Sony A6300 vs RX10 II
The Sony Alpha A6300 and the Sony Cyber-shot DSC-RX10 II are two enthusiast cameras that were officially introduced, respectively, in February 2016 and June 2015. The A6300 is a mirrorless interchangeable lens camera, while the RX10 II is a fixed lens compact. The cameras are based on an APS-C (A6300) and an one-inch (RX10 II) sensor. The A6300 has a resolution of 24 megapixels, whereas the RX10 II provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6300||Sony RX10 II|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||24-200mm f/2.8|
|24 MP, APS-C Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-12800 (64-25600)|
|Electronic viewfinder (2359k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1229k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|11 shutter flaps per second||14 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||400 shots per battery charge|
|120 x 67 x 49 mm, 404 g||129 x 88 x 102 mm, 813 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6300 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony A6300 and the Sony RX10 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the RX10 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is notably larger (41 percent) than the Sony A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 II has a lens built in, whereas the A6300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6300 and their specifications in the Sony E-Mount Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A6300»||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Sony RX10 II«||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||Sony RX10 II|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||Sony RX100 IV|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||Sony RX10|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||Sony NEX-6|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6300 offers a higher resolution than the RX10 II (20MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.41μm for the RX10 II) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 7 months) than the RX10 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony RX10 II are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6300 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6300 provides substantially higher image quality than the RX10 II, with an overall score that is 15 points higher. This advantage is based on 1.4 bits higher color depth, 1.1 EV in additional dynamic range, and 1.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX10||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69||Sony RX10|
|Sony NEX-6||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The A6300 and the RX10 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2359k dots. The adjacent table lists some of the other core features of the Sony A6300 and Sony RX10 II along with similar information for a selection of comparators.
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony RX10||1440||Y||3.0||1229||tilting||n||1/3200s||10.0||Y||Y||Sony RX10|
|Sony NEX-6||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One feature that is present on the RX10 II, but is missing on the A6300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the A6300 and the RX10 II write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6300 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX10||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10|
|Sony NEX-6||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
Both the A6300 and the RX10 II have been discontinued, but can regularly be found used on eBay. The RX10 II was replaced by the Sony RX10 III, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what is the bottom line? Which of the two cameras – the Sony A6300 or the Sony RX10 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Alpha A6300:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.4 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (120x67mm vs 129x88mm) and thus needs less room in the bag.
- More modern: Is somewhat more recent (announced 7 months after the RX10 II).
Advantages of the Sony Cyber-shot DSC-RX10 II:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 922k dots).
- Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the A6300 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in June 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the A6300 emerges as the winner of the contest (10 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6300 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A6300 and the RX10 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Sony A6300
- Canon 4000D vs Sony RX10 II
- Canon M50 vs Sony RX10 II
- Nikon D4 vs Sony RX10 II
- Olympus E-300 vs Sony A6300
- Panasonic GF1 vs Sony RX10 II
- Panasonic GH1 vs Sony RX10 II
- Panasonic GX1 vs Sony A6300
- Sony A6300 vs Sony A99
- Sony A7R vs Sony RX10 II
- Sony H300 vs Sony RX10 II
- Sony HX90V vs Sony RX10 II
Specifications: Sony A6300 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6300||Sony RX10 II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-200mm f/2.8|
|Launch Date||February 2016||June 2015|
|Launch Price||USD 999||USD 1299|
|Sensor Specs||Sony A6300||Sony RX10 II|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.91 μm||2.41 μm|
|Pixel Density||6.55 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-12800 ISO|
|ISO Boost||100-51200 ISO||64-25600 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||85||70|
|DXO Color Depth (bits)||24.4||23.0|
|DXO Dynamic Range (EV)||13.7||12.6|
|DXO Low Light (ISO)||1437||531|
|Screen Specs||Sony A6300||Sony RX10 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A6300||Sony RX10 II|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/3200/s|
|Continuous Shooting||11 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||YES||up to 1/32000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6300||Sony RX10 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Sony A6300||Sony RX10 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||400 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||404 g (14.3 oz)||813 g (28.7 oz)|
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