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Sony A6300 versus Fujifilm GFX 50S

The Sony Alpha A6300 and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in February 2016 and September 2016. Both the A6300 and the GFX 50S are mirrorless interchangeable lens cameras that are based on an APS-C (A6300) and a medium format (GFX 50S) sensor. The Sony has a resolution of 24 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6300 vs Fujifilm GFX 50S

The side-by-side display below illustrates the physical size and weight of the Sony A6300 and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A6300 – represents 100 percent across all the size and weight measures).

Compare Sony A6300 vs Fujifilm GFX 50S
Compare A6300 versus GFX 50S top
Compare A6300 and GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (73 percent) than the Sony A6300. Moreover, the GFX 50S is substantially heavier (83 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6300» 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Fujifilm GFX 50S« 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Canon M5« » 4.6 in 3.5 in 2.4 in 15.1 oz 295 n Sep 2016 979 i i Canon M5
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Fujifilm X-T2« » 5.2 in 3.6 in 1.9 in 17.9 oz 340 Y Jul 2016 1,599 i i Fujifilm X-T2
Nikon D5500« » 4.9 in 3.8 in 2.8 in 14.8 oz 820 n Jan 2015 899- i Nikon D5500
Nikon D7200« » 5.4 in 4.2 in 3.0 in 27.0 oz 1110 Y Mar 2015 1,199- i Nikon D7200
Sony A6500« » 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Sony A6000« » 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000

Any camera purchase will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6300 was launched at a markedly lower price (by 85 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Sony A6300 vs Fujifilm GFX 50S

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 296 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.79. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Sony A6300 and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the A6300 (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.91μm for the A6300) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 7 months) than the A6300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A6300 versus GFX 50S MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6300» APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Fujifilm GFX 50S« MF 51.1 8256 61921080/30p----Fujifilm GFX 50S
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon M5« » APS-C 24.0 6000 40001080/60p23.412.4126277Canon M5
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 5DS R« » Full Frame 50.3 8688 57921080/60p24.612.4230886Canon 5DS R
Canon 5DS« » Full Frame 50.3 8688 57921080/60p24.712.4238187Canon 5DS
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Fujifilm X-T2« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T2
Nikon D5500« » APS-C 24.0 6000 40001080/60p24.114.0143884Nikon D5500
Nikon D7200« » APS-C 24.0 6000 40001080/60p24.514.6133387Nikon D7200
Sony A6500« » APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV
Sony A6000« » APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a higher video resolution than the GFX 50S. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison: Sony A6300 vs Fujifilm GFX 50S

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6300 has an electronic viewfinder (2300k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Sony A6300 and Fujifilm GFX 50S along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6300»2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Fujifilm GFX 50S«- Y 3.2 2360 tilting Y 4000 3.0 n n Fujifilm GFX 50S
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon M5« »2360 n 3.2 1620 tilting Y 4000 9.0 Y n Canon M5
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 5DS R« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS R
Canon 5DS« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Fujifilm X-T2« »2360 n 3.0 1040 tilting n 8000 14.0 n n Fujifilm X-T2
Nikon D5500« »optical n 3.2 1037 swivel Y 4000 5.0 Y n Nikon D5500
Nikon D7200« »optical Y 3.2 1229 fixed n 8000 6.0 Y n Nikon D7200
Sony A6500« »2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony RX100 V« »2359 n 3.0 1229 tilting n 2000 24.0 Y Y Sony RX100 V
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony RX100 IV« »2359 n 3.0 1228 tilting n 2000 16.0 Y Y Sony RX100 IV
Sony A6000« »1440 n 3.0 922 tilting n 4000 11.0 Y n Sony A6000

The GFX 50S is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.

Review summary: Sony A6300 vs Fujifilm GFX 50S

So what conclusions can be drawn? Is there a clear favorite between the Sony A6300 and the Fujifilm GFX 50S? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Sony Alpha A6300:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 336g or 45 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in February 2016).

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Advantages of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • More modern: Was introduced somewhat (7 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

A6300 09:09 GFX 50S

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6300 or the GFX 50S handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6300»Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon M5« »Rec82/1004/54.5/54/5 Sep 2016 979 i i Canon M5
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5DS R« »Rec83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
Canon 5DS« »Rec83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Fujifilm X-T2« »HiRec86/1004.5/55/55/5 Jul 2016 1,599 i i Fujifilm X-T2
Nikon D5500« »Rec79/1004.5/55/54.5/5 Jan 2015 899- i Nikon D5500
Nikon D7200« »HiRec84/1004.5/54/54.5/5 Mar 2015 1,199- i Nikon D7200
Sony A6500« »HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony RX100 V« »HiRec83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony RX100 IV« »HiRec85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Sony A6000« »Rec80/1004.5/55/55/5 Feb 2014 599- i Sony A6000

The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please send me an email, and I will try to update the database with the necessary infos.

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