Sony A6000 vs Panasonic GX1

The Sony Alpha A6000 and the Panasonic Lumix DMC-GX1 are two digital cameras that were announced, respectively, in February 2014 and November 2011. Both the A6000 and the GX1 are mirrorless interchangeable lens cameras that are based on an APS-C (A6000) and a Four Thirds (GX1) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6000		Panasonic GX1
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/60p Video		1080/60p Video
ISO 100-25,600 (100 - 51,200)		ISO 160-12,800
Electronic viewfinder (1440k dots)		Viewfinder optional
3.0" LCD – 922k dots		3.0" LCD – 460k dots
Tilting screen (no touchscreen)		Fixed touchscreen
11 shutter flaps per second		4.2 shutter flaps per second
360 shots per battery charge		320 shots per battery charge
120 x 67 x 45 mm, 344 g		116 x 68 x 39 mm, 318 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6000 and the Panasonic Lumix DMC-GX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Sony A6000 and the Panasonic GX1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The A6000 can be obtained in three different colors (black, silver, white), while the GX1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX1 is somewhat smaller (2 percent) than the Sony A6000. Moreover, the GX1 is markedly lighter (8 percent) than the A6000. In this context, it is worth noting that neither the A6000 nor the GX1 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Micro Four Thirds Lens Catalog (GX1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6000 gets 360 shots out of its Sony NP-FW50 battery, while the GX1 can take 320 images on a single charge of its Panasonic DMW-BLD10 power pack. The power pack in the A6000 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
2.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
3.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
4.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
5.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
6.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
7.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
8.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
9.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
10.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
11.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
12.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
13.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
14.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
15.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
16.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
17.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6000 was launched at a somewhat lower price (by 14 percent) than the GX1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Panasonic GX1 a Four Thirds sensor. The sensor area in the GX1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the GX1 offers a 4:3 aspect.

With 24MP, the A6000 offers a higher resolution than the GX1 (15.8MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GX1) due to its larger sensor. Moreover, the A6000 is a much more recent model (by 2 years and 3 months) than the GX1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX1 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX1 are ISO 160 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6000 provides substantially higher image quality than the GX1, with an overall score that is 27 points higher. This advantage is based on 3.3 bits higher color depth, 2.5 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
2.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
3.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
4.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
5.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
6.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
7.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
8.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
9.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
10.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
11.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
12.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
13.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
14.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
15.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
16.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
17.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX1 relies on live view and the rear LCD for framing. That said, the GX1 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Sony A6000 and Panasonic GX1 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
2.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
3.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
4.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
5.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
6.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
7.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
8.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
9.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
10.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
11.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
12.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
13.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
14.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
15.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
17.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX1 has a touchscreen, while the A6000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The A6000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GX1 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and Panasonic Lumix DMC-GX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
4.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
9.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
13.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
14.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the A6000 offers wifi support, while the GX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both the A6000 and the GX1 have been discontinued, but can regularly be found used on ebay. The GX1 was replaced by the Panasonic GX7, while the A6000 was followed by the Sony A6300. Further information on the features and operation of the A6000 and GX1 can be found, respectively, in the Sony A6000 Manual (free pdf) or the online Panasonic GX1 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Sony A6000 or the Panasonic GX1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Sony Alpha A6000:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Scores substantially higher (27 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (3.3 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.5 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.9 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster burst: Shoots at higher frequency (11 vs 4.2 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (360 versus 320) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
• More modern: Reflects 2 years and 3 months of technical progress since the GX1 launch.

Advantages of the Panasonic Lumix DMC-GX1:

• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More heavily discounted: Has been around for much longer (launched in November 2011).

If the count of relative strengths (bullet points above) is taken as a measure, the A6000 is the clear winner of the match-up (16 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6000 and the Panasonic GX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6000 or the GX1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
2.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
3.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
4.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
5.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
6.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
7.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
8.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
9.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
10.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
11.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
12.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
13.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
14.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
15.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
16.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
17.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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