Sony A6300 versus Fujifilm X-T20
The Sony Alpha A6300 and the Fujifilm X-T20 are two digital cameras that were announced, respectively, in February 2016 and January 2017. Both the A6300 and the X-T20 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A6300 vs Fujifilm X-T20
An illustration of the physical size and weight of the Sony A6300 and the Fujifilm X-T20 is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the A6300 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T20 is notably larger (22 percent) than the Sony A6300. However, the X-T20 is markedly lighter (5 percent) than the A6300. It is worth mentioning in this context that the A6300 is splash and dust resistant, while the X-T20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Fujinon X Lens Catalog (X-T20). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Sony A6300»||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-|
|Fujifilm X-T20«||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||-|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T20 was somewhat cheaper (by 10 percent) than the A6300 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6300 vs Fujifilm X-T20
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-T20 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-T20 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6300), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-T20 is a somewhat more recent model (by 11 months) than the A6300, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Sony A6300 vs Fujifilm X-T20
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-T20 offers a slightly higher resolution than the one in the A6300 (2360k vs 2300k dots). The table below summarizes some of the other core capabilities of the Sony A6300 and Fujifilm X-T20 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||4000||6.0||Y||n|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||4000||8.0||Y||n|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n|
|Sony A6500« »||2300||n||3.0||922||tilting||Y||4000||11.0||Y||Y|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y|
|Sony A6000« »||1440||n||3.0||922||tilting||n||4000||11.0||Y||n|
The X-T20 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.
Review summary: Sony A6300 vs Fujifilm X-T20
So how do things add up? Is there a clear favorite between the Sony A6300 and the Fujifilm X-T20? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Sony Alpha A6300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 118x83mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Advantages of the Fujifilm X-T20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More modern: Was introduced somewhat (11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A6300 emerges as the winner of the contest (6 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6300 or the X-T20. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A6300»||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-|
|Fujifilm X-T20«||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Fujifilm X-T100« »||-||-||-||-||-||May 2018||599|
|Fujifilm X-A5« »||-||-||-||-||3.5/5||Jan 2018||399|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-T10« »||HiRec||80/100||5/5||4/5||5/5||May 2015||799||-|
|Nikon D5500« »||Rec||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-|
|Nikon D7200« »||HiRec||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-|
|Sony A6500« »||HiRec||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||-|
|Sony RX100 V« »||HiRec||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
|Sony RX100 IV« »||HiRec||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-|
|Sony A6000« »||Rec||80/100||4.5/5||5/5||5/5||Feb 2014||599||-|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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