Sony A6300 vs Canon 5D Mark IV

The Sony Alpha A6300 and the Canon EOS 5D Mark IV are two digital cameras that were officially introduced, respectively, in February 2016 and August 2016. The A6300 is a mirrorless interchangeable lens camera, while the 5D Mark IV is a DSLR. The cameras are based on an APS-C (A6300) and a full frame (5D Mark IV) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 30.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6300		Canon 5D Mark IV
Mirrorless system camera		Digital single lens reflex
Sony E mount lenses		Canon EF mount lenses
24 MP – APS-C sensor		30.1 MP – Full Frame sensor
4K/30p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-32,000 (50 - 102,400)
Electronic viewfinder (2359k dots)		Optical viewfinder
3.0" LCD – 922k dots		3.2" LCD – 1620k dots
Tilting screen (no touchscreen)		Fixed touchscreen
11 shutter flaps per second		7 shutter flaps per second
Weathersealed body		Weathersealed body
400 shots per battery charge		900 shots per battery charge
120 x 67 x 49 mm, 404 g		151 x 116 x 76 mm, 890 g

Check A6300 offers at
ebay.com
Check 5D Mark IV price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6300 and the Canon EOS 5D Mark IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A6300 and the Canon 5D Mark IV is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The A6300 can be obtained in two different colors (black, silver), while the 5D Mark IV is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark IV is considerably larger (118 percent) than the Sony A6300. Moreover, the 5D Mark IV is substantially heavier (120 percent) than the A6300. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6300) and the Canon EF Lens Catalog (5D Mark IV). Mirrorless cameras, such as the Sony A6300, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the A6300 gets 400 shots out of its Sony NP-FW50 battery, while the 5D Mark IV can take 900 images on a single charge of its Canon LP-E6N power pack. The power pack in the A6300 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
2.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
4.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
5.		Canon 80D	139 mm	105 mm	79 mm	730 g	960	Y	Feb 2016	1,199	ebay.com
6.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
7.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
8.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
9.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
10.		Nikon D7200	136 mm	107 mm	76 mm	765 g	1110	Y	Mar 2015	1,199	ebay.com
11.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
12.		Sony A6500	120 mm	67 mm	53 mm	453 g	350	Y	Oct 2016	1,399	ebay.com
13.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
14.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
15.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
16.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6300 was launched at a markedly lower price (by 71 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A6300 features an APS-C sensor and the Canon 5D Mark IV a full frame sensor. The sensor area in the 5D Mark IV is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 30.1MP, the 5D Mark IV offers a higher resolution than the A6300 (24MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.91μm for the A6300) due to its larger sensor. Moreover, the 5D Mark IV is a somewhat more recent model (by 6 months) than the A6300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Sony A6300 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Sony Alpha A6300 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS 5D Mark IV are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the 5D Mark IV has a markedly higher DXO score than the A6300 (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 0.1 EV of lower dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
2.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
5.		Canon 80D	APS-C	24.0	6000	4000	1080/60p	23.6	13.2	1135	79
6.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
7.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
8.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
9.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
10.		Nikon D7200	APS-C	24.0	6000	4000	1080/60p	24.5	14.6	1333	87
11.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
12.		Sony A6500	APS-C	24.0	6000	4000	4K/30p	24.5	13.7	1405	85
13.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
14.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
15.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
16.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the 5D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark IV has a higher magnification than the one of the A6300 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Sony A6300, the Canon 5D Mark IV, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
2.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
5.		Canon 80D	optical	Y	3.0 / 1040	swivel	Y	1/8000s	7.0/s	Y	n
6.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
7.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
8.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
9.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
10.		Nikon D7200	optical	Y	3.2 / 1229	fixed	n	1/8000s	6.0/s	Y	n
11.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
12.		Sony A6500	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	Y
13.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
14.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
15.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
16.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A6300 has one, while the 5D Mark IV does not. While the built-in flash of the A6300 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A6300 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the 5D Mark IV uses Compact Flash or SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6300 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6300 and Canon EOS 5D Mark IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
2.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
5.		Canon 80D	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
6.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
7.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
8.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
9.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
10.		Nikon D7200	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
11.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
12.		Sony A6500	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
13.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the 5D Mark IV has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The A6300 lacks such a headphone port.

Studio photographers will appreciate that the Canon 5D Mark IV (unlike the A6300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the A6300 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500. Further information on the features and operation of the A6300 and 5D Mark IV can be found, respectively, in the Sony A6300 Manual (free pdf) or the online Canon 5D Mark IV Manual.

Review summary

So what is the bottom line? Is the Sony A6300 better than the Canon 5D Mark IV or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Sony Alpha A6300:

• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (120x67mm vs 151x116mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 486g or 55 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in February 2016).

Arguments in favor of the Canon EOS 5D Mark IV:

• More detail: Has more megapixels (30.1 vs 24MP), which boosts linear resolution by 12%.
• Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (900 versus 400) out of a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Was introduced somewhat (6 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the contest (18 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6300 and the Canon 5D Mark IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A6300 and the 5D Mark IV in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
2.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
4.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
5.		Canon 80D	4/5	+ +	4.5/5	84/100	4.5/5	4.5/5	Feb 2016	1,199	ebay.com
6.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
7.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
8.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
9.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
10.		Nikon D7200	4/5	+ +	..	84/100	4.5/5	4.5/5	Mar 2015	1,199	ebay.com
11.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
12.		Sony A6500	5/5	+ +	3.5/5	85/100	4.5/5	4.5/5	Oct 2016	1,399	ebay.com
13.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
14.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
15.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
16.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check A6300 offers at
ebay.com
Check 5D Mark IV price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

~

Check A6300 offers at
ebay.com
Check 5D Mark IV price at
amazon.com

Did you notice an error on this page? If so, please get in touch, so that we can correct the information.