Sony A6500 vs Nikon D90
The Sony Alpha A6500 and the Nikon D90 are two enthusiast cameras that were officially introduced, respectively, in October 2016 and August 2008. The A6500 is a mirrorless interchangeable lens camera, while the D90 is a DSLR. Both cameras are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixels, whereas the Nikon provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Nikon D90? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony A6500 and the Nikon D90 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D90 is considerably larger (69 percent) than the Sony A6500. Moreover, the D90 is substantially heavier (55 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the D90 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Nikon Lens Catalog (D90). Mirrorless cameras, such as the Sony A6500, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the D90 can take 850 images on a single charge of its Nikon EN-EL3e power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | 1,399 | ebay.com | |
2. | Nikon D90 | 132 mm | 103 mm | 77 mm | 703 g | 850 | n | Aug 2008 | 1,299 | ebay.com | |
3. | Canon 40D | 146 mm | 108 mm | 74 mm | 822 g | 750 | n | Aug 2007 | 1,299 | ebay.com | |
4. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
5. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
6. | Nikon D300S | 147 mm | 115 mm | 81 mm | 938 g | 950 | Y | Jul 2009 | 1,799 | ebay.com | |
7. | Nikon D5000 | 127 mm | 104 mm | 80 mm | 590 g | 510 | n | Apr 2009 | 749 | ebay.com | |
8. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
9. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ebay.com | |
10. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
11. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | 1,399 | amazon.com | |
12. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | 899 | amazon.com | |
13. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | 1,399 | amazon.com | |
14. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
15. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | 1,199 | ebay.com | |
16. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
17. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | 1,349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D90 was somewhat cheaper (by 7 percent) than the A6500 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D90 is 2 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Sony A6500 offers a higher resolution of 24 megapixels, compared with 12.2 MP of the Nikon D90. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 5.53μm for the D90). However, it should be noted that the A6500 is much more recent (by 8 years and 1 month) than the D90, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D90 are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.
The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D90 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 200-6400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6500 provides substantially higher image quality than the D90, with an overall score that is 12 points higher. This advantage is based on 1.8 bits higher color depth, 1.2 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
2. | Nikon D90 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 977 | 73 | |
3. | Canon 40D | APS-C | 10.1 | 3888 | 2592 | none | 22.1 | 11.3 | 703 | 64 | |
4. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
5. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
6. | Nikon D300S | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.5 | 12.2 | 787 | 70 | |
7. | Nikon D5000 | APS-C | 12.2 | 4288 | 2848 | 720/24p | 22.7 | 12.5 | 868 | 72 | |
8. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
9. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
10. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
11. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
12. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
13. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 | |
14. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
15. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
16. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
17. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a higher video resolution than the D90. It can shoot video footage at 4K/30p, while the Nikon is limited to 720/24p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the D90 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6500 offers a wider field of view (100%) than the one in the D90 (96%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6500 has a higher magnification (0.70x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Sony A6500 and Nikon D90 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
2. | Nikon D90 | optical | Y | 3.0 / 920 | fixed | n | 1/4000s | 4.5/s | Y | n | |
3. | Canon 40D | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 6.5/s | Y | n | |
4. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
5. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
6. | Nikon D300S | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 7.0/s | Y | n | |
7. | Nikon D5000 | optical | n | 2.7 / 230 | full-flex | n | 1/4000s | 4.0/s | Y | n | |
8. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
12. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
13. | Sony A6600 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
14. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
15. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
16. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
17. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the A6500 and the D90 is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the D90 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the D90 uses SDHC cards. The A6500 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D90 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Nikon D90 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
2. | Nikon D90 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 40D | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
5. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
6. | Nikon D300S | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Nikon D5000 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
8. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
11. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y | |
12. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
13. | Sony A6600 | Y | stereo / mono | Y | Y | YES | 2.0 | Y | Y | Y | |
14. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
15. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
16. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the A6500 has a microphone port, which is missing on the D90. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the A6500 and the D90 have been discontinued, but can regularly be found used on ebay. The D90 was replaced by the Nikon D7000, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the A6500 and D90 can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Nikon D90 Manual.
Review summary
So how do things add up? Which of the two cameras – the Sony A6500 or the Nikon D90 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony Alpha A6500:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 40% higher linear resolution.
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.63x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 4.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 132x103mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 250g or 36 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 1 month of technical progress since the D90 launch.
Arguments in favor of the Nikon D90:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (850 versus 350) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in August 2008).
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (25 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6500 and the Nikon D90 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A6500 or the D90 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | 1,399 | ebay.com | |
2. | Nikon D90 | .. | + + | .. | + + | 4/5 | 4.5/5 | Aug 2008 | 1,299 | ebay.com | |
3. | Canon 40D | .. | + + | .. | + + | 4.5/5 | 4.5/5 | Aug 2007 | 1,299 | ebay.com | |
4. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
5. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
6. | Nikon D300S | 5/5 | + + | .. | 82/100 | 4/5 | 4.5/5 | Jul 2009 | 1,799 | ebay.com | |
7. | Nikon D5000 | .. | + + | .. | 75/100 | 4/5 | 4.5/5 | Apr 2009 | 749 | ebay.com | |
8. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
9. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ebay.com | |
10. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
11. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | 1,399 | amazon.com | |
12. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | 899 | amazon.com | |
13. | Sony A6600 | 4/5 | + | 4/5 | 83/100 | 4.5/5 | 4/5 | Aug 2019 | 1,399 | amazon.com | |
14. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
15. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | 1,199 | ebay.com | |
16. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
17. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | 1,349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Sony A6500 vs Nikon D90
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A6500 | Nikon D90 |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Sony E mount lenses | Nikon F mount lenses |
Launch Date | October 2016 | August 2008 |
Launch Price | USD 1,399 | USD 1,299 |
Sensor Specs | Sony A6500 | Nikon D90 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 23.5 x 15.6 mm | 23.6 x 15.8 mm |
Sensor Area | 366.6 mm2 | 372.88 mm2 |
Sensor Diagonal | 28.2 mm | 28.4 mm |
Crop Factor | 1.5x | 1.5x |
Sensor Resolution | 24 Megapixels | 12.2 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4288 x 2848 pixels |
Pixel Pitch | 3.91 μm | 5.53 μm |
Pixel Density | 6.55 MP/cm2 | 3.28 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 720/24p Video |
ISO Setting | 100 - 25,600 ISO | 200 - 3,200 ISO |
ISO Boost | 100 - 51,200 ISO | 200 - 6,400 ISO |
Image Processor | BIONZ X | EXPEED |
DXO Sensor Quality (score) | 85 | 73 |
DXO Color Depth (bits) | 24.5 | 22.7 |
DXO Dynamic Range (EV) | 13.7 | 12.5 |
DXO Low Light (ISO) | 1405 | 977 |
Screen Specs | Sony A6500 | Nikon D90 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 96% |
Viewfinder Magnification | 0.70x | 0.63x |
Viewfinder Resolution | 2359k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 920k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Sony A6500 | Nikon D90 |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 11 shutter flaps/s | 4.5 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 100 000 actuations |
Electronic Shutter | YES | no E-Shutter |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | SDHC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Sony A6500 | Nikon D90 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Sony A6500 | Nikon D90 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Sony NP-FW50 | Nikon EN-EL3e |
Battery Life (CIPA) | 350 shots per charge | 850 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
120 x 67 x 53 mm (4.7 x 2.6 x 2.1 in) |
132 x 103 x 77 mm (5.2 x 4.1 x 3.0 in) |
Camera Weight | 453 g (16.0 oz) | 703 g (24.8 oz) |
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