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Sony A6000 versus Panasonic G7

The Sony Alpha A6000 and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in February 2014 and May 2015. Both the A6000 and the G7 are mirrorless interchangeable lens cameras that are based on an APS-C (A6000) and a Four Thirds (G7) sensor. The Sony has a resolution of 24 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A6000 vs Panasonic G7

The side-by-side display below illustrates the physical size and weight of the Sony A6000 and the Panasonic G7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A6000 – represents the basis or 100 percent across all the size and weight measures).

Compare Sony A6000 vs Panasonic G7
Compare A6000 versus G7 top
Compare A6000 and G7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably larger (34 percent) than the Sony A6000. Moreover, the G7 is markedly heavier (19 percent) than the A6000. In this context, it is worth noting that neither the A6000 nor the G7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Micro Four Thirds Lens Catalog (G7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6000 gets 360 shots out of its NP-FW50 battery, while the G7 can take 350 images on a single charge of its DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6000» 4.7 in 2.6 in 1.8 in 12.1 oz 360 n Feb 2014 599- i Sony A6000
Panasonic G7« 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
Panasonic GM5« » 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
Panasonic G5« » 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
Panasonic GH2« » 4.9 in 3.5 in 3.0 in 15.6 oz 330 n Sep 2010 1,499- i Panasonic GH2
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony A5000« » 4.3 in 2.5 in 1.4 in 9.5 oz 420 n Jan 2014 449- i Sony A5000
Sony A5100« » 4.3 in 2.5 in 1.4 in 10.0 oz 400 n Aug 2014 549 i i Sony A5100
Sony A3000« » 5.0 in 3.6 in 3.3 in 14.5 oz 470 n Aug 2013 329- i Sony A3000
Sony NEX-3N« » 4.3 in 2.4 in 1.4 in 9.5 oz 480 n Feb 2013 499- i Sony NEX-3N
Sony NEX-6« » 4.7 in 2.6 in 1.7 in 12.2 oz 360 n Sep 2012 999- i Sony NEX-6
Sony NEX-F3« » 4.6 in 2.6 in 1.7 in 11.1 oz 470 n May 2012 599- i Sony NEX-F3
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349- i Sony NEX-7
Sony NEX-3« » 4.6 in 2.4 in 1.3 in 10.5 oz 330 n May 2010 599- i Sony NEX-3
Sony NEX-5« » 4.4 in 2.3 in 1.5 in 10.1 oz 330 n May 2010 699- i Sony NEX-5

The camera’s price is obviously a critical decision-making factor. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6000 was somewhat cheaper (by 8 percent) than the G7 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Sony A6000 vs Panasonic G7

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Sony A6000 and Panasonic G7 sensor measures

With 24MP, the A6000 offers a higher resolution than the G7 (15.8MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the G7) due to its larger sensor. However, the G7 is a somewhat more recent model (by 1 year and 3 months) than the A6000, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The A6000 has on-sensor phase detect pixels, which results in relatively fast and reliable autofocus acquisition during video recording.

A6000 versus G7 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A6000» APS-C 24.0 6000 40001080/60p24.113.1134782Sony A6000
Panasonic G7« Four Thirds 15.8 4592 34484K/30p----Panasonic G7
Panasonic GM5« » Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
Panasonic G5« » Four Thirds 15.9 4608 34561080/60p----Panasonic G5
Panasonic GH2« » Four Thirds 15.9 4608 34561080/60i21.211.365560Panasonic GH2
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony A5000« » APS-C 19.8 5456 36321080/60i23.813.0108979Sony A5000
Sony A5100« » APS-C 24.0 6000 40001080/60p23.812.7134780Sony A5100
Sony A3000« » APS-C 19.8 5456 36321080/60i23.712.8106878Sony A3000
Sony NEX-3N« » APS-C 16.0 4912 32641080/60i22.812.5106774Sony NEX-3N
Sony NEX-6« » APS-C 16.0 4912 32641080/60i23.713.1101878Sony NEX-6
Sony NEX-F3« » APS-C 16.0 4912 32641080/60i22.712.3111473Sony NEX-F3
Sony NEX-7« » APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7
Sony NEX-3« » APS-C 14.0 4592 3056720/30p22.112.083068Sony NEX-3
Sony NEX-5« » APS-C 14.0 4592 30561080/60i22.212.279669Sony NEX-5

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a better video resolution than the A6000. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.

 

Feature comparison: Sony A6000 vs Panasonic G7

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the G7 offers a substantially higher resolution than the one in the A6000 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Sony A6000 and Panasonic G7 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A6000»1440 n 3.0 922 tilting n 4000 11.0 Y n Sony A6000
Panasonic G7«2360 n 3.0 1040 swivel Y 4000 7.0 Y n Panasonic G7
Panasonic GM5« »1166 n 3.0 921 fixed Y 500 5.8 n n Panasonic GM5
Panasonic G6« »1440 n 3.0 1036 swivel Y 4000 7.0 Y n Panasonic G6
Panasonic GM1« »- n 3.0 1036 fixed Y 500 5.0 Y n Panasonic GM1
Panasonic G5« »1440 n 3.0 920 swivel Y 4000 6.0 Y n Panasonic G5
Panasonic GH2« »1534 n 3.0 460 swivel n 4000 3.0 Y n Panasonic GH2
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony A5000« »- n 3.0 461 tilting n 4000 3.5 Y n Sony A5000
Sony A5100« »- n 3.0 922 tilting Y 4000 6.0 Y n Sony A5100
Sony A3000« »202 n 3.0 230 fixed n 4000 2.5 Y n Sony A3000
Sony NEX-3N« »- n 3.0 460 tilting n 4000 4.0 Y n Sony NEX-3N
Sony NEX-6« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-6
Sony NEX-F3« »- n 3.0 920 tilting n 4000 5.5 Y n Sony NEX-F3
Sony NEX-7« »2359 n 3.0 921 tilting n 4000 10.0 Y n Sony NEX-7
Sony NEX-3« »- n 3.0 920 tilting n 4000 7.0 n n Sony NEX-3
Sony NEX-5« »- n 3.0 920 tilting n 4000 7.0 n n Sony NEX-5

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the A6000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the G7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The A6000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G7 uses SDXC cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Sony A6000»Ystereomono--micro2.0YY-Sony A6000
Panasonic G7«YstereomonoY-micro2.0Y--Panasonic G7
Panasonic GM5« »Ystereomono--micro2.0Y--Panasonic GM5
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
Panasonic G5« »Ystereomono--mini2.0---Panasonic G5
Panasonic GH2« »YstereomonoY-mini2.0---Panasonic GH2
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
Sony A5000« »-stereomono--micro2.0YY-Sony A5000
Sony A5100« »-stereomono--micro2.0YY-Sony A5100
Sony A3000« »Ystereomono--mini2.0---Sony A3000
Sony NEX-3N« »-stereomono--micro2.0---Sony NEX-3N
Sony NEX-6« »Ystereomono--mini2.0Y--Sony NEX-6
Sony NEX-F3« »Ystereomono--mini2.0---Sony NEX-F3
Sony NEX-7« »Ystereomono--mini2.0---Sony NEX-7
Sony NEX-3« »Ystereomono--mini2.0---Sony NEX-3
Sony NEX-5« »Ystereomono--mini2.0---Sony NEX-5

Both the A6000 and the G7 have been discontinued, but can regularly be found used on eBay. The A6000 was replaced by the Sony A6300, while the G7 was followed by the Panasonic G85.

Review summary: Sony A6000 vs Panasonic G7

So what conclusions can be drawn? Is the Sony A6000 better than the Panasonic G7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Sony Alpha A6000:

  • More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: Larger pixels generate images with better, more accurate colors.
  • More dynamic range: Capable of capturing a wider spectrum of light and dark details.
  • Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 125x86mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 66g or 16 percent) and hence easier to carry around.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More heavily discounted: Has been on the market for longer (launched in February 2014).

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Advantages of the Panasonic Lumix DMC-G7:

  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More modern: Was introduced somewhat (1 year and 3 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the A6000 emerges as the winner of the contest (11 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

A6000 11:08 G7

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6000 or the G7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A6000»Rec80/1004.5/55/55/5 Feb 2014 599- i Sony A6000
Panasonic G7«HiRec80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
Panasonic GM5« »Rec77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
Panasonic G6« »HiRec-5/5-4.5/5 Apr 2013 599- i Panasonic G6
Panasonic GM1« »Rec78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
Panasonic G5« »HiRec-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
Panasonic GH2« »HiRec79/1004.5/54.5/55/5 Sep 2010 1,499- i Panasonic GH2
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony A5000« »Rec-4.5/5rev4.5/5 Jan 2014 449- i Sony A5000
Sony A5100« »Rec-4.5/54.5/55/5 Aug 2014 549 i i Sony A5100
Sony A3000« »Rec-4/54.5/54/5 Aug 2013 329- i Sony A3000
Sony NEX-3N« »--4.5/54/54.5/5 Feb 2013 499- i Sony NEX-3N
Sony NEX-6« »HiRec78/1004.5/55/54.5/5 Sep 2012 999- i Sony NEX-6
Sony NEX-F3« »-74/1004.5/54.5/54.5/5 May 2012 599- i Sony NEX-F3
Sony NEX-7« »HiRec81/1004.5/55/55/5 Aug 2011 1,349- i Sony NEX-7
Sony NEX-3« »-70/1004.5/55/54/5 May 2010 599- i Sony NEX-3
Sony NEX-5« »HiRec71/1004.5/54/54/5 May 2010 699- i Sony NEX-5

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.

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