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Sony A6500 versus Fujifilm X-T2

The Sony Alpha A6500 and the Fujifilm X-T2 are two enthusiast cameras that were revealed to the public, respectively, in October 2016 and July 2016. Both the A6500 and the X-T2 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.

Body comparison

The physical size and weight of the Sony A6500 and the Fujifilm X-T2 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A6500 – represents the basis for the calculations across all the size and weight measures).

Sony A6500 vs Fujifilm X-T2 front
A6500 versus X-T2 top view
A6500 and X-T2 rear side
Body view (A6500 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is considerably larger (52 percent) than the Sony A6500. Moreover, the X-T2 is markedly heavier (12 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the X-T2 can take 340 images on a single charge of its NP-W126S power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6500 (⇒ rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Fujifilm X-T2 (⇒ lft) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Canon 80D (⇒ lft | rgt) 139 mm 105 mm 79 mm 730 g 960 YES 2016 1,199 latest check
Fujifilm X100F (⇒ lft | rgt) 127 mm 75 mm 52 mm 469 g 390 no 2017 1,299 latest check
Fujifilm X-A3 (⇒ lft | rgt) 117 mm 67 mm 40 mm 339 g 410 no 2016 399 latest check
Fujifilm X-E2S (⇒ lft | rgt) 129 mm 75 mm 37 mm 350 g 350 no 2016 699discont. check
Fujifilm X-Pro2 (⇒ lft | rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Fujifilm X-T1 (⇒ lft | rgt) 129 mm 90 mm 47 mm 440 g 350 YES 2014 1,699discont. check
Nikon D7500 (⇒ lft | rgt) 136 mm 104 mm 73 mm 720 g 950 YES 2017 1,299 latest check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6500 was launched at a somewhat lower price (by 13 percent) than the X-T2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Fujifilm X-T2 sensor measures
Sensor size

Even though the X-T2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-T2 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is a somewhat more recent model (by 2 months) than the X-T2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A6500 versus X-T2 MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A6500 (⇒ rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Fujifilm X-T2 (⇒ lft) APS-C 24.0 6000 4000 4K/30p - - - -
Canon 80D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.6 13.2 1135 79
Fujifilm X100F (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-A3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-E2S (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Fujifilm X-Pro2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T1 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Nikon D7500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.3 14.0 1483 86
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-T2 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Sony A6500, the Fujifilm X-T2, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A6500 (⇒ rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Fujifilm X-T2 (⇒ lft) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Canon 80D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Fujifilm X100F (⇒ lft | rgt) 2360 no 3.0 1040 fixed no 4000 8.0 4.6 no
Fujifilm X-A3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 6.0 7 no
Fujifilm X-E2S (⇒ lft | rgt) 2360 no 3.0 1040 fixed no 4000 7.0 7 no
Fujifilm X-Pro2 (⇒ lft | rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Fujifilm X-T1 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 4000 8.0 no no
Nikon D7500 (⇒ lft | rgt) optical YES 3.2 922 tilting YES 8000 8.0 12 no
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 YES
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 YES
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no

Both the A6500 and the X-T2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T2 replaced the earlier Fujifilm X-T1, while the A6500 followed on from the Sony A6300.

Summary

So how do things add up? Which of the two cameras – the Sony A6500 or the Fujifilm X-T2 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


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Arguments in favor of the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More compact: Is smaller (120x67mm vs 133x92mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 54g or 11 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 2 months after the X-T2).

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Reasons to prefer the Fujifilm X-T2:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
  • More heavily discounted: Has been on the market for longer (launched in July 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 emerges as the winner of the contest (8 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

A6500 08:05 X-T2

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6500 or the X-T2. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6500 (⇒ rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Fujifilm X-T2 (⇒ lft) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Canon 80D (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,199 latest check
Fujifilm X100F (⇒ lft | rgt) Rec 83/100 Gold 4.5/5 .. 4.5/5 2017 1,299 latest check
Fujifilm X-A3 (⇒ lft | rgt) - 74/100 4.5/5 - 4/5 2016 399 latest check
Fujifilm X-E2S (⇒ lft | rgt) - 77/100 4.5/5 - 4.5/5 2016 699discont. check
Fujifilm X-Pro2 (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Fujifilm X-T1 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4/5 5/5 2014 1,699discont. check
Nikon D7500 (⇒ lft | rgt) HiRec 86/100 Silver 5/5 4.5/5 4.5/5 2017 1,299 latest check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.

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