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Sony A6000 versus Olympus E-P5

The Sony Alpha A6000 and the Olympus PEN E-P5 are two digital cameras that were revealed to the public, respectively, in February 2014 and May 2013. Both the A6000 and the E-P5 are mirrorless interchangeable lens cameras that are based on an APS-C (A6000) and a Four Thirds sensor. The Sony has a resolution of 24 megapixel, whereas the Olympus provides 15.9 MP.

Body comparison

An illustration of the physical size and weight of the Sony A6000 and the Olympus E-P5 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A6000 – represents the basis for the calculations across all the size and weight measures).

Sony A6000 vs Olympus E-P5 front
A6000 versus E-P5 top view
A6000 and E-P5 rear side
Body view (A6000 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is somewhat larger (5 percent) than the Sony A6000. Moreover, the E-P5 is markedly heavier (22 percent) than the A6000. In this context, it is worth noting that neither the A6000 nor the E-P5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6000 (⇒ rgt) 120 mm 67 mm 45 mm 344 g 360 no 2014 599discont. check
Olympus E-P5 (⇒ lft) 122 mm 69 mm 37 mm 420 g 330 no 2013 999discont. check
Canon M100 (⇒ lft | rgt) 108 mm 67 mm 35 mm 302 g 295 no 2017 499 latest check
Canon M3 (⇒ lft | rgt) 111 mm 68 mm 44 mm 366 g 250 no 2015 679discont. check
Canon G7 X (⇒ lft | rgt) 103 mm 60 mm 40 mm 304 g 210 no 2014 699discont. check
Nikon D5500 (⇒ lft | rgt) 124 mm 97 mm 70 mm 420 g 820 no 2015 899discont. check
Nikon D3300 (⇒ lft | rgt) 124 mm 98 mm 76 mm 430 g 700 no 2014 499discont. check
Olympus E-M10 II (⇒ lft | rgt) 120 mm 83 mm 47 mm 390 g 320 no 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Olympus E-M1 (⇒ lft | rgt) 130 mm 94 mm 63 mm 497 g 350 YES 2013 1,399discont. check
Panasonic GX7 (⇒ lft | rgt) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX100 V (⇒ lft | rgt) 102 mm 58 mm 41 mm 299 g 220 no 2016 999 latest check
Sony RX100 IV (⇒ lft | rgt) 102 mm 58 mm 41 mm 298 g 280 no 2015 999discont. check
Sony RX100 III (⇒ lft | rgt) 102 mm 58 mm 41 mm 290 g 320 no 2014 799discont. check
Sony RX1R (⇒ lft | rgt) 113 mm 65 mm 70 mm 482 g 270 no 2013 2,799discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a markedly lower price (by 40 percent) than the E-P5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.

Sony A6000 and Olympus E-P5 sensor measures
Sensor size

With 24MP, the A6000 offers a higher resolution than the E-P5 (15.9MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the A6000 is a somewhat more recent model (by 9 months) than the E-P5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

A6000 versus E-P5 MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the A6000 has a notably higher overall DXO score than the E-P5 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.3 bits higher color depth, 0.7 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A6000 (⇒ rgt) APS-C 24.0 6000 4000 1080/60p 24.1 13.1 1347 82
Olympus E-P5 (⇒ lft) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.4 895 72
Canon M100 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.5 12.9 1272 78
Canon M3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/30p 22.8 11.8 1169 72
Canon G7 X (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 23.0 12.7 556 71
Nikon D5500 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.1 14.0 1438 84
Nikon D3300 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.3 12.8 1385 82
Olympus E-M10 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.1 12.5 842 73
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Olympus E-M1 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 23.0 12.7 757 73
Panasonic GX7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX100 V (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.4 586 70
Sony RX100 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 22.8 12.6 591 70
Sony RX100 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 1080/60p 22.4 12.3 495 67
Sony RX1R (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 25.0 13.6 2537 91

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6000 provides a higher frame rate than the E-P5. It can shoot video footage at 1080/60p, while the Olympus is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Sony A6000, the Olympus E-P5, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A6000 (⇒ rgt) 1440 no 3.0 922 tilting no 4000 11.0 6 no
Olympus E-P5 (⇒ lft) no no 3.0 1037 tilting YES 8000 9.0 7 YES
Canon M100 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 6.1 5 no
Canon M3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 4.2 5 no
Canon G7 X (⇒ lft | rgt) no no 3.0 1040 tilting YES 2000 6.5 7 YES
Nikon D5500 (⇒ lft | rgt) optical no 3.2 1037 swivel YES 4000 5.0 12 no
Nikon D3300 (⇒ lft | rgt) optical no 3.0 921 fixed no 4000 5.0 12 no
Olympus E-M10 II (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5.8 YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Olympus E-M1 (⇒ lft | rgt) 2360 no 3.0 1037 tilting YES 8000 10.0 no YES
Panasonic GX7 (⇒ lft | rgt) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX100 V (⇒ lft | rgt) 2359 no 3.0 1229 tilting no 2000 24.0 10.2 YES
Sony RX100 IV (⇒ lft | rgt) 2359 no 3.0 1228 tilting no 2000 16.0 10.2 YES
Sony RX100 III (⇒ lft | rgt) 1440 no 3.0 1229 tilting no 2000 10.0 YES YES
Sony RX1R (⇒ lft | rgt) no no 3.0 1229 fixed no 4000 5.0 6 no

Both the A6000 and the E-P5 have been discontinued, but can regularly be found used on ebay. The E-P5 was replaced by the .., while the A6000 was followed by the Sony A6300.

Summary

So what is the bottom line? Is the Sony A6000 better than the Olympus E-P5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.


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Reasons to prefer the Sony Alpha A6000:

  • More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
  • Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
  • Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
  • More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
  • Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
  • Better video: Provides higher movie framerates (1080/60p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (11 vs 9 flaps/sec) to capture the decisive moment.
  • Less heavy: Is lighter (by 76g or 18 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 9 months after the E-P5).

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Arguments in favor of the Olympus PEN E-P5:

  • More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More heavily discounted: Has been on the market for longer (launched in May 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the A6000 is the clear winner of the match-up (11 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

A6000 11:05 E-P5

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6000 or the E-P5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6000 (⇒ rgt) Rec 80/100 Gold 4.5/5 5/5 5/5 2014 599discont. check
Olympus E-P5 (⇒ lft) HiRec 78/100 Silver 4.5/5 4.5/5 5/5 2013 999discont. check
Canon M100 (⇒ lft | rgt) Rec .. 4/5 .. 3.5/5 2017 499 latest check
Canon M3 (⇒ lft | rgt) reviewed 75/100 4.5/5 4.5/5 4/5 2015 679discont. check
Canon G7 X (⇒ lft | rgt) HiRec 77/100 Silver 4.5/5 3.5/5 4.5/5 2014 699discont. check
Nikon D5500 (⇒ lft | rgt) Rec 79/100 Silver 4.5/5 5/5 4.5/5 2015 899discont. check
Nikon D3300 (⇒ lft | rgt) Rec 77/100 Silver 4.5/5 4.5/5 4.5/5 2014 499discont. check
Olympus E-M10 II (⇒ lft | rgt) HiRec 80/100 Silver 5/5 5/5 5/5 2015 799discont. check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Olympus E-M1 (⇒ lft | rgt) HiRec 84/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,399discont. check
Panasonic GX7 (⇒ lft | rgt) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX100 V (⇒ lft | rgt) HiRec 83/100 Silver 4/5 5/5 4.5/5 2016 999 latest check
Sony RX100 IV (⇒ lft | rgt) HiRec 85/100 Gold 4/5 4.5/5 4.5/5 2015 999discont. check
Sony RX100 III (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 5/5 2014 799discont. check
Sony RX1R (⇒ lft | rgt) - - 4/5 reviewed 4.5/5 2013 2,799discont. check

The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to update the database with the necessary infos.

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