Sony A6000 versus Fujifilm X-M1
The Sony Alpha A6000 and the Fujifilm X-M1 are two digital cameras that were officially introduced, respectively, in February 2014 and June 2013. Both the A6000 and the X-M1 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Sony has a resolution of 24 megapixel, whereas the Fujifilm provides 16 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A6000 vs Fujifilm X-M1
An illustration of the physical size and weight of the Sony A6000 and the Fujifilm X-M1 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the A6000 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-M1 is somewhat smaller (2 percent) than the Sony A6000. Moreover, the X-M1 is slightly lighter (4 percent) than the A6000. In this context, it is worth noting that neither the A6000 nor the X-M1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Fujinon X Lens Catalog (X-M1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Sony A6000 (⇒ rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
|Fujifilm X-M1 (⇒ lft)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||117 mm||70 mm||57 mm||353 g||270||no||2013||599||discont.||check|
|Fujifilm X-E2 (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2013||999||discont.||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||110 mm||63 mm||36 mm||269 g||420||no||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||128 mm||91 mm||85 mm||411 g||470||no||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||110 mm||62 mm||35 mm||269 g||480||no||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||111 mm||59 mm||39 mm||2776 g||330||no||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||120 mm||67 mm||43 mm||345 g||360||no||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||117 mm||67 mm||42 mm||314 g||470||no||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||120 mm||67 mm||43 mm||400 g||430||no||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||117 mm||62 mm||33 mm||297 g||330||no||2010||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a somewhat lower price (by 14 percent) than the X-M1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6000 vs Fujifilm X-M1
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Sony A6000 offers a higher resolution of 24 megapixel, compared with 16 MP of the Fujifilm X-M1. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-M1). However, it should be noted that the A6000 is a somewhat more recent model (by 7 months) than the X-M1, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A6000 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
|Fujifilm X-M1 (⇒ lft)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X20 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X-E2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony A5000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79|
|Sony A3000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78|
|Sony NEX-3N (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74|
|Sony NEX-5T (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78|
|Sony NEX-6 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78|
|Sony NEX-F3 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73|
|Sony NEX-7 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81|
|Sony NEX-3 (⇒ lft | rgt)||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6000 provides a higher frame rate than the X-M1. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Feature comparison: Sony A6000 vs Fujifilm X-M1
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Sony A6000 and Fujifilm X-M1 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Sony A6000 (⇒ rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
|Fujifilm X-M1 (⇒ lft)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X20 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||12.0||7||YES|
|Fujifilm X-E2 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony A5000 (⇒ lft | rgt)||no||no||3.0||461||tilting||no||4000||3.5||4||no|
|Sony A3000 (⇒ lft | rgt)||202||no||3.0||230||fixed||no||4000||2.5||6||no|
|Sony NEX-3N (⇒ lft | rgt)||no||no||3.0||460||tilting||no||4000||4.0||4||no|
|Sony NEX-5T (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||10.0||no||no|
|Sony NEX-6 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-F3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.5||6||no|
|Sony NEX-7 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||7.0||no||no|
The X-M1 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300.
Review summary: Sony A6000 vs Fujifilm X-M1
So what is the bottom line? Is the Sony A6000 better than the Fujifilm X-M1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Sony Alpha A6000:
- More detail: Offers more megapixels (24 vs 16MP) with a 23% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 5.6 flaps/sec) to capture the decisive moment.
- More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 7 months after the X-M1).
Advantages of the Fujifilm X-M1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More heavily discounted: Has been on the market for longer (launched in June 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the A6000 is the clear winner of the match-up (7 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the A6000 or the X-M1 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A6000 (⇒ rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
|Fujifilm X-M1 (⇒ lft)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||-||5/5||2013||599||discont.||check|
|Fujifilm X-E2 (⇒ lft | rgt)||-||80/100 Gold||4.5/5||-||5/5||2013||999||discont.||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||Rec||-||4.5/5||reviewed||4.5/5||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||Rec||-||4/5||4.5/5||4/5||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||5/5||4.5/5||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||-||74/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||5/5||5/5||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||-||70/100 Silver||4.5/5||5/5||4/5||2010||599||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please send me an email, and I will try to locate and add the respective data to the application.
- Canon 100D vs Sony A6300
- Canon 20D vs Canon M5
- Canon 700D vs Panasonic GH5s
- Canon 750D vs Canon 80D
- Canon Rebel vs Sony RX10 IV
- Fujifilm GFX 50S vs Fujifilm X-Pro1
- Nikon D7100 vs Panasonic GH5
- Nikon D800 vs Canon 5D Mark III
- Olympus E-30 vs Panasonic L10
- Olympus PEN-F vs Canon G5 X
- Panasonic G7 vs Sony RX100 III
- Sony A6300 vs Leica TL2