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Sony A6500 versus Canon M5

The Sony Alpha A6500 and the Canon EOS M5 are two digital cameras that were revealed to the public, respectively, in October 2016 and September 2016. Both the A6500 and the M5 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Canon M5

An illustration of the physical size and weight of the Sony A6500 and the Canon M5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A6500 – represents the basis for the calculations across all the size and weight measures).

Compare Sony A6500 vs Canon M5
Compare A6500 versus M5 top
Compare A6500 and M5 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M5 is notably larger (28 percent) than the Sony A6500. However, the M5 is markedly lighter (6 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the M5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the M5 can take 295 images on a single charge of its LP-E17 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500» 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Canon M5« 4.6 in 3.5 in 2.4 in 15.1 oz 295 n Sep 2016 979 i i Canon M5
Canon 77D« » 5.2 in 3.9 in 3.0 in 19.0 oz 600 n Feb 2017 899 i i Canon 77D
Canon SL2« » 4.8 in 3.7 in 2.8 in 16.0 oz 650 n Jun 2017 549 i i Canon SL2
Canon M10« » 4.3 in 2.6 in 1.4 in 10.6 oz 255 n Oct 2015 499- i Canon M10
Canon M3« » 4.4 in 2.7 in 1.7 in 12.9 oz 250 n Feb 2015 679- i Canon M3
Canon T6s« » 5.2 in 4.0 in 3.1 in 19.9 oz 440 n Feb 2015 849- i Canon T6s
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

Any camera purchase will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M5 was launched at a markedly lower price (by 30 percent) than the A6500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A6500 vs Canon M5

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the M5 is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6500) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Canon M5 sensor measures

Even though the A6500 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A6500 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the M5), which gives it a potential advantage in terms of light gathering capacity. The two cameras were released in close succession, so that their sensors are from the same technological generation.

A6500 versus M5 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6500 has a notably higher overall DXO score than the M5 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.1 bits higher color depth, 1.3 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6500» APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Canon M5« APS-C 24.0 6000 40001080/60p23.412.4126277Canon M5
Canon 77D« » APS-C 24.0 6000 40001080/60p23.613.397178Canon 77D
Canon SL2« » APS-C 24.0 6000 40001080/60p23.613.4104179Canon SL2
Canon M10« » APS-C 17.9 5184 34561080/30p22.211.475365Canon M10
Canon M3« » APS-C 24.0 6000 40001080/30p22.811.8116972Canon M3
Canon T6s« » APS-C 24.0 6000 40001080/30p22.612.091570Canon T6s
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a higher video resolution than the M5. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.

 

Feature comparison: Sony A6500 vs Canon M5

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the M5 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Sony A6500, the Canon M5, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6500»2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Canon M5«2360 n 3.2 1620 tilting Y 4000 9.0 Y n Canon M5
Canon 77D« »optical Y 3.0 1040 swivel Y 4000 6.0 Y n Canon 77D
Canon SL2« »optical n 3.0 1040 swivel Y 4000 5.0 Y n Canon SL2
Canon M10« »- n 3.0 1040 tilting Y 4000 4.6 Y n Canon M10
Canon M3« »- n 3.0 1040 tilting Y 4000 4.2 Y n Canon M3
Canon T6s« »optical Y 3.0 1040 swivel Y 4000 5.0 Y n Canon T6s
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

Both the A6500 and the M5 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A6500 replaced the earlier Sony A6300, while the M5 does not have a direct predecessor.

Review summary: Sony A6500 vs Canon M5

So what is the bottom line? Is the Sony A6500 better than the Canon M5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

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Reasons to prefer the Sony Alpha A6500:

  • Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 116x89mm) and thus needs less room in the bag.
  • Longer lasting: Can take more shots (350 versus 295) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization build-in.

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Arguments in favor of the Canon EOS M5:

  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).

If the count of individual advantages (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (9 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

A6500 09:03 M5

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6500 or the M5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500»HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Canon M5«Rec82/1004/54.5/54/5 Sep 2016 979 i i Canon M5
Canon 77D« »-82/1004.5/54.5/54/5 Feb 2017 899 i i Canon 77D
Canon SL2« »HiRec78/1004.5/54.5/54.5/5 Jun 2017 549 i i Canon SL2
Canon M10« »---rev4/5 Oct 2015 499- i Canon M10
Canon M3« »rev75/1004.5/54.5/54/5 Feb 2015 679- i Canon M3
Canon T6s« »Rec77/1004.5/54.5/54.5/5 Feb 2015 849- i Canon T6s
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, please contact me, and I will try to update the database with the necessary infos.

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