Sony A6500 vs A77
The Sony Alpha A6500 and the Sony Alpha SLT-A77 are two enthusiast cameras that were officially introduced, respectively, in October 2016 and August 2011. The A6500 is a mirrorless interchangeable lens camera, while the A77 is a DSLR. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6500||Sony A77|
|Mirrorless system camera||Digital single lens reflex|
|Sony E mount lenses||Sony A mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-16000 (50-25600)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 921k dots|
|Tilting touchscreen||Fully flexible screen (no touchscreen)|
|11 shutter flaps per second||12 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|350 shots per battery charge||470 shots per battery charge|
|120 x 67 x 53 mm, 453 g||143 x 104 x 81 mm, 732 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Sony Alpha SLT-A77? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A6500 vs A77
An illustration of the physical size and weight of the Sony A6500 and the Sony A77 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 is considerably larger (85 percent) than the Sony A6500. Moreover, the A77 is substantially heavier (62 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the A77 can take 470 images on a single charge of its NP-FM500H power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A6500»||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony A77«||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Canon G1 X Mark III« »||4.5 in||3.1 in||2.0 in||14.1 oz||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Pentax K-3« »||5.2 in||3.9 in||3.0 in||28.2 oz||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A77 II« »||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||-||Sony A99|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6500 vs A77
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 24 megapixels. This similarity in sensor specs implies that both the A6500 and the A77 have the same pixel density, as well as the same pixel size. It should, however, be noted that the A6500 is much more recent (by 5 years and 1 month) than the A77, and its sensor will have benefitted from technological advances during this time.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha SLT-A77 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6500 has a notably higher overall DXO score than the A77 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, 0.5 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A6500»||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A77«||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Canon G1 X Mark III« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Pentax K-3« »||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77 II« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a higher video resolution than the A77. It can shoot video footage at 4K/30p, while the A77 is limited to 1080/60p.
Feature comparison: Sony A6500 vs A77
Apart from body and sensor, cameras can and do differ across a range of features. The A6500 and the A77 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2359k dots. The adjacent table lists some of the other core features of the Sony A6500 and Sony A77 along with similar information for a selection of comparators.
|Sony A6500»||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A77«||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Canon G1 X Mark III« »||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Pentax K-3« »||optical||Y||3.2||1037||fixed||n||1/8000s||8.3||Y||Y||Pentax K-3|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A6300« »||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77 II« »||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the A77 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The A77 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A6500 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A6500 and the A77 write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Sony A6500 vs A77
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Sony Alpha SLT-A77 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6500»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A77«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Canon G1 X Mark III« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Olympus PEN-F« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Pentax K-3« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77 II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the A6500 offers wifi support, while the A77 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Sony A77 (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A6500 is a recent model that features in the current product line-up of Sony. In contrast, the A77 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A77 was succeeded by the Sony A77 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
Review summary: Sony A6500 vs A77
So what is the bottom line? Which of the two cameras – the Sony A6500 or the Sony A77 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha A6500:
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 279g or 38 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 5 years and 1 month of technical progress since the A77 launch.
Arguments in favor of the Sony Alpha SLT-A77:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (470 versus 350) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the match-up (12 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6500 and the Sony A77 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6500 or the A77. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Sony A6500 vs A77
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A6500»||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Sony A77«||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Canon G1 X Mark III« »||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Pentax K-3« »||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A77 II« »||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon T5i vs Sony A6500
- Fujifilm X-T10 vs Sony A6500
- Nikon D5600 vs Sony A77 II
- Nikon D600 vs Sony A6500
- Nikon D850 vs Sony A77
- Nikon D90 vs Sony A77
- Panasonic FZ1000 vs Sony A77 II
- Panasonic LX10 vs Sony A6500
- Panasonic ZS200 vs Sony A6500
- Sony A6500 vs Sony RX1R
- Sony A77 II vs Sony A900
- Sony A77 II vs Sony RX100 III
Specifications: Sony A6500 vs Sony A77
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6500||Sony A77|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Sony A mount lenses|
|Launch Date||October 2016||August 2011|
|Launch Price||USD 1399||USD 1399|
|Sensor Specs||Sony A6500||Sony A77|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||366.6 mm2||366.6 mm2|
|Sensor Diagonal||28.2 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.91 μm||3.91 μm|
|Pixel Density||6.55 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-16000 ISO|
|ISO Boost||100-51200 ISO||50-25600 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||85||78|
|DXO Color Depth (bits)||24.5||24.0|
|DXO Dynamic Range (EV)||13.7||13.2|
|DXO Low Light (ISO)||1405||801|
|Screen Specs||Sony A6500||Sony A77|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||921k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Sony A6500||Sony A77|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||11 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||150 000 actuations|
|Electronic Shutter||YES||no E-Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6500||Sony A77|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Sony A6500||Sony A77|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||NP-FW50 power pack||NP-FM500H power pack|
|Battery Life (CIPA)||350 shots per charge||470 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||453 g (16.0 oz)||732 g (25.8 oz)|
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