Sony A6000 vs Panasonic G6

The Sony Alpha A6000 and the Panasonic Lumix DMC-G6 are two digital cameras that were revealed to the public, respectively, in February 2014 and April 2013. Both the A6000 and the G6 are mirrorless interchangeable lens cameras that are based on an APS-C (A6000) and a Four Thirds (G6) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A6000		Panasonic G6
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.9 MP – Four Thirds sensor
1080/60p Video		1080/60p Video
ISO 100-25,600 (100 - 51,200)		ISO 160-12,800 (160 - 25,600)
Electronic viewfinder (1440k dots)		Electronic viewfinder (1440k dots)
3.0" LCD – 922k dots		3.0" LCD – 1036k dots
Tilting screen (no touchscreen)		Swivel touchscreen
11 shutter flaps per second		7 shutter flaps per second
360 shots per battery charge		340 shots per battery charge
120 x 67 x 45 mm, 344 g		122 x 85 x 71 mm, 390 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6000 and the Panasonic Lumix DMC-G6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A6000 and the Panasonic G6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

Both cameras are available in three different colors (black, silver, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G6 is notably larger (29 percent) than the Sony A6000. Moreover, the G6 is markedly heavier (13 percent) than the A6000. In this context, it is worth noting that neither the A6000 nor the G6 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Micro Four Thirds Lens Catalog (G6). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A6000 gets 360 shots out of its Sony NP-FW50 battery, while the G6 can take 340 images on a single charge of its Panasonic DMW-BLC12 power pack. The power pack in the A6000 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
2.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
3.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
4.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
5.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
6.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
7.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
8.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
9.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
10.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
11.		Sony A6300	120 mm	67 mm	49 mm	404 g	400	Y	Feb 2016	999	ebay.com
12.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
13.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
14.		Sony NEX-5	111 mm	59 mm	38 mm	287 g	330	n	May 2010	699	ebay.com
15.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
16.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
17.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Panasonic G6 a Four Thirds sensor. The sensor area in the G6 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the G6 offers a 4:3 aspect.

With 24MP, the A6000 offers a higher resolution than the G6 (15.9MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the G6) due to its larger sensor. Moreover, the A6000 is a somewhat more recent model (by 9 months) than the G6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G6 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-G6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6000 provides substantially higher image quality than the G6, with an overall score that is 21 points higher. This advantage is based on 2.8 bits higher color depth, 1.6 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
2.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
3.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
4.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
5.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
6.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
7.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
8.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
9.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
10.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
11.		Sony A6300	APS-C	24.0	6000	4000	4K/30p	24.4	13.7	1437	85
12.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
13.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
14.		Sony NEX-5	APS-C	14.0	4592	3056	1080/60i	22.2	12.2	796	69
15.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
16.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
17.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The A6000 and the G6 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The following table reports on some other key feature differences and similarities of the Sony A6000, the Panasonic G6, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
2.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
3.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
4.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
5.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
6.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
7.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
8.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
9.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
10.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
11.		Sony A6300	2359	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
12.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
13.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
14.		Sony NEX-5	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
15.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G6 has a touchscreen, while the A6000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A6000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G6 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and Panasonic Lumix DMC-G6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
3.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
7.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
8.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Sony A6300	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
12.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
14.		Sony NEX-5	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
16.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the G6 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The A6000 does not feature such a mic input.

Both the A6000 and the G6 have been discontinued, but can regularly be found used on ebay. The G6 was replaced by the Panasonic G7, while the A6000 was followed by the Sony A6300. Further information on the features and operation of the A6000 and G6 can be found, respectively, in the Sony A6000 Manual (free pdf) or the online Panasonic G6 Manual.

Review summary

So how do things add up? Which of the two cameras – the Sony A6000 or the Panasonic G6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Sony Alpha A6000:

• More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
• Better image quality: Scores substantially higher (21 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.8 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (120x67mm vs 122x85mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 46g or 12 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More modern: Is somewhat more recent (announced 9 months after the G6).

Arguments in favor of the Panasonic Lumix DMC-G6:

• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed LCD: Has a higher resolution rear screen (1036k vs 922k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More heavily discounted: Has been on the market for longer (launched in April 2013).

If the count of relative strengths (bullet points above) is taken as a measure, the A6000 emerges as the winner of the contest (11 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A6000 and the Panasonic G6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the A6000 and the G6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
2.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
3.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
4.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
5.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
6.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
7.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
8.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
9.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
10.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
11.		Sony A6300	4.5/5	+	..	85/100	5/5	5/5	Feb 2016	999	ebay.com
12.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
13.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
14.		Sony NEX-5	3/5	+ +	..	71/100	4.5/5	4/5	May 2010	699	ebay.com
15.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
16.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
17.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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