Sony A6500
- Canon 850D vs Sony A6500
- Canon SX620 vs Sony A6500
- Canon T5i vs Sony A6500
- Leica M10-P vs Sony RX1R
- Leica Q Typ 116 vs Sony A6500
- Nikon D3000 vs Sony RX1R
- Nikon D70 vs Sony RX1R
- Nikon L840 vs Sony RX1R
- Olympus PEN-F vs Sony A6500
- Panasonic G2 vs Sony RX1R
- Ricoh WG-60 vs Sony RX1R
Specifications: Sony A6500 vs Sony RX1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6500||Sony RX1R|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||35mm f/2.0|
|Launch Date||October 2016||June 2013|
|Launch Price||USD 1,399||USD 2,799|
|Sensor Specs||Sony A6500||Sony RX1R|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||366.6 mm2||855.62 mm2|
|Sensor Diagonal||28.2 mm||43 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.91 μm||5.97 μm|
|Pixel Density||6.55 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||85||91|
|DXO Color Depth (bits)||24.5||25.0|
|DXO Dynamic Range (EV)||13.7||13.6|
|DXO Low Light (ISO)||1405||2537|
|Screen Specs||Sony A6500||Sony RX1R|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Sony A6500||Sony RX1R|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Image Stabilization||In-body stabilization||no handshake reduction|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Sony A6500||Sony RX1R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Sony A6500||Sony RX1R|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||350 shots per charge||270 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
113 x 65 x 70 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||453 g (16.0 oz)||482 g (17.0 oz)|
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