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Sony A6300 versus Olympus E-P5

The Sony Alpha A6300 and the Olympus PEN E-P5 are two enthusiast cameras that were announced, respectively, in February 2016 and May 2013. Both the A6300 and the E-P5 are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a Four Thirds sensor. The Sony has a resolution of 24 megapixel, whereas the Olympus provides 15.9 MP.

Body comparison

The physical size and weight of the Sony A6300 and the Olympus E-P5 are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A6300 – represents 100 percent across all the size and weight measures).

Sony A6300 vs Olympus E-P5 front
A6300 versus E-P5 top view
A6300 and E-P5 rear side
Body view (A6300 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is somewhat larger (5 percent) than the Sony A6300. Moreover, the E-P5 is slightly heavier (4 percent) than the A6300. It is worth mentioning in this context that the A6300 is splash and dust resistant, while the E-P5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6300 gets 400 shots out of its NP-FW50 battery, while the E-P5 can take 330 images on a single charge of its BLN-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6300 (⇒ rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Olympus E-P5 (⇒ lft) 122 mm 69 mm 37 mm 420 g 330 no 2013 999discont. check
Canon 80D (⇒ lft | rgt) 139 mm 105 mm 79 mm 730 g 960 YES 2016 1,199 latest check
Canon M5 (⇒ lft | rgt) 116 mm 89 mm 61 mm 427 g 295 no 2016 979 latest check
Nikon D5500 (⇒ lft | rgt) 124 mm 97 mm 70 mm 420 g 820 no 2015 899discont. check
Nikon D7200 (⇒ lft | rgt) 136 mm 107 mm 76 mm 765 g 1110 YES 2015 1,199discont. check
Olympus E-M10 II (⇒ lft | rgt) 120 mm 83 mm 47 mm 390 g 320 no 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Olympus E-M1 (⇒ lft | rgt) 130 mm 94 mm 63 mm 497 g 350 YES 2013 1,399discont. check
Panasonic GX7 (⇒ lft | rgt) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX100 V (⇒ lft | rgt) 102 mm 58 mm 41 mm 299 g 220 no 2016 999 latest check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check
Sony RX100 IV (⇒ lft | rgt) 102 mm 58 mm 41 mm 298 g 280 no 2015 999discont. check
Sony A6000 (⇒ lft | rgt) 120 mm 67 mm 45 mm 344 g 360 no 2014 599discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.

Sony A6300 and Olympus E-P5 sensor measures
Sensor size

With 24MP, the A6300 offers a higher resolution than the E-P5 (15.9MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 2 years and 8 months) than the E-P5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

A6300 versus E-P5 MP
Sensor resolution

Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A6300 provides substantially higher image quality than the E-P5, with an overall score that is 13 points higher. This advantage is based on 1.6 bits higher color depth, 1.3 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A6300 (⇒ rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Olympus E-P5 (⇒ lft) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.4 895 72
Canon 80D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.6 13.2 1135 79
Canon M5 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.4 12.4 1262 77
Nikon D5500 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.1 14.0 1438 84
Nikon D7200 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.5 14.6 1333 87
Olympus E-M10 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.1 12.5 842 73
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Olympus E-M1 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 23.0 12.7 757 73
Panasonic GX7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX100 V (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.4 586 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70
Sony RX100 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.6 591 70
Sony A6000 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.1 13.1 1347 82

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6300 provides a higher video resolution than the E-P5. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6300 has an electronic viewfinder (2300k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Sony A6300 and Olympus E-P5 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A6300 (⇒ rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Olympus E-P5 (⇒ lft) no no 3.0 1037 tilting YES 8000 9.0 7 YES
Canon 80D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Canon M5 (⇒ lft | rgt) 2360 no 3.2 1620 tilting YES 4000 9.0 5 no
Nikon D5500 (⇒ lft | rgt) optical no 3.2 1037 swivel YES 4000 5.0 12 no
Nikon D7200 (⇒ lft | rgt) optical YES 3.2 1229 fixed no 8000 6.0 12 no
Olympus E-M10 II (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5.8 YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Olympus E-M1 (⇒ lft | rgt) 2360 no 3.0 1037 tilting YES 8000 10.0 no YES
Panasonic GX7 (⇒ lft | rgt) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 YES
Sony RX100 V (⇒ lft | rgt) 2359 no 3.0 1229 tilting no 2000 24.0 10.2 YES
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 YES
Sony RX100 IV (⇒ lft | rgt) 2359 no 3.0 1228 tilting no 2000 16.0 10.2 YES
Sony A6000 (⇒ lft | rgt) 1440 no 3.0 922 tilting no 4000 11.0 6 no

Both the A6300 and the E-P5 have been discontinued, but can regularly be found used on ebay. The E-P5 was replaced by the .., while the A6300 was followed by the Sony A6500.

Summary

So what is the bottom line? Which of the two cameras – the Sony A6300 or the Olympus E-P5 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.


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Advantages of the Sony Alpha A6300:

  • More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
  • Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
  • Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (400 versus 330) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • More modern: Reflects 2 years and 8 months of technical progress since the E-P5 launch.

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Reasons to prefer the Olympus PEN E-P5:

  • More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More heavily discounted: Has been around for much longer (launched in May 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the A6300 is the clear winner of the match-up (11 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.

A6300 11:05 E-P5

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6300 or the E-P5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6300 (⇒ rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Olympus E-P5 (⇒ lft) HiRec 78/100 Silver 4.5/5 4.5/5 5/5 2013 999discont. check
Canon 80D (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,199 latest check
Canon M5 (⇒ lft | rgt) Rec 82/100 Silver 4/5 4.5/5 4/5 2016 979 latest check
Nikon D5500 (⇒ lft | rgt) Rec 79/100 Silver 4.5/5 5/5 4.5/5 2015 899discont. check
Nikon D7200 (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4/5 4.5/5 2015 1,199discont. check
Olympus E-M10 II (⇒ lft | rgt) HiRec 80/100 Silver 5/5 5/5 5/5 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Olympus E-M1 (⇒ lft | rgt) HiRec 84/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,399discont. check
Panasonic GX7 (⇒ lft | rgt) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX100 V (⇒ lft | rgt) HiRec 83/100 Silver 4/5 5/5 4.5/5 2016 999 latest check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check
Sony RX100 IV (⇒ lft | rgt) HiRec 85/100 Gold 4/5 4.5/5 4.5/5 2015 999discont. check
Sony A6000 (⇒ lft | rgt) Rec 80/100 Gold 4.5/5 5/5 5/5 2014 599discont. check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.

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