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Sony A6500 versus Fujifilm X-T2

The Sony Alpha A6500 and the Fujifilm X-T2 are two enthusiast cameras that were revealed to the public, respectively, in October 2016 and July 2016. Both the A6500 and the X-T2 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Fujifilm X-T2

An illustration of the physical size and weight of the Sony A6500 and the Fujifilm X-T2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6500 – represents 100 percent across all the size and weight measures).

Compare Sony A6500 vs Fujifilm X-T2
Compare A6500 versus X-T2 top
Compare A6500 and X-T2 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is considerably larger (52 percent) than the Sony A6500. Moreover, the X-T2 is markedly heavier (12 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the X-T2 can take 340 images on a single charge of its NP-W126S power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500» 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Fujifilm X-T2« 5.2 in 3.6 in 1.9 in 17.9 oz 340 Y Jul 2016 1,599- i Fujifilm X-T2
Canon G1 X Mark III« » 4.5 in 3.1 in 2.0 in 14.1 oz 200 Y Oct 2017 1,299 i i Canon G1 X Mark III
Fujifilm X-T3« » 5.2 in 3.7 in 2.3 in 19.0 oz 390 Y Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Fujifilm X-T1« » 5.1 in 3.5 in 1.9 in 15.5 oz 350 Y Jan 2014 1,699- i Fujifilm X-T1
Fujifilm X-Pro1« » 5.5 in 3.2 in 1.7 in 15.9 oz 300 n Jan 2012 1,699- i Fujifilm X-Pro1
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

The camera’s price is obviously a critical decision-making factor. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6500 was launched at a somewhat lower price (by 13 percent) than the X-T2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Sony A6500 vs Fujifilm X-T2

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Fujifilm X-T2 sensor measures

Even though the X-T2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-T2 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is a somewhat more recent model (by 2 months) than the X-T2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A6500 versus X-T2 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6500» APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Fujifilm X-T2« APS-C 24.0 6000 40004K/30p----Fujifilm X-T2
Canon G1 X Mark III« » APS-C 24.0 6000 40001080/60p----Canon G1 X Mark III
Fujifilm X-T3« » APS-C 26.0 6240 41604K/60p----Fujifilm X-T3
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Fujifilm X-T1« » APS-C 16.0 4896 32641080/60p----Fujifilm X-T1
Fujifilm X-Pro1« » APS-C 16.0 4896 32641080/24p----Fujifilm X-Pro1
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Sony A6500 vs Fujifilm X-T2

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-T2 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Sony A6500, the Fujifilm X-T2, and comparable cameras. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6500»2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Fujifilm X-T2«2360 n 3.0 1040 tilting n 8000 14.0 n n Fujifilm X-T2
Canon G1 X Mark III« »2360 n 3.0 1040 swivel Y 2000 9.0 Y Y Canon G1 X Mark III
Fujifilm X-T3« »3690 n 3.2 1040 tilting Y 8000 11.0 n n Fujifilm X-T3
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Fujifilm X-T1« »2360 n 3.0 1040 tilting n 4000 8.0 n n Fujifilm X-T1
Fujifilm X-Pro1« »1440 n 3.0 1230 fixed n 4000 6.0 n n Fujifilm X-Pro1
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the X-T2 does not. While the build-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the X-T2 uses SDXC cards. The X-T2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Sony A6500»YstereomonoY-micro2.0YY-Sony A6500
Fujifilm X-T2«YstereomonoY-micro3.0Y--Fujifilm X-T2
Canon G1 X Mark III« »Ystereomono--micro2.0YYYCanon G1 X Mark III
Fujifilm X-T3« »YstereomonoYYmicro3.1Y-YFujifilm X-T3
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Fujifilm X-T1« »YstereomonoY-mini2.0Y--Fujifilm X-T1
Fujifilm X-Pro1« »Ystereomono--mini2.0---Fujifilm X-Pro1
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
Sony RX10 III« »YstereomonoYYmicro2.0YY-Sony RX10 III
Sony RX10 II« »YstereomonoYYmicro2.0YY-Sony RX10 II
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7

The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the X-T2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-T2 was succeeded by the Fujifilm X-T3 .

Review summary: Sony A6500 vs Fujifilm X-T2

So what is the bottom line? Is the Sony A6500 better than the Fujifilm X-T2 or vice versa? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • More compact: Is smaller (120x67mm vs 133x92mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 54g or 11 percent) and hence easier to carry around.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 2 months after the X-T2).

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Arguments in favor of the Fujifilm X-T2:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More heavily discounted: Has been on the market for longer (launched in July 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 emerges as the winner of the contest (9 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

A6500 09:07 X-T2

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A6500 and the X-T2 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500»HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Fujifilm X-T2«HiRec86/1004.5/55/55/5 Jul 2016 1,599- i Fujifilm X-T2
Canon G1 X Mark III« »Rec79/1004.5/5-4.5/5 Oct 2017 1,299 i i Canon G1 X Mark III
Fujifilm X-T3« »----5/5 Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Fujifilm X-T1« »HiRec84/1005/54/55/5 Jan 2014 1,699- i Fujifilm X-T1
Fujifilm X-Pro1« »HiRec79/1004.5/54/54.5/5 Jan 2012 1,699- i Fujifilm X-Pro1
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to add information on that model to the database.

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