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Sony A6300 vs Panasonic GH5

The Sony Alpha A6300 and the Panasonic Lumix DC-GH5 are two enthusiast cameras that were announced, respectively, in February 2016 and January 2017. Both the A6300 and the GH5 are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a Four Thirds (GH5) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.


Headline Specifications
Sony A6300   Panasonic GH5
Sony A6300 Panasonic GH5
Mirrorless system camera Mirrorless system camera
Sony E mount lenses Micro Four Thirds lenses
24 MP, APS-C Sensor 20.2 MP, Four Thirds Sensor
4K/30p Video 4K/60p Video
ISO 100-25600 (100-51200) ISO 200-25600
Electronic viewfinder (2359k dots) Electronic viewfinder (3680k dots)
3.0" LCD, 922k dots 3.2" LCD, 1620k dots
Tilting screen (no touchscreen) Swivel touchscreen
11 shutter flaps per second 12 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge410 shots per battery charge
120 x 67 x 49 mm, 404 g 139 x 98 x 87 mm, 725 g

Body comparison: Sony A6300 vs Panasonic GH5

The physical size and weight of the Sony A6300 and the Panasonic GH5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A6300 – represents the basis or 100 percent across all the size and weight measures).

Compare Sony A6300 and Panasonic GH5
Compare A6300 versus GH5 top
Compare A6300 or GH5 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is considerably larger (69 percent) than the Sony A6300. Moreover, the GH5 is substantially heavier (79 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Micro Four Thirds Lens Catalog (GH5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6300 gets 400 shots out of its NP-FW50 battery, while the GH5 can take 410 images on a single charge of its DMW-BLF19 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6300» 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Panasonic GH5« 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Nikon D500« » 5.8 in 4.5 in 3.2 in 30.3 oz 1240 Y Jan 2016 1,999 i i Nikon D500
Nikon D5500« » 4.9 in 3.8 in 2.8 in 14.8 oz 820 n Jan 2015 899- i Nikon D5500
Nikon D7200« » 5.4 in 4.2 in 3.0 in 27.0 oz 1110 Y Mar 2015 1,199- i Nikon D7200
Olympus E-M1 II« » 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 i i Olympus E-M1 II
Panasonic G9« » 5.4 in 3.8 in 3.6 in 23.2 oz 400 Y Nov 2017 1,699 i i Panasonic G9
Panasonic G85« » 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G85
Panasonic GH4« » 5.2 in 3.7 in 3.3 in 19.8 oz 500 Y Feb 2014 1,499- i Panasonic GH4
Sony A6400« » 4.7 in 2.6 in 2.0 in 14.2 oz 410 n Jan 2019 899 i i Sony A6400
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
Sony NEX-6« » 4.7 in 2.6 in 1.7 in 12.2 oz 360 n Sep 2012 999- i Sony NEX-6
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6300 was launched at a markedly lower price (by 50 percent) than the GH5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A6300 vs Panasonic GH5

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the GH5 offers a 4:3 aspect.

Sony A6300 and Panasonic GH5 sensor measures

With 24MP, the A6300 offers a higher resolution than the GH5 (20.2MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the GH5) due to its larger sensor. However, the GH5 is a somewhat more recent model (by 11 months) than the A6300, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.

The Sony Alpha A6300 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600..

A6300 versus GH5 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A6300 has a notably higher overall DXO score than the GH5 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, 0.7 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6300» APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Panasonic GH5« Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Nikon D500« » APS-C 20.7 5568 37124K/30p24.014.0132483Nikon D500
Nikon D5500« » APS-C 24.0 6000 40001080/60p24.114.0143884Nikon D5500
Nikon D7200« » APS-C 24.0 6000 40001080/60p24.514.6133387Nikon D7200
Olympus E-M1 II« » Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
Panasonic G9« » Four Thirds 20.2 5184 38884K/60p----Panasonic G9
Panasonic G85« » Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G85
Panasonic GH4« » Four Thirds 15.9 4608 34564K/30p23.212.879174Panasonic GH4
Sony A6400« » APS-C 24.0 6000 40004K/30p----Sony A6400
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
Sony A3000« » APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
Sony NEX-6« » APS-C 16.0 4912 32641080/60i23.713.1101878Sony NEX-6
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5 provides a faster frame rate than the A6300. It can shoot movie footage at 4K/60p, while the Sony is limited to 4K/30p.

 

Feature comparison: Sony A6300 vs Panasonic GH5

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH5 offers a substantially higher resolution than the one in the A6300 (3680k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Sony A6300, the Panasonic GH5, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
Sony A6300»2359 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Panasonic GH5«3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Nikon D500« »optical Y 3.2 2359 tilting Y 8000 10.0 n n Nikon D500
Nikon D5500« »optical n 3.2 1037 swivel Y 4000 5.0 Y n Nikon D5500
Nikon D7200« »optical Y 3.2 1229 fixed n 8000 6.0 Y n Nikon D7200
Olympus E-M1 II« »2360 n 3.0 1037 swivel Y 8000 18.0 n Y Olympus E-M1 II
Panasonic G9« »3680 Y 3.0 1040 swivel Y 8000 20.0 n Y Panasonic G9
Panasonic G85« »2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G85
Panasonic GH4« »2359 n 3.0 1036 swivel Y 8000 12.0 Y n Panasonic GH4
Sony A6400« »2359 n 3.0 922 tilting Y 4000 11.0 Y n Sony A6400
Sony A6500« »2359 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony RX100 IV« »2359 n 3.0 1228 tilting n 2000 16.0 Y Y Sony RX100 IV
Sony A6000« »1440 n 3.0 922 tilting n 4000 11.0 Y n Sony A6000
Sony A3000« »202 n 3.0 230 fixed n 4000 2.5 Y n Sony A3000
Sony NEX-6« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-6
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One difference between the cameras concerns the presence of an on-board flash. The A6300 has one, while the GH5 does not. While the built-in flash of the A6300 is not very powerful, it can at times be useful as a fill-in light.

The GH5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A6300 does not have a selfie-screen.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The A6300 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GH5 uses SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6300 only has one slot.

Connectivity comparison: Sony A6300 vs Panasonic GH5

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6300 and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Sony A6300»YstereomonoY-micro2.0YY-Sony A6300
Panasonic GH5«YstereomonoYYfull3.1Y-YPanasonic GH5
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Nikon D500« »YstereomonoYYmini3.0YYYNikon D500
Nikon D5500« »YstereomonoY-mini2.0Y--Nikon D5500
Nikon D7200« »YstereomonoYYmini2.0YY-Nikon D7200
Olympus E-M1 II« »YstereomonoYYmicro3.0Y--Olympus E-M1 II
Panasonic G9« »YstereomonoYYfull3.0Y-YPanasonic G9
Panasonic G85« »YstereomonoY-micro2.0Y--Panasonic G85
Panasonic GH4« »YstereomonoYYmicro2.0YY-Panasonic GH4
Sony A6400« »YstereomonoY-micro2.0YYYSony A6400
Sony A6500« »YstereomonoY-micro2.0YY-Sony A6500
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV
Sony A6000« »Ystereomono--micro2.0YY-Sony A6000
Sony A3000« »Ystereomono--mini2.0---Sony A3000
Sony NEX-6« »Ystereomono--mini2.0Y--Sony NEX-6
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7

It is notable that the GH5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6300 lacks such a headphone port.

The GH5 is a recent model that features in the current product line-up of Panasonic. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.


Review summary: Sony A6300 vs Panasonic GH5

So what conclusions can be drawn? Which of the two cameras – the Sony A6300 or the Panasonic GH5 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Sony Alpha A6300:

  • More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
  • More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
  • Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • More compact: Is smaller (120x67mm vs 139x98mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 321g or 44 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in February 2016).

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Reasons to prefer the Panasonic Lumix DC-GH5:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2359k dots).
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Was introduced somewhat (11 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (16 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

A6300 12:16 GH5

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A6300 and the GH5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Sony A6300 vs Panasonic GH5

This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6300»Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Panasonic GH5«HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Nikon D500« »HiRec91/1004.5/55/55/5 Jan 2016 1,999 i i Nikon D500
Nikon D5500« »Rec79/1004.5/55/54.5/5 Jan 2015 899- i Nikon D5500
Nikon D7200« »HiRec84/1004.5/54/54.5/5 Mar 2015 1,199- i Nikon D7200
Olympus E-M1 II« »HiRec85/1004.5/55/54.5/5 Sep 2016 1,999 i i Olympus E-M1 II
Panasonic G9« »HiRec85/1005/55/55/5 Nov 2017 1,699 i i Panasonic G9
Panasonic G85« »HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G85
Panasonic GH4« »HiRec85/1005/55/55/5 Feb 2014 1,499- i Panasonic GH4
Sony A6400« »----- Jan 2019 899 i i Sony A6400
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony RX100 IV« »HiRec85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Sony A6000« »Rec80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
Sony A3000« »Rec-4/54.5/54/5 Aug 2013 329- i Sony A3000
Sony NEX-6« »HiRec78/1004.5/55/54.5/5 Sep 2012 999- i Sony NEX-6
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Sony A6300 vs Panasonic GH5

    Camera Specifications
    Camera Model Sony A6300 Panasonic GH5
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Sony E mount lenses Micro Four Thirds lenses
    Launch Date February 2016 January 2017
    Launch Price USD 999 USD 1999
    Sensor Specs
    Sensor Technology CMOS CMOS
    Sensor Format APS-C Sensor Four Thirds Sensor
    Sensor Size 23.5 x 15.6 mm 17.3 x 15.6 mm
    Sensor Area 366.6 mm2 224.9 mm2
    Sensor Diagonal 28.2 mm 21.6 mm
    Crop Factor 1.5 2.0
    Sensor Resolution 24 Megapixels 20.2 Megapixels
    Image Resolution 6000 x 4000 pixels 5184 x 3888 pixels
    Pixel Pitch 3.91 μm 3.34 μm
    Pixel Density 6.55 MP/cm2 8.96 MP/cm2
    Movie Capability 4K/30p Video 4K/60p Video
    ISO Setting 100-25600 ISO 200-25600 ISO
    ISO Boost 100-51200 ISO no Enhancement
    Image Processor BIONZ X Venus 10
    Screen Specs
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Resolution 2359k dots 3680k dots
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 922k dots 1620k dots
    LCD Attachment Tilting screen Swivel screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs
    Maximum Shutter Speed 1/4000s 1/8000s
    Continuous Shooting 11 shutter flaps/s 12 shutter flaps/s
    Silent ShootingElectronic ShutterElectronic Shutter
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium MS or SDXC cards SDXC cards
    Connectivity Specs
    USB Connector USB 2.0 USB 3.1
    HDMI Port micro HDMI full HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication NFC built-in no NFC
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-FW50 power pack DMW-BLF19 power pack
    Battery Life (CIPA)400 shots per charge410 shots per charge
    Body Dimensions 120 x 67 x 49 mm
    (4.7 x 2.6 x 1.9 in)
    139 x 98 x 87 mm
    (5.5 x 3.9 x 3.4 in)
    Camera Weight 404 g (14.3 oz) 725 g (25.6 oz)

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