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Sony A6500 versus Canon M5

The Sony Alpha A6500 and the Canon EOS M5 are two digital cameras that were officially introduced, respectively, in October 2016 and September 2016. Both the A6500 and the M5 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Canon M5

The side-by-side display below illustrates the physical size and weight of the Sony A6500 and the Canon M5. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6500 – represents the basis or 100 percent across all the size and weight measures).

Compare Sony A6500 vs Canon M5
A6500 versus M5 top view
A6500 and M5 rear side
Body view (A6500 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M5 is notably larger (28 percent) than the Sony A6500. However, the M5 is markedly lighter (6 percent) than the A6500. It is worth mentioning in this context that the A6500 is splash and dust resistant, while the M5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the M5 can take 295 images on a single charge of its LP-E17 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6500 (⇒ rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Canon M5 (⇒ lft) 116 mm 89 mm 61 mm 427 g 295 no 2016 979 latest check
Canon 77D (⇒ lft | rgt) 131 mm 100 mm 76 mm 540 g 600 no 2017 899 latest check
Canon SL2 (⇒ lft | rgt) 122 mm 93 mm 70 mm 453 g 650 no 2017 549 latest check
Canon M10 (⇒ lft | rgt) 108 mm 67 mm 35 mm 301 g 255 no 2015 499discont. check
Canon M3 (⇒ lft | rgt) 111 mm 68 mm 44 mm 366 g 250 no 2015 679discont. check
Canon T6s (⇒ lft | rgt) 132 mm 101 mm 78 mm 565 g 440 no 2015 849discont. check
Nikon D7500 (⇒ lft | rgt) 136 mm 104 mm 73 mm 720 g 950 YES 2017 1,299 latest check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check
Sony NEX-7 (⇒ lft | rgt) 120 mm 67 mm 43 mm 400 g 430 no 2011 1,349discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M5 was launched at a markedly lower price (by 30 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Sony A6500 vs Canon M5

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the M5 is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6500) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Canon M5 sensor measures
Sensor size

Even though the A6500 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A6500 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the M5), which gives it a potential advantage in terms of light gathering capacity. The two cameras were released in close succession, so that their sensors are from the same technological generation.

A6500 versus M5 MP
Sensor resolution

Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A6500 has a notably higher overall DXO score than the M5 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.1 bits higher color depth, 1.3 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A6500 (⇒ rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Canon M5 (⇒ lft) APS-C 24.0 6000 4000 1080/60p 23.4 12.4 1262 77
Canon 77D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p .. .. .. ..
Canon SL2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.6 13.4 1041 79
Canon M10 (⇒ lft | rgt) APS-C 17.9 5184 3456 1080/30p 22.2 11.4 753 65
Canon M3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/30p 22.8 11.8 1169 72
Canon T6s (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/30p 22.6 12.0 915 70
Nikon D7500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.3 14.0 1483 86
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90
Sony NEX-7 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60i 24.1 13.4 1016 81

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a higher video resolution than the M5. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.

Feature comparison: Sony A6500 vs Canon M5

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the M5 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The adjacent table lists some of the other core features of the Sony A6500 and Canon M5 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A6500 (⇒ rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Canon M5 (⇒ lft) 2360 no 3.2 1620 tilting YES 4000 9.0 5 no
Canon 77D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 6.0 12 no
Canon SL2 (⇒ lft | rgt) optical no 3.0 1040 swivel YES 4000 5.0 9.8 no
Canon M10 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 4.6 5 no
Canon M3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 4.2 5 no
Canon T6s (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 5.0 12 no
Nikon D7500 (⇒ lft | rgt) optical YES 3.2 922 tilting YES 8000 8.0 12 no
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 YES
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 YES
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no
Sony NEX-7 (⇒ lft | rgt) 2359 no 3.0 921 tilting no 4000 10.0 6 no

Both the A6500 and the M5 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A6500 replaced the earlier Sony A6300, while the M5 does not have a direct predecessor.

Review summary: Sony A6500 vs Canon M5

So how do things add up? Which of the two cameras – the Sony A6500 or the Canon M5 – has the upper hand? The listing below highlights the relative strengths of the two models.


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Arguments in favor of the Sony Alpha A6500:

  • Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 116x89mm) and thus needs less room in the bag.
  • Longer lasting: Can take more shots (350 versus 295) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization build-in.

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Advantages of the Canon EOS M5:

  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the match-up (9 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

A6500 09:03 M5

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6500 or the M5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6500 (⇒ rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Canon M5 (⇒ lft) Rec 82/100 Silver 4/5 4.5/5 4/5 2016 979 latest check
Canon 77D (⇒ lft | rgt) .. 82/100 Silver 4.5/5 4.5/5 4/5 2017 899 latest check
Canon SL2 (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 4.5/5 4.5/5 2017 549 latest check
Canon M10 (⇒ lft | rgt) - - - reviewed 4/5 2015 499discont. check
Canon M3 (⇒ lft | rgt) reviewed 75/100 4.5/5 4.5/5 4/5 2015 679discont. check
Canon T6s (⇒ lft | rgt) Rec 77/100 Silver 4.5/5 4.5/5 4.5/5 2015 849discont. check
Nikon D7500 (⇒ lft | rgt) HiRec 86/100 Silver 5/5 4.5/5 4.5/5 2017 1,299 latest check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check
Sony NEX-7 (⇒ lft | rgt) HiRec 81/100 Gold 4.5/5 5/5 5/5 2011 1,349discont. check

Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.


Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please send me an email, and I will try to add information on that model to the database.

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