Sony A6500 vs Canon Rebel

The Sony Alpha A6500 and the Canon EOS Digital Rebel (labelled Canon 300D in some countries) are two digital cameras that were officially introduced, respectively, in October 2016 and August 2003. The A6500 is a mirrorless interchangeable lens camera, while the Rebel is a DSLR. Both cameras are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 6.3 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6500		Canon Rebel
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Canon EF mount lenses
24 MP – APS-C sensor		6.3 MP – APS-C sensor
4K/30p Video		no Video
ISO 100-25,600 (100 - 51,200)		ISO 100-1,600
Electronic viewfinder (2359k dots)		Optical viewfinder
3.0" LCD – 922k dots		1.8" LCD – 118k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
11 shutter flaps per second		2.5 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
350 shots per battery charge		400 shots per battery charge
120 x 67 x 53 mm, 453 g		142 x 99 x 72 mm, 649 g

Check A6500 offers at
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Check Rebel offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Canon EOS Digital Rebel? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A6500 and the Canon Rebel is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon Rebel is considerably larger (75 percent) than the Sony A6500. Moreover, the Rebel is substantially heavier (43 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the Rebel does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Canon EF Lens Catalog (Rebel). Mirrorless cameras, such as the Sony A6500, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the Rebel can take 400 images on a single charge of its Canon BP-511 power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
2.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
3.		Canon T7i	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	749	ebay.com
4.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
5.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
6.		Canon 20D	144 mm	106 mm	72 mm	770 g	700	n	Aug 2004	1,499	ebay.com
7.		Canon 10D	150 mm	107 mm	75 mm	850 g	500	n	Feb 2003	1,999	ebay.com
8.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
9.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
10.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
11.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	1,399	amazon.com
12.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
13.		Sony A6600	120 mm	67 mm	69 mm	503 g	810	Y	Aug 2019	1,399	amazon.com
14.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
15.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
16.		Sony A77	143 mm	104 mm	81 mm	732 g	470	Y	Aug 2011	1,399	ebay.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Rebel was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the Rebel is 7 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6500) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A6500 offers a higher resolution than the Rebel (6.3MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 7.38μm for the Rebel). However, the A6500 is a much more recent model (by 13 years and 1 month) than the Rebel, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon Rebel are 15.4 x 10.2 inches or 39 x 26 cm for good quality, 12.3 x 8.2 inches or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inches or 26 x 17.3 cm for excellent quality prints.

The A6500 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS Digital Rebel are ISO 100 to ISO 1600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6500 provides substantially higher image quality than the Rebel, with an overall score that is 30 points higher. This advantage is based on 3.5 bits higher color depth, 2.9 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
2.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
3.		Canon T7i	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
4.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
5.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
6.		Canon 20D	APS-C	8.2	3504	2336	none	21.9	11.0	721	62
7.		Canon 10D	APS-C	6.3	3072	2048	none	21.1	10.9	571	57
8.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
9.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
10.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
11.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
12.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
13.		Sony A6600	APS-C	24.0	6000	4000	4K/30p	23.8	13.4	1497	82
14.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
15.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
16.		Sony A77	APS-C	24.0	6000	4000	1080/60p	24.0	13.2	801	78
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A6500 indeed provides movie recording capabilities, while the Rebel does not. The highest resolution format that the A6500 can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), while the Rebel has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6500 offers a wider field of view (100%) than the one in the Rebel (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6500 has a higher magnification (0.70x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A6500, the Canon Rebel, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
2.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
3.		Canon T7i	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
6.		Canon 20D	optical	Y	1.8 / 118	fixed	n	1/8000s	5.0/s	Y	n
7.		Canon 10D	optical	Y	1.8 / 118	fixed	n	1/4000s	3.0/s	Y	n
8.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
9.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
10.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
11.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
12.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
13.		Sony A6600	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	n	Y
14.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
16.		Sony A77	2359	Y	3.0 / 921	full-flex	n	1/8000s	12.0/s	Y	Y
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the A6500 and the Rebel is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the Rebel offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the Rebel uses Compact Flash cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Canon EOS Digital Rebel and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
3.		Canon T7i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
6.		Canon 20D	Y	- / -	-	-	-	1.1	-	-	-
7.		Canon 10D	Y	- / -	-	-	-	1.1	-	-	-
8.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y
12.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
13.		Sony A6600	Y	stereo / mono	Y	Y	YES	2.0	Y	Y	Y
14.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
15.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
16.		Sony A77	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A6500 offers wifi support, while the Rebel does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the A6500 and the Rebel have been discontinued, but can regularly be found used on ebay. The Rebel was replaced by the Canon XT, while the A6500 was followed by the Sony A6600. Further information on the features and operation of the A6500 and Rebel can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Canon Rebel Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Sony A6500 and the Canon Rebel? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Sony Alpha A6500:

• More detail: Offers more megapixels (24 vs 6.3MP) with a 95% higher linear resolution.
• Better image quality: Scores substantially higher (30 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (3.5 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.9 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.4 stops ISO advantage).
• Broader imaging potential: Can record not only still images but also 4K/30p movies.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.55x).
• Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (922k vs 118k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (11 vs 2.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (120x67mm vs 142x99mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 196g or 30 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 13 years and 1 month of technical progress since the Rebel launch.

Reasons to prefer the Canon EOS Digital Rebel:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
• More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in August 2003).

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the match-up (26 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6500 and the Canon Rebel place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A6500 and the Rebel in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
2.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
3.		Canon T7i	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	749	ebay.com
4.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
5.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
6.		Canon 20D	..	..	..	+ +	..	..	Aug 2004	1,499	ebay.com
7.		Canon 10D	..	..	..	+ +	..	..	Feb 2003	1,999	ebay.com
8.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
9.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
10.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
11.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	1,399	amazon.com
12.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
13.		Sony A6600	4/5	+	4/5	83/100	4.5/5	4/5	Aug 2019	1,399	amazon.com
14.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
15.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
16.		Sony A77	5/5	91/100	..	81/100	..	5/5	Aug 2011	1,399	ebay.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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