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Sony A6500 versus Canon 6D Mark II

The Sony Alpha A6500 and the Canon EOS 6D Mark II are two enthusiast cameras that were officially introduced, respectively, in October 2016 and June 2017. The A6500 is a mirrorless interchangeable lens camera, while the 6D Mark II is a DSLR. The cameras are based on an APS-C (A6500) and a full frame (6D Mark II) sensor. The Sony has a resolution of 24 megapixel, whereas the Canon provides 26 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6500 vs Canon 6D Mark II

The physical size and weight of the Sony A6500 and the Canon 6D Mark II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6500 – represents 100 percent across all the size and weight measures).

Compare Sony A6500 vs Canon 6D Mark II
Compare A6500 versus 6D Mark II top
Compare A6500 and 6D Mark II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 6D Mark II is considerably larger (99 percent) than the Sony A6500. Moreover, the 6D Mark II is substantially heavier (69 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Canon EF Lens Catalog (6D Mark II). Mirrorless cameras, such as the Sony A6500, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A6500 gets 350 shots out of its NP-FW50 battery, while the 6D Mark II can take 1200 images on a single charge of its LP-E6N power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500» 120 mm 67 mm 53 mm 453 g 350 Y Oct 2016 1,399 i i Sony A6500
Canon 6D Mark II« 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Canon 5D Mark IV« » 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199 i i Canon 80D
Canon 1D X Mark II« » 158 mm 168 mm 83 mm 1530 g 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 7D II« » 149 mm 112 mm 78 mm 910 g 670 Y Sep 2014 1,799 i i Canon 7D II
Canon 6D« » 145 mm 111 mm 71 mm 770 g 1090 Y Sep 2012 2,099- i Canon 6D
Nikon D7500« » 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i i Nikon D7500
Olympus PEN-F« » 125 mm 72 mm 37 mm 427 g 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« » 139 mm 98 mm 87 mm 725 g 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« » 133 mm 78 mm 63 mm 487 g 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 127 mm 96 mm 63 mm 673 g 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 120 mm 67 mm 49 mm 404 g 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 133 mm 94 mm 127 mm 1051 g 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« » 129 mm 88 mm 102 mm 813 g 400 Y Jun 2015 1,299- i Sony RX10 II
Sony A7« » 127 mm 94 mm 48 mm 474 g 340 Y Oct 2013 1,699- i Sony A7
Sony NEX-7« » 120 mm 67 mm 43 mm 400 g 430 n Aug 2011 1,349- i Sony NEX-7

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6500 was launched at a markedly lower price (by 30 percent) than the 6D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A6500 vs Canon 6D Mark II

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6500 features an APS-C sensor and the Canon 6D Mark II a full frame sensor. The sensor area in the 6D Mark II is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Sony A6500 and Canon 6D Mark II sensor measures

With 26MP, the 6D Mark II offers a higher resolution than the A6500 (24MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.91μm for the A6500) due to its larger sensor. Moreover, the 6D Mark II is a somewhat more recent model (by 8 months) than the A6500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

A6500 versus 6D Mark II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6500» APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Canon 6D Mark II« Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 7D II« » APS-C 20.0 5472 36481080/60p22.411.8108270Canon 7D II
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a higher video resolution than the 6D Mark II. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.

 

Feature comparison: Sony A6500 vs Canon 6D Mark II

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2300k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Sony A6500 and Canon 6D Mark II along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6500»2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Canon 6D Mark II«optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 7D II« »optical Y 3.0 1040 fixed n 8000 10.0 Y n Canon 7D II
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

Both the A6500 and the 6D Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A6500 replaced the earlier Sony A6300, while the 6D Mark II followed on from the Canon 6D.

Review summary: Sony A6500 vs Canon 6D Mark II

So what is the bottom line? Which of the two cameras – the Sony A6500 or the Canon 6D Mark II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Sony Alpha A6500:

  • More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Faster burst: Shoots at higher frequency (11 vs 6.5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 144x111mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 312g or 41 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in October 2016).

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Advantages of the Canon EOS 6D Mark II:

  • Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Longer lasting: Gets more shots (1200 versus 350) out of a single battery charge.
  • More modern: Was introduced somewhat (8 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the match-up (11 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

A6500 11:07 6D Mark II

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A6500 and the 6D Mark II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6500»HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Canon 6D Mark II«Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 7D II« »Rec84/1004/55/54.5/5 Sep 2014 1,799 i i Canon 7D II
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.

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