Sony A6300 versus Olympus E-M5 II
The Sony Alpha A6300 and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were officially introduced, respectively, in February 2016 and February 2015. Both the A6300 and the E-M5 II are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a Four Thirds (E-M5 II) sensor. The Sony has a resolution of 24 megapixel, whereas the Olympus provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A6300 vs Olympus E-M5 II
The side-by-side display below illustrates the physical size and weight of the Sony A6300 and the Olympus E-M5 II. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6300 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably larger (31 percent) than the Sony A6300. Moreover, the E-M5 II is markedly heavier (16 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Micro Four Thirds Lens Catalog (E-M5 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Sony A6300»||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-|
|Olympus E-M5 II«||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||-|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6300 was somewhat cheaper (by 9 percent) than the E-M5 II at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6300 vs Olympus E-M5 II
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
With 24MP, the A6300 offers a higher resolution than the E-M5 II (15.9MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the A6300 is a somewhat more recent model (by 11 months) than the E-M5 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
Unlike the A6300, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6300 provides substantially higher image quality than the E-M5 II, with an overall score that is 12 points higher. This advantage is based on 1.4 bits higher color depth, 1.2 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-M5 II«||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-M5« »||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6300 provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Feature comparison: Sony A6300 vs Olympus E-M5 II
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a slightly higher resolution than the one in the A6300 (2360k vs 2300k dots). The table below summarizes some of the other core capabilities of the Sony A6300 and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Olympus E-M5 II«||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y|
|Olympus E-M5« »||1440||n||3.0||610||tilting||Y||4000||9.0||n||Y|
|Sony A6500« »||2300||n||3.0||922||tilting||Y||4000||11.0||Y||Y|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
|Sony A6000« »||1440||n||3.0||922||tilting||n||4000||11.0||Y||n|
The E-M5 II is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.
Review summary: Sony A6300 vs Olympus E-M5 II
So how do things add up? Is the Sony A6300 better than the Olympus E-M5 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony Alpha A6300:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More compact: Is smaller (120x67mm vs 124x85mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 65g or 14 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (400 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More modern: Is somewhat more recent (announced 11 months after the E-M5 II).
Reasons to prefer the Olympus OM-D E-M5 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in February 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the A6300 is the clear winner of the match-up (11 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6300 or the E-M5 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A6300»||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-|
|Olympus E-M5 II«||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Nikon D5500« »||Rec||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-|
|Nikon D7200« »||HiRec||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-|
|Olympus E-M5« »||HiRec||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-|
|Sony A6500« »||HiRec||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||-|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
|Sony A6000« »||Rec||80/100||4.5/5||5/5||5/5||Feb 2014||599||-|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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