Sony A6300 vs A7R IV
The Sony Alpha A6300 and the Sony Alpha A7R IV are two enthusiast cameras that were announced, respectively, in February 2016 and July 2019. Both the A6300 and the A7R IV are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a full frame (A7R IV) sensor. The A6300 has a resolution of 24 megapixels, whereas the A7R IV provides 60.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6300 and the Sony Alpha A7R IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Sony A6300 and the Sony A7R IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the A7R IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R IV is considerably larger (54 percent) than the Sony A6300. Moreover, the A7R IV is substantially heavier (65 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Sony FE Lens Catalog (A7R IV). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the A6300 gets 400 shots out of its NP-FW50 battery, while the A7R IV can take 670 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|2.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|5.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|6.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|7.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|8.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|9.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|10.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|11.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|12.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|13.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|14.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|15.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|16.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|17.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6300 was launched at a markedly lower price (by 71 percent) than the A7R IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Sony A7R IV a full frame sensor. The sensor area in the A7R IV is 132 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 60.2MP, the A7R IV offers a higher resolution than the A6300 (24MP), but the A7R IV has smaller individual pixels (pixel pitch of 3.76μm versus 3.91μm for the A6300). Yet, the A7R IV is a much more recent model (by 3 years and 5 months) than the A6300, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R IV for good quality output (200 dots per inch) amounts to 47.5 x 31.7 inches or 120.7 x 80.5 cm, for very good quality (250 dpi) 38 x 25.3 inches or 96.6 x 64.4 cm, and for excellent quality (300 dpi) 31.7 x 21.1 inches or 80.5 x 53.6 cm. The corresponding values for the Sony A6300 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
Unlike the A6300, the A7R IV has the capacity to capture high quality composite images (241MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Sony Alpha A6300 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7R IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7R IV offers substantially better image quality than the A6300 (overall score 14 points higher). The advantage is based on 1.6 bits higher color depth, 1.1 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|6.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|7.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|9.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|11.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|12.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|13.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R IV offers a substantially higher resolution than the one in the A6300 (5760k vs 2359k dots). The adjacent table lists some of the other core features of the Sony A6300 and Sony A7R IV along with similar information for a selection of comparators.
|1.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|2.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|4.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|5.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|6.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|7.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|8.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||n|
|9.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|10.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|11.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|12.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|13.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|14.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|15.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5||Y||n|
|16.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|17.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The A6300 has one, while the A7R IV does not. While the built-in flash of the A6300 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A6300 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the A7R IV uses SDXC cards. The A7R IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6300 only has one slot. The A7R IV supports UHS-II cards (on both slots), while the A6300 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6300 and Sony Alpha A7R IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|2.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|8.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|9.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|10.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|12.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|17.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the A7R IV has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6300 lacks such a headphone port.
Studio photographers will appreciate that the Sony A7R IV (unlike the A6300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7R IV is a recent model that features in the current product line-up of Sony. In contrast, the A6300 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what conclusions can be drawn? Is the Sony A6300 better than the Sony A7R IV or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Sony Alpha A6300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (120x67mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 261g or 39 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2016).
Arguments in favor of the Sony Alpha A7R IV:
- More detail: Has more megapixels (60.2 vs 24MP), which boosts linear resolution by 58%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (670 versus 400) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 5 months of technical progress since the A6300 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7R IV is the clear winner of the contest (22 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6300 and the Sony A7R IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6300 or the A7R IV perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|2.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|5.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|6.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|7.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|8.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|9.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|10.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|11.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|12.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|13.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|14.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|15.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|16.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|17.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 250D vs Sony A6300
- Canon 6D vs Sony A7R IV
- Canon G5 X Mark II vs Sony A6300
- Canon M3 vs Sony A6300
- Leica M8 vs Sony A7R IV
- Leica V-LUX 5 vs Sony A7R IV
- Olympus E-420 vs Sony A6300
- Olympus E-M10 III vs Sony A6300
- Olympus E-M10 IV vs Sony A7R IV
- Sony A6300 vs Sony ZV-1
- Sony A7 III vs Sony A7R IV
- Sony A7R IV vs Zeiss ZX1
Specifications: Sony A6300 vs Sony A7R IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6300||Sony A7R IV|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||February 2016||July 2019|
|Launch Price||USD 999||USD 3,499|
|Sensor Specs||Sony A6300||Sony A7R IV|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.7 x 23.8 mm|
|Sensor Area||366.6 mm2||849.66 mm2|
|Sensor Diagonal||28.2 mm||42.9 mm|
|Sensor Resolution||24 Megapixels||60.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||9504 x 6336 pixels|
|Pixel Pitch||3.91 μm||3.76 μm|
|Pixel Density||6.55 MP/cm2||7.09 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||85||99|
|DXO Color Depth (bits)||24.4||26.0|
|DXO Dynamic Range (EV)||13.7||14.8|
|DXO Low Light (ISO)||1437||3344|
|Screen Specs||Sony A6300||Sony A7R IV|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||5760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony A6300||Sony A7R IV|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Sony A6300||Sony A7R IV|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony A6300||Sony A7R IV|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||670 shots per charge|
|In-Camera Charging||USB charging||USB charging|
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
129 x 96 x 78 mm
(5.1 x 3.8 x 3.1 in)
|Camera Weight||404 g (14.3 oz)||665 g (23.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.