Sony A6000 vs Canon G1 X Mark II
The Sony Alpha A6000 and the Canon PowerShot G1 X Mark II are two enthusiast cameras that were announced in February 2014. The A6000 is a mirrorless interchangeable lens camera, while the G1X Mark II is a fixed lens compact. The cameras are based on an APS-C (A6000) and an 1.5-inch (G1X Mark II) sensor. The Sony has a resolution of 24 megapixels, whereas the Canon provides 13 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony A6000||Canon G1 X Mark II|
|Mirrorless system camera||Fixed lens compact camera|
|Sony E mount lenses||24-120mm f/2.0-3.9|
|24 MP, APS-C Sensor||13 MP, 1.5" Sensor|
|1080/60p Video||1080/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-12800|
|Electronic viewfinder (1440k dots)||Viewfinder optional|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|11 shutter flaps per second||5.2 shutter flaps per second|
|360 shots per battery charge||240 shots per battery charge|
|120 x 67 x 45 mm, 344 g||116 x 74 x 66 mm, 553 g|
Body comparison: Sony A6000 vs Canon G1 X Mark II
An illustration of the physical size and weight of the Sony A6000 and the Canon G1 X Mark II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark II is notably larger (7 percent) than the Sony A6000. In this context, it is worth noting that neither the A6000 nor the G1X Mark II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark II has a lens built in, whereas the A6000 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6000 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the A6000 gets 360 shots out of its NP-FW50 battery, while the G1X Mark II can take 240 images on a single charge of its NB-12L power pack. The power pack in the A6000 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony A6000»||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Canon G1 X Mark II«||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-||Canon T6s|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-||Sony A6300|
|Sony A5000« »||4.3 in||2.5 in||1.4 in||9.5 oz||420||n||Jan 2014||449||-||Sony A5000|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-6« »||4.7 in||2.6 in||1.7 in||12.2 oz||360||n||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||4.4 in||2.3 in||1.5 in||10.1 oz||330||n||May 2010||699||-||Sony NEX-5|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6000 vs Canon G1 X Mark II
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Canon G1 X Mark II an 1.5-inch sensor. The sensor area in the G1X Mark II is 29 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.85. The sensor in the A6000 has a native 3:2 aspect ratio, while the one in the G1X Mark II offers a 4:3 aspect.
With 24MP, the A6000 offers a higher resolution than the G1X Mark II (13MP), but the A6000 has smaller individual pixels (pixel pitch of 3.91μm versus 4.49μm for the G1X Mark II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The A6000 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Sony Alpha A6000 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon PowerShot G1 X Mark II are ISO 100 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the A6000 provides substantially higher image quality than the G1X Mark II, with an overall score that is 24 points higher. This advantage is based on 2.6 bits higher color depth, 2.3 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A6000»||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Canon G1 X Mark II«||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A5000« »||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6000 provides a higher frame rate than the G1X Mark II. It can shoot video footage at 1080/60p, while the Canon is limited to 1080/30p.
Feature comparison: Sony A6000 vs Canon G1 X Mark II
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. That said, the G1X Mark II can be equipped with an optional viewfinder – the EVF-DC1. The following table reports on some other key feature differences and similarities of the Sony A6000, the Canon G1 X Mark II, and comparable cameras.
|Sony A6000»||1440||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6000|
|Canon G1 X Mark II«||-||n||3.0||1040||tilting||Y||4000||5.2||Y||Y||Canon G1 X Mark II|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6s|
|Canon G16« »||optical||n||3.0||922||fixed||n||4000||2.2||Y||Y||Canon G16|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||4000||1.9||Y||Y||Canon G1 X|
|Canon T1i« »||optical||n||3.0||920||fixed||n||4000||3.4||Y||n||Canon T1i|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||4000||11.0||n||Y||Panasonic LX100|
|Sony A6300« »||2359||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6300|
|Sony A5000« »||-||n||3.0||461||tilting||n||4000||3.5||Y||n||Sony A5000|
|Sony A5100« »||-||n||3.0||922||tilting||Y||4000||6.0||Y||n||Sony A5100|
|Sony A3000« »||202||n||3.0||230||fixed||n||4000||2.5||Y||n||Sony A3000|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||4000||4.0||Y||n||Sony NEX-3N|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||4000||10.0||Y||n||Sony NEX-6|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||4000||5.5||Y||n||Sony NEX-F3|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||4000||10.0||Y||n||Sony NEX-7|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||4000||7.0||n||n||Sony NEX-3|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||4000||7.0||n||n||Sony NEX-5|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark II has a touchscreen, while the A6000 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G1X Mark II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A6000 does not have a selfie-screen.
The A6000 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the G1X Mark II uses SDXC cards.
Connectivity comparison: Sony A6000 vs Canon G1 X Mark II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A6000 and Canon PowerShot G1 X Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A6000»||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Canon G1 X Mark II«||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A5000« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-7|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
The G1X Mark II is a recent model that features in the current product line-up of Canon. In contrast, the A6000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300.
Review summary: Sony A6000 vs Canon G1 X Mark II
So what conclusions can be drawn? Which of the two cameras – the Sony A6000 or the Canon G1 X Mark II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Alpha A6000:
- More detail: Offers more megapixels (24 vs 13MP) with a 39% higher linear resolution.
- Better image quality: Scores substantially higher (24 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.2 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 5.2 flaps/sec) to capture the decisive moment.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (360 versus 240) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
Reasons to prefer the Canon PowerShot G1 X Mark II:
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the A6000 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
If the number of relative strengths (bullet points above) is taken as a guide, the A6000 is the clear winner of the match-up (11 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A6000 and the G1X Mark II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Sony A6000 vs Canon G1 X Mark II
This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Sony A6000»||Rec||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Canon G1 X Mark II«||Rec||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon T6s|
|Canon G16« »||Rec||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G1 X« »||Rec||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon T1i« »||HiRec||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Panasonic LX100« »||HiRec||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony A5000« »||Rec||-||4.5/5||rev||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony A5100« »||Rec||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A3000« »||Rec||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony NEX-6« »||HiRec||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-7« »||HiRec||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Sony NEX-5« »||HiRec||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G9 X vs Panasonic FT7
- Fujifilm X-T30 vs Leica D-LUX 7
- Leica CL vs Nikon D800
- Leica Q Typ 116 vs Nikon D100
- Leica SL vs Leica V-LUX 4
- Nikon D1 vs Nikon D300
- Nikon D500 vs Pentax Q
- Nikon Z6 vs Leica M9
- Panasonic FZ330 vs Panasonic G7
- Sony A7S II vs Fujifilm X-T1
- Sony A7S II vs Panasonic G85
- Sony RX100 V vs Panasonic LX5
Specifications: Sony A6000 vs Canon G1 X Mark II
|Camera Model||Sony A6000||Canon G1 X Mark II|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Sony E mount lenses||24-120mm f/2.0-3.9|
|Launch Date||February 2014||February 2014|
|Launch Price||USD 599||USD 799|
|Sensor Format||APS-C Sensor||1.5" Sensor|
|Sensor Size||23.5 x 15.6 mm||18.7 x 15.6 mm|
|Sensor Area||366.6 mm2||261.8 mm2|
|Sensor Diagonal||28.2 mm||23.4 mm|
|Sensor Resolution||24 Megapixels||13 Megapixels|
|Image Resolution||6000 x 4000 pixels||4160 x 3120 pixels|
|Pixel Pitch||3.91 μm||4.49 μm|
|Pixel Density||6.55 MP/cm2||4.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-12800 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||BIONZ X||DIGIC 6|
|DXO Sensor Quality (score)||82||58|
|DXO Color Depth (bits)||24.1||21.5|
|DXO Dynamic Range (EV)||13.1||10.8|
|DXO Low Light (ISO)||1347||581|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%||n/a|
|Viewfinder Resolution||1440k dots||n/a|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||11 shutter flaps/s||5.2 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Battery Type||NP-FW50 power pack||NB-12L power pack|
|Battery Life (CIPA)||360 shots per charge||240 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
116 x 74 x 66 mm
(4.6 x 2.9 x 2.6 in)
|Camera Weight||344 g (12.1 oz)||553 g (19.5 oz)|
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