Sony A6500 vs Fujifilm X-H1

The Sony Alpha A6500 and the Fujifilm X-H1 are two enthusiast cameras that were revealed to the public, respectively, in October 2016 and February 2018. Both the A6500 and the X-H1 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6500		Fujifilm X-H1
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Fujifilm X mount lenses
24 MP – APS-C sensor		24 MP – APS-C sensor
4K/30p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 200-12,800 (100 - 51,200)
Electronic viewfinder (2359k dots)		Electronic viewfinder (3690k dots)
3.0" LCD – 922k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fully flexible touchscreen
11 shutter flaps per second		14 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
350 shots per battery charge		310 shots per battery charge
120 x 67 x 53 mm, 453 g		140 x 97 x 86 mm, 673 g

Check A6500 offers at
ebay.com
Check X-H1 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Fujifilm X-H1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A6500 and the Fujifilm X-H1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-H1 is considerably larger (69 percent) than the Sony A6500. Moreover, the X-H1 is substantially heavier (49 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Fujinon X Lens Catalog (X-H1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the X-H1 can take 310 images on a single charge of its Fujifilm NP-W126S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
2.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	1,899	ebay.com
3.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	1,999	amazon.com
4.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	2,499	amazon.com
5.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
6.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
7.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	ebay.com
8.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	1,699	amazon.com
9.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
10.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
11.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
12.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
13.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
14.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
15.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	1,399	amazon.com
16.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	1,399	amazon.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a markedly lower price (by 26 percent) than the X-H1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the X-H1 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-H1 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-H1 is a somewhat more recent model (by 1 year and 4 months) than the A6500, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm X-H1 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the A6500 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-H1 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
2.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
3.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
4.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
5.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
6.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
7.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
8.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
9.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
10.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
11.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
12.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
13.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
14.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
15.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
16.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-H1 offers a substantially higher resolution than the one in the A6500 (3690k vs 2359k dots). The adjacent table lists some of the other core features of the Sony A6500 and Fujifilm X-H1 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
2.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
3.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
4.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
5.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
6.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
7.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
8.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
9.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
10.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
11.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
12.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
13.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
15.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
16.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the X-H1 does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the X-H1 uses SDXC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6500 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the A6500 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Fujifilm X-H1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
3.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
4.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
5.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
7.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
8.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
15.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
16.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

Studio photographers will appreciate that the Fujifilm X-H1 (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A6500 and the X-H1 have been discontinued, but can regularly be found used on ebay. The A6500 was replaced by the Sony A6600, while the X-H1 does not have a direct successor. Further information on the features and operation of the A6500 and X-H1 can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Fujifilm X-H1 Manual.

Review summary

So how do things add up? Which of the two cameras – the Sony A6500 or the Fujifilm X-H1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Sony Alpha A6500:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (120x67mm vs 140x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 220g or 33 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (350 versus 310) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (26 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in October 2016).

Arguments in favor of the Fujifilm X-H1:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2359k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.70x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Was introduced somewhat (1 year and 4 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the contest (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6500 and the Fujifilm X-H1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the A6500 or the X-H1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
2.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	1,899	ebay.com
3.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	1,999	amazon.com
4.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	2,499	amazon.com
5.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
6.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
7.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	ebay.com
8.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	1,699	amazon.com
9.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
10.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
11.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
12.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
13.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
14.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
15.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	1,399	amazon.com
16.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	1,399	amazon.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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