Sony A6300 vs A7 II

The Sony Alpha A6300 and the Sony Alpha A7 II are two enthusiast cameras that were officially introduced, respectively, in February 2016 and November 2014. Both the A6300 and the A7 II are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a full frame (A7 II) sensor. Both cameras offer a resolution of 24 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6300		Sony A7 II
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Sony E mount lenses
24 MP – APS-C sensor		24 MP – Full Frame sensor
4K/30p Video		1080/60p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (2359k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 922k dots		3.0" LCD – 1230k dots
Tilting screen (no touchscreen)		Tilting screen (no touchscreen)
11 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
400 shots per battery charge		350 shots per battery charge
120 x 67 x 49 mm, 404 g		127 x 96 x 60 mm, 599 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6300 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Sony A6300 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The A6300 can be obtained in two different colors (black, silver), while the A7 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (52 percent) than the Sony A6300. Moreover, the A7 II is substantially heavier (48 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
2.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
3.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	1,199	ebay.com
4.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
5.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
6.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
7.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
8.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
9.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
10.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
11.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
12.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
13.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
14.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
15.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
16.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6300 was launched at a markedly lower price (by 50 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the A7 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.91μm for the A6300), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6300 is a somewhat more recent model (by 1 year and 2 months) than the A7 II, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.

The Sony Alpha A6300 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 II has a markedly higher DXO score than the A6300 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 0.1 EV of lower dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
2.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
3.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
4.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
5.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
6.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
7.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
8.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
9.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
10.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
11.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
12.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
13.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
14.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
15.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
16.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6300 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the A7 II is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a slightly higher resolution than the one in the A6300 (2400k vs 2359k dots). The adjacent table lists some of the other core features of the Sony A6300 and Sony A7 II along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
2.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
4.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
5.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
6.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
7.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
8.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
9.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
10.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
11.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
12.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
13.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
14.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
15.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
16.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A6300 has one, while the A7 II does not. While the built-in flash of the A6300 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

Concerning the storage of imaging data, both the A6300 and the A7 II write their files to SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6300 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
4.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
5.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
6.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
7.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
8.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
9.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
10.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
12.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6300 lacks such a headphone port.

Both the A6300 and the A7 II have been discontinued, but can regularly be found used on ebay. The A7 II was replaced by the Sony A7 III, while the A6300 was followed by the Sony A6500. Further information on the features and operation of the A6300 and A7 II can be found, respectively, in the Sony A6300 Manual (free pdf) or the online Sony A7 II Manual.

Review summary

So how do things add up? Which of the two cameras – the Sony A6300 or the Sony A7 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Sony Alpha A6300:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (120x67mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 195g or 33 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
• More modern: Is somewhat more recent (announced 1 year and 2 months after the A7 II).

Advantages of the Sony Alpha A7 II:

• Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More heavily discounted: Has been on the market for longer (launched in November 2014).

If the count of relative strengths (bullet points above) is taken as a measure, the A6300 comes out slightly ahead of the A7 II (9 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6300 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6300 or the A7 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
2.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
3.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	1,199	ebay.com
4.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
5.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
6.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
7.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
8.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
9.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
10.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
11.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
12.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
13.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
14.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
15.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
16.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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