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Sony A6500 versus Fujifilm X-Pro2

The Sony Alpha A6500 and the Fujifilm X-Pro2 are two enthusiast cameras that were revealed to the public, respectively, in October 2016 and January 2016. Both the A6500 and the X-Pro2 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Fujifilm X-Pro2

The physical size and weight of the Sony A6500 and the Fujifilm X-Pro2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A6500 – represents the basis for the calculations across all the size and weight measures).

Compare Sony A6500 vs Fujifilm X-Pro2
Compare A6500 versus X-Pro2 top
Compare A6500 and X-Pro2 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is considerably larger (46 percent) than the Sony A6500. Moreover, the X-Pro2 is markedly heavier (9 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500» 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Fujifilm X-Pro2« 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Canon G1 X Mark III« » 4.5 in 3.1 in 2.0 in 14.1 oz 200 Y Oct 2017 1,299 i i Canon G1 X Mark III
Fujifilm X-T3« » 5.2 in 3.7 in 2.3 in 19.0 oz 390 Y Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X100F« » 5.0 in 3.0 in 2.0 in 16.5 oz 390 n Jan 2017 1,299 i i Fujifilm X100F
Fujifilm X-A3« » 4.6 in 2.6 in 1.6 in 12.0 oz 410 n Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« » 5.2 in 3.6 in 1.9 in 17.9 oz 340 Y Jul 2016 1,599- i Fujifilm X-T2
Fujifilm X-Pro1« » 5.5 in 3.2 in 1.7 in 15.9 oz 300 n Jan 2012 1,699- i Fujifilm X-Pro1
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

The camera’s price is obviously a critical decision-making factor. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a somewhat lower price (by 18 percent) than the X-Pro2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Sony A6500 vs Fujifilm X-Pro2

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

In terms of underlying technology, both cameras are build around CMOS sensors.

Sony A6500 and Fujifilm X-Pro2 sensor measures

Even though the X-Pro2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-Pro2 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is a somewhat more recent model (by 8 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A6500 versus X-Pro2 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6500» APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Fujifilm X-Pro2« APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Canon G1 X Mark III« » APS-C 24.0 6000 40001080/60p----Canon G1 X Mark III
Fujifilm X-T3« » APS-C 26.0 6240 41604K/60p----Fujifilm X-T3
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
Fujifilm X-A3« » APS-C 24.0 6000 40001080/60p----Fujifilm X-A3
Fujifilm X-T2« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T2
Fujifilm X-Pro1« » APS-C 16.0 4896 32641080/24p----Fujifilm X-Pro1
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a higher video resolution than the X-Pro2. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/60p.

 

Feature comparison: Sony A6500 vs Fujifilm X-Pro2

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro2 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The adjacent table lists some of the other core features of the Sony A6500 and Fujifilm X-Pro2 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6500»2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Fujifilm X-Pro2«2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Canon G1 X Mark III« »2360 n 3.0 1040 swivel Y 2000 9.0 Y Y Canon G1 X Mark III
Fujifilm X-T3« »3690 n 3.2 1040 tilting Y 8000 11.0 n n Fujifilm X-T3
Fujifilm X100F« »2360 n 3.0 1040 fixed n 4000 8.0 Y n Fujifilm X100F
Fujifilm X-A3« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A3
Fujifilm X-T2« »2360 n 3.0 1040 tilting n 8000 14.0 n n Fujifilm X-T2
Fujifilm X-Pro1« »1440 n 3.0 1230 fixed n 4000 6.0 n n Fujifilm X-Pro1
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the X-Pro2 does not. While the build-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the X-Pro2 uses SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Sony A6500»YstereomonoY-micro2.0YY-Sony A6500
Fujifilm X-Pro2«YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Canon G1 X Mark III« »Ystereomono--micro2.0YYYCanon G1 X Mark III
Fujifilm X-T3« »YstereomonoYYmicro3.1Y-YFujifilm X-T3
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
Fujifilm X-A3« »Ystereomono--micro2.0Y--Fujifilm X-A3
Fujifilm X-T2« »YstereomonoY-micro3.0Y--Fujifilm X-T2
Fujifilm X-Pro1« »Ystereomono--mini2.0---Fujifilm X-Pro1
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
Sony RX10 III« »YstereomonoYYmicro2.0YY-Sony RX10 III
Sony RX10 II« »YstereomonoYYmicro2.0YY-Sony RX10 II
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7

Both the A6500 and the X-Pro2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the A6500 followed on from the Sony A6300.

Review summary: Sony A6500 vs Fujifilm X-Pro2

So what conclusions can be drawn? Is the Sony A6500 better than the Fujifilm X-Pro2 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 141x83mm) and thus needs less room in the bag.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced segment (18 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 8 months after the X-Pro2).

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Arguments in favor of the Fujifilm X-Pro2:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (11 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

A6500 11:05 X-Pro2

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A6500 or the X-Pro2 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500»HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Fujifilm X-Pro2«Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Canon G1 X Mark III« »Rec79/1004.5/5-4.5/5 Oct 2017 1,299 i i Canon G1 X Mark III
Fujifilm X-T3« »----5/5 Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X100F« »Rec83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
Fujifilm X-A3« »-74/1004.5/5-4/5 Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« »HiRec86/1004.5/55/55/5 Jul 2016 1,599- i Fujifilm X-T2
Fujifilm X-Pro1« »HiRec79/1004.5/54/54.5/5 Jan 2012 1,699- i Fujifilm X-Pro1
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please send me an email, and I will try to locate and add the respective data to the application.

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