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Sony A6500 versus Fujifilm X-E3

The Sony Alpha A6500 and the Fujifilm X-E3 are two digital cameras that were revealed to the public, respectively, in October 2016 and September 2017. Both the A6500 and the X-E3 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Fujifilm X-E3

An illustration of the physical size and weight of the Sony A6500 and the Fujifilm X-E3 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6500 – represents the basis or 100 percent across all the size and weight measures).

Snapsort Sony A6500 vs Fujifilm X-E3
Compare A6500 versus X-E3 top
Compare A6500 and X-E3 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is notably larger (11 percent) than the Sony A6500. However, the X-E3 is markedly lighter (26 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the X-E3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500» 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Fujifilm X-E3« 4.8 in 2.9 in 1.7 in 11.9 oz 350 n Sep 2017 899 i i Fujifilm X-E3
Canon M6« » 4.4 in 2.7 in 1.8 in 13.8 oz 295 n Feb 2017 779 i i Canon M6
Fujifilm X-A5« » 4.6 in 2.7 in 1.6 in 12.7 oz 450 n Jan 2018 399 i i Fujifilm X-A5
Fujifilm X-T20« » 4.6 in 3.3 in 1.6 in 13.5 oz 350 n Jan 2017 899 i i Fujifilm X-T20
Fujifilm X70« » 4.4 in 2.5 in 1.7 in 12.0 oz 330 n Jan 2016 799- i Fujifilm X70
Fujifilm X-E2S« » 5.1 in 3.0 in 1.5 in 12.3 oz 350 n Jan 2016 699- i Fujifilm X-E2S
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E3 was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A6500 vs Fujifilm X-E3

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Fujifilm X-E3 sensor measures

Even though the X-E3 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-E3 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-E3 is a somewhat more recent model (by 11 months) than the A6500, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A6500 versus X-E3 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6500» APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Fujifilm X-E3« APS-C 24.0 6000 40004K/30p----Fujifilm X-E3
Canon M6« » APS-C 24.0 6000 40001080/60p----Canon M6
Fujifilm X-A5« » APS-C 24.0 6000 40004K/15p----Fujifilm X-A5
Fujifilm X-T20« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T20
Fujifilm X70« » APS-C 16.0 4896 32641080/60p----Fujifilm X70
Fujifilm X-E2S« » APS-C 16.0 4896 32641080/60p----Fujifilm X-E2S
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Sony A6500 vs Fujifilm X-E3

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-E3 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The adjacent table lists some of the other core features of the Sony A6500 and Fujifilm X-E3 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6500»2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Fujifilm X-E3«2360 n 3.0 1040 fixed Y 4000 8.0 n n Fujifilm X-E3
Canon M6« »- n 3.0 1040 tilting Y 4000 9.0 Y n Canon M6
Fujifilm X-A5« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A5
Fujifilm X-T20« »2360 n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X-T20
Fujifilm X70« »- n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X70
Fujifilm X-E2S« »2360 n 3.0 1040 fixed n 4000 7.0 Y n Fujifilm X-E2S
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

Both the A6500 and the X-E3 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A6500 replaced the earlier Sony A6300, while the X-E3 followed on from the Fujifilm X-E2S.

Review summary: Sony A6500 vs Fujifilm X-E3

So what is the bottom line? Which of the two cameras – the Sony A6500 or the Fujifilm X-E3 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More heavily discounted: Has been on the market for longer (launched in October 2016).

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Advantages of the Fujifilm X-E3:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • Less heavy: Has a lower weight (by 116g or 26 percent) and is thus easier to take along.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
  • More modern: Was introduced somewhat (11 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 emerges as the winner of the contest (7 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

A6500 07:05 X-E3

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A6500 and the X-E3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500»HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Fujifilm X-E3«Rec84/1004.5/54.5/54.5/5 Sep 2017 899 i i Fujifilm X-E3
Canon M6« »-80/1004/54.5/54/5 Feb 2017 779 i i Canon M6
Fujifilm X-A5« »----3.5/5 Jan 2018 399 i i Fujifilm X-A5
Fujifilm X-T20« »HiRec82/1005/5-4.5/5 Jan 2017 899 i i Fujifilm X-T20
Fujifilm X70« »-76/1004.5/54/54.5/5 Jan 2016 799- i Fujifilm X70
Fujifilm X-E2S« »-77/1004.5/5-4.5/5 Jan 2016 699- i Fujifilm X-E2S
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.

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