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Sony A6300 versus Olympus E-P5

The Sony Alpha A6300 and the Olympus PEN E-P5 are two enthusiast cameras that were revealed to the public, respectively, in February 2016 and May 2013. Both the A6300 and the E-P5 are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a Four Thirds (E-P5) sensor. The Sony has a resolution of 24 megapixel, whereas the Olympus provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6300 vs Olympus E-P5

The side-by-side display below illustrates the physical size and weight of the Sony A6300 and the Olympus E-P5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6300 – represents the basis or 100 percent across all the size and weight measures).

Compare Sony A6300 vs Olympus E-P5
Compare A6300 versus E-P5 top
Compare A6300 and E-P5 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is somewhat larger (5 percent) than the Sony A6300. Moreover, the E-P5 is slightly heavier (4 percent) than the A6300. It is worth mentioning in this context that the A6300 is splash and dust resistant, while the E-P5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6300 gets 400 shots out of its NP-FW50 battery, while the E-P5 can take 330 images on a single charge of its BLN-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6300» 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Olympus E-P5« 4.8 in 2.7 in 1.5 in 14.8 oz 330 n May 2013 999- i Olympus E-P5
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon M5« » 4.6 in 3.5 in 2.4 in 15.1 oz 295 n Sep 2016 979 i i Canon M5
Nikon D5500« » 4.9 in 3.8 in 2.8 in 14.8 oz 820 n Jan 2015 899- i Nikon D5500
Nikon D7200« » 5.4 in 4.2 in 3.0 in 27.0 oz 1110 Y Mar 2015 1,199- i Nikon D7200
Olympus E-M10« » 4.7 in 3.2 in 1.8 in 14.0 oz 320 n Jan 2014 699- i Olympus E-M10
Olympus E-PL7« » 4.5 in 2.6 in 1.5 in 12.6 oz 350 n Aug 2014 599- i Olympus E-PL7
Olympus E-PM2« » 4.3 in 2.5 in 1.3 in 9.5 oz 360 n Sep 2012 499- i Olympus E-PM2
Olympus E-P3« » 4.8 in 2.7 in 1.3 in 13.0 oz 330 n Jun 2011 799- i Olympus E-P3
Panasonic GX7« » 4.8 in 2.8 in 2.2 in 14.2 oz 350 n Aug 2013 999- i Panasonic GX7
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
Sony NEX-6« » 4.7 in 2.6 in 1.7 in 12.2 oz 360 n Sep 2012 999- i Sony NEX-6
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A6300 vs Olympus E-P5

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.

Sony A6300 and Olympus E-P5 sensor measures

With 24MP, the A6300 offers a higher resolution than the E-P5 (15.9MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 2 years and 8 months) than the E-P5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

A6300 versus E-P5 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A6300 provides substantially higher image quality than the E-P5, with an overall score that is 13 points higher. This advantage is based on 1.6 bits higher color depth, 1.3 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6300» APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Olympus E-P5« Four Thirds 15.9 4608 34561080/30p22.812.489572Olympus E-P5
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon M5« » APS-C 24.0 6000 40001080/60p23.412.4126277Canon M5
Nikon D5500« » APS-C 24.0 6000 40001080/60p24.114.0143884Nikon D5500
Nikon D7200« » APS-C 24.0 6000 40001080/60p24.514.6133387Nikon D7200
Olympus E-M10« » Four Thirds 15.9 4608 34561080/30p22.812.388472Olympus E-M10
Olympus E-PL7« » Four Thirds 15.9 4608 34561080/30p22.712.487372Olympus E-PL7
Olympus E-PM2« » Four Thirds 15.9 4608 34561080/30p22.712.293272Olympus E-PM2
Olympus E-P3« » Four Thirds 12.2 4032 30241080/60i20.810.153651Olympus E-P3
Panasonic GX7« » Four Thirds 15.8 4592 34481080/60p22.612.271870Panasonic GX7
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
Sony A3000« » APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
Sony NEX-6« » APS-C 16.0 4912 32641080/60i23.713.1101878Sony NEX-6
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6300 provides a higher video resolution than the E-P5. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/30p.

 

Feature comparison: Sony A6300 vs Olympus E-P5

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2300k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The following table reports on some other key feature differences and similarities of the Sony A6300, the Olympus E-P5, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6300»2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Olympus E-P5«- n 3.0 1037 tilting Y 8000 9.0 Y Y Olympus E-P5
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon M5« »2360 n 3.2 1620 tilting Y 4000 9.0 Y n Canon M5
Nikon D5500« »optical n 3.2 1037 swivel Y 4000 5.0 Y n Nikon D5500
Nikon D7200« »optical Y 3.2 1229 fixed n 8000 6.0 Y n Nikon D7200
Olympus E-M10« »1440 n 3.0 1037 tilting Y 4000 8.0 Y Y Olympus E-M10
Olympus E-PL7« »- n 3.0 1037 tilting Y 4000 8.0 n Y Olympus E-PL7
Olympus E-PM2« »- n 3.0 460 fixed Y 4000 8.0 n Y Olympus E-PM2
Olympus E-P3« »- n 3.0 614 fixed Y 4000 3.0 Y Y Olympus E-P3
Panasonic GX7« »2760 n 3.0 1040 tilting Y 8000 5.0 Y Y Panasonic GX7
Sony A6500« »2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony RX100 IV« »2359 n 3.0 1228 tilting n 2000 16.0 Y Y Sony RX100 IV
Sony A6000« »1440 n 3.0 922 tilting n 4000 11.0 Y n Sony A6000
Sony A3000« »202 n 3.0 230 fixed n 4000 2.5 Y n Sony A3000
Sony NEX-6« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-6
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-P5 has a touchscreen, while the A6300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The A6300 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the E-P5 uses SDXC cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Sony A6300»YstereomonoY-micro2.0YY-Sony A6300
Olympus E-P5«Ystereomono--micro2.0Y--Olympus E-P5
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Canon M5« »YstereomonoY-mini2.0YYYCanon M5
Nikon D5500« »YstereomonoY-mini2.0Y--Nikon D5500
Nikon D7200« »YstereomonoYYmini2.0YY-Nikon D7200
Olympus E-M10« »Ystereomono--micro2.0Y--Olympus E-M10
Olympus E-PL7« »Ystereomono--micro2.0Y--Olympus E-PL7
Olympus E-PM2« »Ystereomono--mini2.0---Olympus E-PM2
Olympus E-P3« »Ystereo---mini2.0---Olympus E-P3
Panasonic GX7« »Ystereomono--mini2.0YY-Panasonic GX7
Sony A6500« »YstereomonoY-micro2.0YY-Sony A6500
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV
Sony A6000« »Ystereomono--micro2.0YY-Sony A6000
Sony A3000« »Ystereomono--mini2.0---Sony A3000
Sony NEX-6« »Ystereomono--mini2.0Y--Sony NEX-6
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7

Both the A6300 and the E-P5 have been discontinued, but can regularly be found used on eBay. The E-P5 was replaced by the .., while the A6300 was followed by the Sony A6500.

Review summary: Sony A6300 vs Olympus E-P5

So what is the bottom line? Is there a clear favorite between the Sony A6300 and the Olympus E-P5? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Sony Alpha A6300:

  • More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
  • Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
  • Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (400 versus 330) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More modern: Reflects 2 years and 8 months of technical progress since the E-P5 launch.

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Reasons to prefer the Olympus PEN E-P5:

  • More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More heavily discounted: Has been around for much longer (launched in May 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the A6300 is the clear winner of the match-up (13 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

A6300 13:05 E-P5

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6300 or the E-P5 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6300»Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Olympus E-P5«HiRec78/1004.5/54.5/55/5 May 2013 999- i Olympus E-P5
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon M5« »Rec82/1004/54.5/54/5 Sep 2016 979 i i Canon M5
Nikon D5500« »Rec79/1004.5/55/54.5/5 Jan 2015 899- i Nikon D5500
Nikon D7200« »HiRec84/1004.5/54/54.5/5 Mar 2015 1,199- i Nikon D7200
Olympus E-M10« »-80/1005/54.5/55/5 Jan 2014 699- i Olympus E-M10
Olympus E-PL7« »Rec-5/54.5/54/5 Aug 2014 599- i Olympus E-PL7
Olympus E-PM2« »-77/1005/54.5/54.5/5 Sep 2012 499- i Olympus E-PM2
Olympus E-P3« »83/10074/1004.5/54.5/54.5/5 Jun 2011 799- i Olympus E-P3
Panasonic GX7« »Rec79/1005/54.5/55/5 Aug 2013 999- i Panasonic GX7
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony RX100 IV« »HiRec85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Sony A6000« »Rec80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
Sony A3000« »Rec-4/54.5/54/5 Aug 2013 329- i Sony A3000
Sony NEX-6« »HiRec78/1004.5/55/54.5/5 Sep 2012 999- i Sony NEX-6
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.

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