Sony A6500 vs Canon M50
The Sony Alpha A6500 and the Canon EOS M50 are two digital cameras that were announced, respectively, in October 2016 and February 2018. Both the A6500 and the M50 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6500 and the Canon EOS M50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Sony A6500 and the Canon M50 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M50 is notably larger (27 percent) than the Sony A6500. However, the M50 is markedly lighter (14 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the M50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A6500 gets 350 shots out of its Sony NP-FW50 battery, while the M50 can take 235 images on a single charge of its Canon LP-E12 power pack. The power pack in the A6500 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 120 mm | 67 mm | 53 mm | 453 g | 350 | Y | Oct 2016 | 1,399 | ebay.com | |
2. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
3. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
4. | Canon M6 Mark II | 120 mm | 70 mm | 49 mm | 408 g | 305 | n | Aug 2019 | 849 | ebay.com | |
5. | Canon M6 | 112 mm | 68 mm | 45 mm | 390 g | 295 | n | Feb 2017 | 779 | ebay.com | |
6. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
7. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
8. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
9. | Olympus PEN-F | 125 mm | 72 mm | 37 mm | 427 g | 330 | n | Jan 2016 | 1,199 | ebay.com | |
10. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
11. | Sony A6700 | 122 mm | 69 mm | 64 mm | 493 g | 570 | Y | Jul 2023 | 1,399 | amazon.com | |
12. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | 899 | amazon.com | |
13. | Sony A6600 | 120 mm | 67 mm | 69 mm | 503 g | 810 | Y | Aug 2019 | 1,399 | amazon.com | |
14. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
15. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | 1,199 | ebay.com | |
16. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
17. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | 1,349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M50 was launched at a markedly lower price (by 44 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the M50 is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6500) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A6500 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A6500 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the M50), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the M50 is a somewhat more recent model (by 1 year and 4 months) than the A6500, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Sony Alpha A6500 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The Canon EOS M50 offers exactly the same ISO settings.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.5 | 13.7 | 1405 | 85 | |
2. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
3. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
4. | Canon M6 Mark II | APS-C | 32.3 | 6960 | 4640 | 4K/30p | 24.0 | 13.5 | 1848 | 83 | |
5. | Canon M6 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.4 | 12.6 | 1317 | 78 | |
6. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
7. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
8. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
9. | Olympus PEN-F | Four Thirds | 20.2 | 5184 | 3888 | 1080/60p | 23.1 | 12.4 | 894 | 74 | |
10. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
11. | Sony A6700 | APS-C | 25.6 | 6192 | 4128 | 4K/120p | 24.3 | 14.0 | 2329 | 86 | |
12. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
13. | Sony A6600 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.4 | 1497 | 82 | |
14. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
15. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
16. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
17. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a higher frame rate than the M50. It can shoot video footage at 4K/30p, while the Canon is limited to 4K/24p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the M50 offers a slightly higher resolution than the one in the A6500 (2360k vs 2359k dots). The table below summarizes some of the other core capabilities of the Sony A6500 and Canon M50 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | Y | |
2. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
3. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
4. | Canon M6 Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 14.0/s | Y | n | |
5. | Canon M6 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 9.0/s | Y | n | |
6. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
7. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
8. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
9. | Olympus PEN-F | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A6700 | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 11.0/s | n | Y | |
12. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
13. | Sony A6600 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | n | Y | |
14. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
15. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
16. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
17. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the A6500 and the M50 is in-body image stabilization (IBIS). The A6500 reduces the risk of handshake-induced blur with all attached lenses, while the M50 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The M50 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A6500 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A6500 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the M50 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6500 and Canon EOS M50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
2. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
3. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
4. | Canon M6 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Canon M6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
7. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
9. | Olympus PEN-F | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
11. | Sony A6700 | Y | stereo / mono | Y | Y | YES | 3.2 | Y | Y | Y | |
12. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
13. | Sony A6600 | Y | stereo / mono | Y | Y | YES | 2.0 | Y | Y | Y | |
14. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
15. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
16. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
Both the A6500 and the M50 have been discontinued, but can regularly be found used on ebay. The A6500 was replaced by the Sony A6600, while the M50 was followed by the Canon M50 Mark II. Further information on the features and operation of the A6500 and M50 can be found, respectively, in the Sony A6500 Manual (free pdf) or the online Canon M50 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Sony A6500 or the Canon M50 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony Alpha A6500:
- Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 116x88mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (350 versus 235) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in October 2016).
Reasons to prefer the Canon EOS M50:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Has a lower weight (by 63g or 14 percent) and is thus easier to take along.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A6500 comes out slightly ahead of the M50 (9 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6500 and the Canon M50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6500 or the M50. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6500 | 5/5 | + + | 3.5/5 | 85/100 | 4.5/5 | 4.5/5 | Oct 2016 | 1,399 | ebay.com | |
2. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
3. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
4. | Canon M6 Mark II | .. | + | 4.5/5 | 85/100 | 4/5 | 4/5 | Aug 2019 | 849 | ebay.com | |
5. | Canon M6 | .. | .. | .. | 80/100 | 4/5 | 4/5 | Feb 2017 | 779 | ebay.com | |
6. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
7. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
8. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
9. | Olympus PEN-F | .. | .. | 4/5 | 82/100 | 4.5/5 | 5/5 | Jan 2016 | 1,199 | ebay.com | |
10. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
11. | Sony A6700 | 4.5/5 | + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Jul 2023 | 1,399 | amazon.com | |
12. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | 899 | amazon.com | |
13. | Sony A6600 | 4/5 | + | 4/5 | 83/100 | 4.5/5 | 4/5 | Aug 2019 | 1,399 | amazon.com | |
14. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
15. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | 1,199 | ebay.com | |
16. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
17. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | 1,349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 300D vs Sony A6500
- Canon 5DS vs Canon M50
- Canon G7 X Mark II vs Sony A6500
- Canon M50 vs Canon XTi
- Canon M50 vs Leica D-LUX 6
- Canon M50 vs Olympus E-450
- Canon M50 vs Pentax K-1
- Canon M50 vs Sony NEX-5R
- Fujifilm GFX 100S vs Sony A6500
- Nikon D40 vs Sony A6500
- Nikon D5600 vs Sony A6500
- Panasonic G85 vs Sony A6500
Specifications: Sony A6500 vs Canon M50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A6500 | Canon M50 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Sony E mount lenses | Canon EF-M mount lenses |
Launch Date | October 2016 | February 2018 |
Launch Price | USD 1,399 | USD 779 |
Sensor Specs | Sony A6500 | Canon M50 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | APS-C Sensor |
Sensor Size | 23.5 x 15.6 mm | 22.3 x 14.9 mm |
Sensor Area | 366.6 mm2 | 332.27 mm2 |
Sensor Diagonal | 28.2 mm | 26.8 mm |
Crop Factor | 1.5x | 1.6x |
Sensor Resolution | 24 Megapixels | 24 Megapixels |
Image Resolution | 6000 x 4000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 3.91 μm | 3.72 μm |
Pixel Density | 6.55 MP/cm2 | 7.22 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/24p Video |
ISO Setting | 100 - 25,600 ISO | 100 - 25,600 ISO |
ISO Boost | 100 - 51,200 ISO | 100 - 51,200 ISO |
Image Processor | BIONZ X | DIGIC 8 |
DXO Sensor Quality (score) | 85 | .. |
DXO Color Depth (bits) | 24.5 | .. |
DXO Dynamic Range (EV) | 13.7 | .. |
DXO Low Light (ISO) | 1405 | .. |
Screen Specs | Sony A6500 | Canon M50 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2359k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1040k dots |
LCD Attachment | Tilting screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Sony A6500 | Canon M50 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 11 shutter flaps/s | 10 shutter flaps/s |
Shutter Life Expectancy | 200 000 actuations | 100 000 actuations |
Electronic Shutter | YES | no E-Shutter |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Sony A6500 | Canon M50 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | no NFC |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Sony A6500 | Canon M50 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Sony NP-FW50 | Canon LP-E12 |
Battery Life (CIPA) | 350 shots per charge | 235 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
120 x 67 x 53 mm (4.7 x 2.6 x 2.1 in) |
116 x 88 x 59 mm (4.6 x 3.5 x 2.3 in) |
Camera Weight | 453 g (16.0 oz) | 390 g (13.8 oz) |
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