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Sony A6300 versus Fujifilm GFX 50S

The Sony Alpha A6300 and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in February 2016 and September 2016. Both the A6300 and the GFX are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a medium format (GFX) sensor. The Sony has a resolution of 24 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6300 vs Fujifilm GFX 50S

The side-by-side display below illustrates the physical size and weight of the Sony A6300 and the Fujifilm GFX 50S. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6300 – represents 100 percent across all the size and weight measures).

Compare Sony A6300 vs Fujifilm GFX 50S
A6300 versus GFX top view
A6300 and GFX rear side
Body view (A6300 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (73 percent) than the Sony A6300. Moreover, the GFX is substantially heavier (83 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6300 (⇒ rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Fujifilm GFX 50S (⇒ lft) 148 mm 94 mm 91 mm 740 g 400 YES 2016 6,499 latest check
Canon 80D (⇒ lft | rgt) 139 mm 105 mm 79 mm 730 g 960 YES 2016 1,199 latest check
Canon M5 (⇒ lft | rgt) 116 mm 89 mm 61 mm 427 g 295 no 2016 979 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) 152 mm 116 mm 76 mm 930 g 700 YES 2015 3,699 latest check
Fujifilm X-Pro2 (⇒ lft | rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Nikon D5500 (⇒ lft | rgt) 124 mm 97 mm 70 mm 420 g 820 no 2015 899discont. check
Nikon D7200 (⇒ lft | rgt) 136 mm 107 mm 76 mm 765 g 1110 YES 2015 1,199discont. check
Sony A6500 (⇒ lft | rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX100 V (⇒ lft | rgt) 102 mm 58 mm 41 mm 299 g 220 no 2016 999 latest check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check
Sony RX100 IV (⇒ lft | rgt) 102 mm 58 mm 41 mm 298 g 280 no 2015 999discont. check
Sony A6000 (⇒ lft | rgt) 120 mm 67 mm 45 mm 344 g 360 no 2014 599discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6300 was launched at a markedly lower price (by 85 percent) than the GFX, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Sony A6300 vs Fujifilm GFX 50S

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX is 296 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.79. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the GFX offers a 4:3 aspect.

Sony A6300 and Fujifilm GFX 50S sensor measures
Sensor size

With 51.1MP, the GFX offers a higher resolution than the A6300 (24MP), but the GFX nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.91μm for the A6300) due to its larger sensor. Moreover, the GFX is a somewhat more recent model (by 7 months) than the A6300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A6300 versus GFX MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A6300 (⇒ rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Fujifilm GFX 50S (⇒ lft) MF 51.1 8256 6192 1080/30p .. .. .. ..
Canon 80D (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.6 13.2 1135 79
Canon M5 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.4 12.4 1262 77
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Canon 5DS R (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.6 12.4 2308 86
Canon 5DS (⇒ lft | rgt) Full Frame 50.3 8688 5792 1080/60p 24.7 12.4 2381 87
Fujifilm X-Pro2 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T2 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Nikon D5500 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.1 14.0 1438 84
Nikon D7200 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.5 14.6 1333 87
Sony A6500 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX100 V (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.4 586 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70
Sony RX100 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.6 591 70
Sony A6000 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.1 13.1 1347 82

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a higher video resolution than the GFX. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison: Sony A6300 vs Fujifilm GFX 50S

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6300 has an electronic viewfinder (2300k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Sony A6300 and Fujifilm GFX 50S along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A6300 (⇒ rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Fujifilm GFX 50S (⇒ lft) no YES 3.2 2360 tilting YES 4000 3.0 no no
Canon 80D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Canon M5 (⇒ lft | rgt) 2360 no 3.2 1620 tilting YES 4000 9.0 5 no
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Canon 5DS R (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Canon 5DS (⇒ lft | rgt) optical YES 3.2 1040 fixed no 8000 5.0 no no
Fujifilm X-Pro2 (⇒ lft | rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Fujifilm X-T2 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Nikon D5500 (⇒ lft | rgt) optical no 3.2 1037 swivel YES 4000 5.0 12 no
Nikon D7200 (⇒ lft | rgt) optical YES 3.2 1229 fixed no 8000 6.0 12 no
Sony A6500 (⇒ lft | rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 YES
Sony RX100 V (⇒ lft | rgt) 2359 no 3.0 1229 tilting no 2000 24.0 10.2 YES
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 YES
Sony RX100 IV (⇒ lft | rgt) 2359 no 3.0 1228 tilting no 2000 16.0 10.2 YES
Sony A6000 (⇒ lft | rgt) 1440 no 3.0 922 tilting no 4000 11.0 6 no

The GFX is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.

Review summary: Sony A6300 vs Fujifilm GFX 50S

So what conclusions can be drawn? Is there a clear favorite between the Sony A6300 and the Fujifilm GFX 50S? A synthesis of the relative strong points of each of the models is listed below.


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Arguments in favor of the Sony Alpha A6300:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 336g or 45 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in February 2016).

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Advantages of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • More modern: Was introduced somewhat (7 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the A6300 comes out slightly ahead of the GFX (9 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

A6300 09:08 GFX

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6300 or the GFX handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6300 (⇒ rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Fujifilm GFX 50S (⇒ lft) - 85/100 Gold 5/5 5/5 4.5/5 2016 6,499 latest check
Canon 80D (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,199 latest check
Canon M5 (⇒ lft | rgt) Rec 82/100 Silver 4/5 4.5/5 4/5 2016 979 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Canon 5DS R (⇒ lft | rgt) Rec 83/100 Silver 5/5 5/5 4.5/5 2015 3,699 latest check
Canon 5DS (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 5/5 4.5/5 2015 3,699 latest check
Fujifilm X-Pro2 (⇒ lft | rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Fujifilm X-T2 (⇒ lft | rgt) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Nikon D5500 (⇒ lft | rgt) Rec 79/100 Silver 4.5/5 5/5 4.5/5 2015 899discont. check
Nikon D7200 (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4/5 4.5/5 2015 1,199discont. check
Sony A6500 (⇒ lft | rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX100 V (⇒ lft | rgt) HiRec 83/100 Silver 4/5 5/5 4.5/5 2016 999 latest check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check
Sony RX100 IV (⇒ lft | rgt) HiRec 85/100 Gold 4/5 4.5/5 4.5/5 2015 999discont. check
Sony A6000 (⇒ lft | rgt) Rec 80/100 Gold 4.5/5 5/5 5/5 2014 599discont. check

The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.


Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please send me an email, and I will try to update the database with the necessary infos.

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