Sony A6300 vs Canon G16
The Sony Alpha A6300 and the Canon PowerShot G16 are two digital cameras that were announced, respectively, in February 2016 and August 2013. The A6300 is a mirrorless interchangeable lens camera, while the G16 is a fixed lens compact. The cameras are based on an APS-C (A6300) and a 1/1.7-inch (G16) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A6300||Canon G16|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||28-140mm f/1.8-2.8|
|24 MP, APS-C Sensor||12 MP, 1/1.7" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 80-12800|
|Electronic viewfinder (2359k dots)||Optical viewfinder|
|3.0" LCD, 922k dots||3.0" LCD, 922k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|11 shutter flaps per second||2.2 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|400 shots per battery charge||360 shots per battery charge|
|120 x 67 x 49 mm, 404 g||109 x 76 x 40 mm, 356 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6300 and the Canon PowerShot G16? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A6300 vs Canon G16
An illustration of the physical size and weight of the Sony A6300 and the Canon G16 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the G16 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G16 is somewhat larger (3 percent) than the Sony A6300. It is worth mentioning in this context that the A6300 is splash and dust resistant, while the G16 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the A6300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6300 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the A6300 gets 400 shots out of its NP-FW50 battery, while the G16 can take 360 images on a single charge of its NB-10L power pack. The power pack in the A6300 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony A6300»||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Canon G16«||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||-||Canon G12|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||-||Nikon P7800|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G16 was launched at a lower price than the A6300, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6300 vs Canon G16
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Canon G16 a 1/1.7-inch sensor. The sensor area in the G16 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the A6300 has a native 3:2 aspect ratio, while the one in the G16 offers a 4:3 aspect.
With 24MP, the A6300 offers a higher resolution than the G16 (12MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the A6300 is a much more recent model (by 2 years and 5 months) than the G16, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon G16 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6300 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon PowerShot G16 are ISO 80 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6300 provides substantially higher image quality than the G16, with an overall score that is 31 points higher. This advantage is based on 3.4 bits higher color depth, 2 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A6300»||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Canon G16«||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon G12« »||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Nikon D5500« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
|Sony A6400« »||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a higher video resolution than the G16. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Sony A6300 vs Canon G16
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the G16 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony A6300, the Canon G16, and comparable cameras.
|Sony A6300»||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Canon G16«||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon G12« »||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Nikon D5500« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon P7800« »||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
|Sony A6400« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-6|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G16 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The A6300 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G16 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison: Sony A6300 vs Canon G16
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6300 and Canon PowerShot G16 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6300»||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Canon G16«||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon G12« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Nikon D5500« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
|Sony A6400« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the A6300 has a microphone port, which is missing on the G16. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The G16 is a recent model that features in the current product line-up of Canon. In contrast, the A6300 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Canon websites.
Review summary: Sony A6300 vs Canon G16
So what conclusions can be drawn? Which of the two cameras – the Sony A6300 or the Canon G16 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Sony Alpha A6300:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (31 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.6 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 2.2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 360) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 5 months of technical progress since the G16 launch.
Arguments in favor of the Canon PowerShot G16:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has an integrated lens, whereas the A6300 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the A6300).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the A6300 is the clear winner of the match-up (17 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6300 and the Canon G16 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the A6300 and the G16 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Sony A6300 vs Canon G16
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A6300»||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Canon G16«||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon G12« »||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499||-||Canon G12|
|Nikon D5500« »||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899||-||Nikon D5500|
|Nikon D7200« »||+ +||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Sony A6400« »||+||85/100||4.5/5||-||4/5||Jan 2019||899||Sony A6400|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||Sony A6500|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||+ +||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 70D vs Sony A6300
- Canon G16 vs Canon M100
- Canon G16 vs Fujifilm X-T2
- Canon G16 vs Olympus E-M1 II
- Canon G16 vs Sony A6300
- Fujifilm X-E2 vs Sony A6300
- Fujifilm X100 vs Sony A6300
- Leica CL vs Sony A6300
- Olympus E-M5 vs Sony A6300
- Panasonic FZ100 vs Sony A6300
- Panasonic FZ1000 vs Sony A6300
- Pentax K-1 II vs Sony A6300
Specifications: Sony A6300 vs Canon G16
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A6300||Canon G16|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||28-140mm f/1.8-2.8|
|Launch Date||February 2016||August 2013|
|Launch Price||USD 999||USD 549|
|Sensor Specs||Sony A6300||Canon G16|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.5 x 15.6 mm||7.44 x 5.58 mm|
|Sensor Area||366.6 mm2||41.5152 mm2|
|Sensor Diagonal||28.2 mm||9.3 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.91 μm||1.87 μm|
|Pixel Density||6.55 MP/cm2||28.91 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||80-12800 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||BIONZ X||DIGIC 6|
|DXO Sensor Quality (score)||85||54|
|DXO Color Depth (bits)||24.4||21.0|
|DXO Dynamic Range (EV)||13.7||11.7|
|DXO Low Light (ISO)||1437||230|
|Screen Specs||Sony A6300||Canon G16|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||80%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||922k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Sony A6300||Canon G16|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||11 shutter flaps/s||2.2 shutter flaps/s|
|Electronic Shutter||YES||no E-Shutter|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A6300||Canon G16|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Sony A6300||Canon G16|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-FW50 power pack||NB-10L power pack|
|Battery Life (CIPA)||400 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
109 x 76 x 40 mm
(4.3 x 3.0 x 1.6 in)
|Camera Weight||404 g (14.3 oz)||356 g (12.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.