Sony A6300 versus Canon T6
The Sony Alpha A6300 and the Canon EOS Rebel T6 (labelled Canon 1300D in some countries) are two digital cameras that were announced, respectively, in February 2016 and March 2016. The A6300 is a mirrorless interchangeable lens camera, while the T6 is a DSLR. Both cameras are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixel, whereas the Canon provides 17.9 MP.
An illustration of the physical size and weight of the Sony A6300 and the Canon T6 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A6300 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T6 is considerably larger (62 percent) than the Sony A6300. Moreover, the T6 is markedly heavier (20 percent) than the A6300. It is worth mentioning in this context that the A6300 is splash and dust resistant, while the T6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Canon EF Lens Catalog (T6). Mirrorless cameras, such as the Sony A6300, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony A6300 (⇒ rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Canon T6 (⇒ lft)||129 mm||101 mm||78 mm||485 g||500||no||2016||449||latest||check|
|Canon SL2 (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon M10 (⇒ lft | rgt)||108 mm||67 mm||35 mm||301 g||255||no||2015||499||discont.||check|
|Canon T5 (⇒ lft | rgt)||130 mm||100 mm||78 mm||480 g||500||no||2014||449||discont.||check|
|Canon T5i (⇒ lft | rgt)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Nikon D5500 (⇒ lft | rgt)||124 mm||97 mm||70 mm||420 g||820||no||2015||899||discont.||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||102 mm||58 mm||41 mm||299 g||220||no||2016||999||latest||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A6000 (⇒ lft | rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T6 was launched at a markedly lower price (by 55 percent) than the A6300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the T6 is 10 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6300) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6300 offers a higher resolution than the T6 (17.9MP), but the A6300 has smaller individual pixels (pixel pitch of 3.91μm versus 4.31μm for the T6). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A6300 (⇒ rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Canon T6 (⇒ lft)||APS-C||17.9||5184||3456||1080/30p||-||-||-||-|
|Canon SL2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon M10 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Canon T5 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63|
|Canon T5i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Nikon D5500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX100 V (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A6000 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6300 provides a higher video resolution than the T6. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2300k dots), while the T6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Sony A6300 and Canon T6 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A6300 (⇒ rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Canon T6 (⇒ lft)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon SL2 (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon M10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Canon T5 (⇒ lft | rgt)||optical||no||3||460||fixed||no||4000||3.0||9.2||no|
|Canon T5i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Nikon D5500 (⇒ lft | rgt)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
|Sony RX100 V (⇒ lft | rgt)||2359||no||3.0||1229||tilting||no||2000||24.0||10.2||YES|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A6000 (⇒ lft | rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
The T6 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6300 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.
So how do things add up? Is the Sony A6300 better than the Canon T6 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A6300:
- More detail: Offers more megapixels (24 vs 17.9MP) with a 16% higher linear resolution.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 129x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 81g or 17 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
Arguments in favor of the Canon EOS Rebel T6:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (500 versus 400) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
If the number of relative strengths (bullet points above) is taken as a guide, the A6300 is the clear winner of the match-up (9 : 3 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A6300 and the T6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A6300 (⇒ rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Canon T6 (⇒ lft)||reviewed||73/100||4/5||3.5/5||4/5||2016||449||latest||check|
|Canon SL2 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon M10 (⇒ lft | rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Canon T5 (⇒ lft | rgt)||4/5||-||4/5||4/5||4.5/5||2014||449||discont.||check|
|Canon T5i (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Nikon D5500 (⇒ lft | rgt)||Rec||79/100 Silver||4.5/5||5/5||4.5/5||2015||899||discont.||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
|Sony RX100 V (⇒ lft | rgt)||HiRec||83/100 Silver||4/5||5/5||4.5/5||2016||999||latest||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A6000 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to update the database with the necessary infos.
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