Sony A6500 vs Canon XTi

The Sony Alpha A6500 and the Canon EOS Rebel XTi (labelled Canon 400D in some countries) are two digital cameras that were announced, respectively, in October 2016 and August 2006. The A6500 is a mirrorless interchangeable lens camera, while the XTi is a DSLR. Both cameras are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 10.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6500		Canon XTi
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Canon EF mount lenses
24 MP – APS-C sensor		10.1 MP – APS-C sensor
4K/30p Video		no Video
ISO 100-25,600 (100 - 51,200)		ISO 100-1,600
Electronic viewfinder (2359k dots)		Optical viewfinder
3.0" LCD – 922k dots		2.5" LCD – 230k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
11 shutter flaps per second		3 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
350 shots per battery charge		370 shots per battery charge
120 x 67 x 53 mm, 453 g		127 x 84 x 65 mm, 556 g

Check A6500 offers at
ebay.com
Check XTi offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Canon EOS Rebel XTi? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A6500 and the Canon XTi are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon XTi is notably larger (33 percent) than the Sony A6500. Moreover, the XTi is markedly heavier (23 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the XTi does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Canon EF Lens Catalog (XTi). Mirrorless cameras, such as the Sony A6500, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the XTi can take 370 images on a single charge of its Canon NB-2LH power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
2.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	799	ebay.com
3.		Canon 40D	146 mm	108 mm	74 mm	822 g	750	n	Aug 2007	1,299	ebay.com
4.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	449	ebay.com
5.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
6.		Canon XS	126 mm	98 mm	65 mm	502 g	500	n	Jun 2008	449	ebay.com
7.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
8.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
9.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
10.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
11.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
12.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
13.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
14.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
15.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	1,399	amazon.com
16.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	1,399	amazon.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XTi was launched at a markedly lower price (by 43 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the XTi is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6500) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A6500 offers a higher resolution than the XTi (10.1MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 5.71μm for the XTi). However, the A6500 is a much more recent model (by 10 years and 1 month) than the XTi, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon XTi are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS Rebel XTi are ISO 100 to ISO 1600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6500 provides substantially higher image quality than the XTi, with an overall score that is 23 points higher. This advantage is based on 2.4 bits higher color depth, 2.7 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
2.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
3.		Canon 40D	APS-C	10.1	3888	2592	none	22.1	11.3	703	64
4.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
5.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
6.		Canon XS	APS-C	10.1	3888	2592	none	22.0	10.9	719	62
7.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
8.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
9.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
10.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
11.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
12.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
13.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
14.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
15.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
16.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A6500 indeed provides movie recording capabilities, while the XTi does not. The highest resolution format that the A6500 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the XTi has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6500 offers a wider field of view (100%) than the one in the XTi (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6500 has a higher magnification (0.70x vs 0.49x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A6500, the Canon XTi, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
2.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
3.		Canon 40D	optical	Y	3.0 / 230	fixed	n	1/8000s	6.5/s	Y	n
4.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
5.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon XS	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
7.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
8.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
9.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
10.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
11.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
12.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
13.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
15.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
16.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the A6500 and the XTi is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the XTi offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the XTi uses Compact Flash cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Canon EOS Rebel XTi and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 40D	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
6.		Canon XS	Y	- / -	-	-	-	2.0	-	-	-
7.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
8.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
13.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
14.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
15.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
16.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A6500 offers wifi support, while the XTi does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the A6500 and the XTi have been discontinued, but can regularly be found used on ebay. The XTi was replaced by the Canon Xsi, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the A6500 and XTi can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Canon XTi Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Sony A6500 and the Canon XTi? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Sony Alpha A6500:

• More detail: Offers more megapixels (24 vs 10.1MP) with a 54% higher linear resolution.
• Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.7 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.49x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (120x67mm vs 127x84mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 103g or 19 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 10 years and 1 month of technical progress since the XTi launch.

Arguments in favor of the Canon EOS Rebel XTi:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in August 2006).

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (25 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6500 and the Canon XTi place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A6500 and the XTi in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
2.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	799	ebay.com
3.		Canon 40D	..	+ +	..	+ +	4.5/5	4.5/5	Aug 2007	1,299	ebay.com
4.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	449	ebay.com
5.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
6.		Canon XS	..	82/100	..	+ +	3.5/5	4.5/5	Jun 2008	449	ebay.com
7.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
8.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
9.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
10.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
11.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
12.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
13.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
14.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
15.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	1,399	amazon.com
16.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	1,399	amazon.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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