Sony A6000 vs Canon SX50
The Sony Alpha A6000 and the Canon PowerShot SX50 HS are two digital cameras that were announced, respectively, in February 2014 and September 2012. The A6000 is a mirrorless interchangeable lens camera, while the SX50 is a fixed lens compact. The cameras are based on an APS-C (A6000) and a 1/2.3-inch (SX50) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A6000 and the Canon PowerShot SX50 HS? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Sony A6000 and the Canon SX50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the SX50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX50 is notably larger (33 percent) than the Sony A6000. In this context, it is worth noting that neither the A6000 nor the SX50 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX50 has a lens built in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the A6000 gets 360 shots out of its Sony NP-FW50 battery, while the SX50 can take 315 images on a single charge of its Canon NB-10L power pack. The power pack in the A6000 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
2. | Canon SX50 | 123 mm | 87 mm | 106 mm | 595 g | 315 | n | Sep 2012 | 429 | ebay.com | |
3. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
4. | Canon S120 | 100 mm | 59 mm | 29 mm | 217 g | 230 | n | Aug 2013 | 449 | ebay.com | |
5. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
6. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
7. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
8. | Sony A3000 | 128 mm | 91 mm | 85 mm | 411 g | 470 | n | Aug 2013 | 329 | ebay.com | |
9. | Sony A5000 | 110 mm | 63 mm | 36 mm | 269 g | 420 | n | Jan 2014 | 449 | ebay.com | |
10. | Sony A5100 | 110 mm | 63 mm | 36 mm | 283 g | 400 | n | Aug 2014 | 549 | ebay.com | |
11. | Sony A6300 | 120 mm | 67 mm | 49 mm | 404 g | 400 | Y | Feb 2016 | 999 | ebay.com | |
12. | Sony NEX-3 | 117 mm | 62 mm | 33 mm | 297 g | 330 | n | May 2010 | 599 | ebay.com | |
13. | Sony NEX-3N | 110 mm | 62 mm | 35 mm | 269 g | 480 | n | Feb 2013 | 499 | ebay.com | |
14. | Sony NEX-5 | 111 mm | 59 mm | 38 mm | 287 g | 330 | n | May 2010 | 699 | ebay.com | |
15. | Sony NEX-6 | 120 mm | 67 mm | 43 mm | 345 g | 360 | n | Sep 2012 | 999 | ebay.com | |
16. | Sony NEX-7 | 120 mm | 67 mm | 43 mm | 400 g | 430 | n | Aug 2011 | 1,349 | ebay.com | |
17. | Sony NEX-F3 | 117 mm | 67 mm | 42 mm | 314 g | 470 | n | May 2012 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX50 was launched at a lower price than the A6000, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Canon SX50 a 1/2.3-inch sensor. The sensor area in the SX50 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the SX50 offers a 4:3 aspect.
With 24MP, the A6000 offers a higher resolution than the SX50 (12MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.53μm for the SX50) due to its larger sensor. Moreover, the A6000 is a somewhat more recent model (by 1 year and 4 months) than the SX50, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A6000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6000 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon SX50 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon PowerShot SX50 HS are ISO 80 to ISO 6400 (no boost).
In terms of underlying technology, the A6000 is build around a CMOS sensor, while the SX50 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6000 provides substantially higher image quality than the SX50, with an overall score that is 35 points higher. This advantage is based on 3.8 bits higher color depth, 1.9 EV in additional dynamic range, and 2.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
2. | Canon SX50 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 20.3 | 11.2 | 179 | 47 | |
3. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
4. | Canon S120 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.3 | 11.9 | 246 | 56 | |
5. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
6. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
7. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
8. | Sony A3000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.7 | 12.8 | 1068 | 78 | |
9. | Sony A5000 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.8 | 13.0 | 1089 | 79 | |
10. | Sony A5100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 12.7 | 1347 | 80 | |
11. | Sony A6300 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.4 | 13.7 | 1437 | 85 | |
12. | Sony NEX-3 | APS-C | 14.0 | 4592 | 3056 | 720/30p | 22.1 | 12.0 | 830 | 68 | |
13. | Sony NEX-3N | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.8 | 12.5 | 1067 | 74 | |
14. | Sony NEX-5 | APS-C | 14.0 | 4592 | 3056 | 1080/60i | 22.2 | 12.2 | 796 | 69 | |
15. | Sony NEX-6 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 1018 | 78 | |
16. | Sony NEX-7 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.4 | 1016 | 81 | |
17. | Sony NEX-F3 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 22.7 | 12.3 | 1114 | 73 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6000 provides a higher frame rate than the SX50. It can shoot video footage at 1080/60p, while the Canon is limited to 1080/24p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A6000 offers a substantially higher resolution than the one in the SX50 (1440k vs 202k dots). The adjacent table lists some of the other core features of the Sony A6000 and Canon SX50 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
2. | Canon SX50 | 202 | n | 3.0 / 461 | swivel | n | 1/2000s | 2.2/s | Y | Y | |
3. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
4. | Canon S120 | none | n | 3.0 / 922 | fixed | Y | 1/2000s | 12.1/s | Y | Y | |
5. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
6. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
7. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
8. | Sony A3000 | 202 | n | 3.0 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
9. | Sony A5000 | none | n | 3.0 / 461 | tilting | n | 1/4000s | 3.5/s | Y | n | |
10. | Sony A5100 | none | n | 3.0 / 922 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
11. | Sony A6300 | 2359 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
12. | Sony NEX-3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
13. | Sony NEX-3N | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 4.0/s | Y | n | |
14. | Sony NEX-5 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 7.0/s | n | n | |
15. | Sony NEX-6 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
16. | Sony NEX-7 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
17. | Sony NEX-F3 | optional | n | 3.0 / 920 | tilting | n | 1/4000s | 5.5/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The A6000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the SX50 uses SDXC cards. The A6000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX50 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and Canon PowerShot SX50 HS and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Canon SX50 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
4. | Canon S120 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
6. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
7. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
8. | Sony A3000 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Sony A5000 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
10. | Sony A5100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
11. | Sony A6300 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
12. | Sony NEX-3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Sony NEX-3N | - | stereo / mono | - | - | micro | 2.0 | - | - | - | |
14. | Sony NEX-5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Sony NEX-6 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
16. | Sony NEX-7 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony NEX-F3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the A6000 offers wifi support, while the SX50 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the A6000 and the SX50 have been discontinued, but can regularly be found used on ebay. The SX50 was replaced by the Canon SX60, while the A6000 was followed by the Sony A6300. Further information on the features and operation of the A6000 and SX50 can be found, respectively, in the Sony A6000 Manual (free pdf) or the online Canon SX50 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Sony A6000 and the Canon SX50? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Sony Alpha A6000:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (35 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.8 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.9 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (922k vs 461k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (120x67mm vs 123x87mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (360 versus 315) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the SX50).
Arguments in favor of the Canon PowerShot SX50 HS:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the A6000 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the A6000 is the clear winner of the match-up (19 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A6000 and the Canon SX50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A6000 or the SX50. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
2. | Canon SX50 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4.5/5 | Sep 2012 | 429 | ebay.com | |
3. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
4. | Canon S120 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 449 | ebay.com | |
5. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
6. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
7. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
8. | Sony A3000 | 3/5 | + | .. | .. | 4/5 | 4/5 | Aug 2013 | 329 | ebay.com | |
9. | Sony A5000 | 3/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2014 | 449 | ebay.com | |
10. | Sony A5100 | 4.5/5 | + | .. | .. | 4.5/5 | 5/5 | Aug 2014 | 549 | ebay.com | |
11. | Sony A6300 | 4.5/5 | + | .. | 85/100 | 5/5 | 5/5 | Feb 2016 | 999 | ebay.com | |
12. | Sony NEX-3 | .. | .. | .. | 70/100 | 4.5/5 | 4/5 | May 2010 | 599 | ebay.com | |
13. | Sony NEX-3N | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 499 | ebay.com | |
14. | Sony NEX-5 | 3/5 | + + | .. | 71/100 | 4.5/5 | 4/5 | May 2010 | 699 | ebay.com | |
15. | Sony NEX-6 | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
16. | Sony NEX-7 | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Aug 2011 | 1,349 | ebay.com | |
17. | Sony NEX-F3 | 4/5 | .. | .. | 74/100 | 4.5/5 | 4.5/5 | May 2012 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5DS vs Sony A6000
- Canon SX50 vs Canon T7i
- Canon SX50 vs Leica M Typ 262
- Canon SX50 vs Nikon 1 V1
- Canon SX50 vs Nikon D1H
- Canon SX50 vs Panasonic GX800
- Canon SX50 vs Panasonic S1R
- Hasselblad X2D 100C vs Sony A6000
- Leica D-LUX 7 vs Sony A6000
- Nikon D40 vs Sony A6000
- Panasonic GM1 vs Sony A6000
- Panasonic ZS100 vs Sony A6000
Specifications: Sony A6000 vs Canon SX50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Sony A6000 | Canon SX50 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Sony E mount lenses | 24-1200mm f/3.4-6.5 |
Launch Date | February 2014 | September 2012 |
Launch Price | USD 599 | USD 429 |
Sensor Specs | Sony A6000 | Canon SX50 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | 1/2.3" Sensor |
Sensor Size | 23.5 x 15.6 mm | 6.17 x 4.55 mm |
Sensor Area | 366.6 mm2 | 28.0735 mm2 |
Sensor Diagonal | 28.2 mm | 7.7 mm |
Crop Factor | 1.5x | 5.6x |
Sensor Resolution | 24 Megapixels | 12 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4000 x 3000 pixels |
Pixel Pitch | 3.91 μm | 1.53 μm |
Pixel Density | 6.55 MP/cm2 | 42.74 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/24p Video |
ISO Setting | 100 - 25,600 ISO | 80 - 6,400 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Image Processor | BIONZ X | DIGIC 5 |
DXO Sensor Quality (score) | 82 | 47 |
DXO Color Depth (bits) | 24.1 | 20.3 |
DXO Dynamic Range (EV) | 13.1 | 11.2 |
DXO Low Light (ISO) | 1347 | 179 |
Screen Specs | Sony A6000 | Canon SX50 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 1440k dots | 202k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 461k dots |
LCD Attachment | Tilting screen | Swivel screen |
Shooting Specs | Sony A6000 | Canon SX50 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 11 shutter flaps/s | 2.2 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | MS or SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Sony A6000 | Canon SX50 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Wifi Support | Wifi built-in | no Wifi |
Near-Field Communication | NFC built-in | no NFC |
Body Specs | Sony A6000 | Canon SX50 |
Battery Type | Sony NP-FW50 | Canon NB-10L |
Battery Life (CIPA) | 360 shots per charge | 315 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
120 x 67 x 45 mm (4.7 x 2.6 x 1.8 in) |
123 x 87 x 106 mm (4.8 x 3.4 x 4.2 in) |
Camera Weight | 344 g (12.1 oz) | 595 g (21.0 oz) |
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