Sony A6000 versus Canon 1D X
The Sony Alpha A6000 and the Canon EOS-1D X are two digital cameras that were announced, respectively, in February 2014 and October 2011. The A6000 is a mirrorless interchangeable lens camera, while the 1DX is a DSLR. The cameras are based on an APS-C (A6000) and a full frame (1DX) sensor. The Sony has a resolution of 24 megapixel, whereas the Canon provides 17.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Sony A6000 vs Canon 1D X
An illustration of the physical size and weight of the Sony A6000 and the Canon 1D X is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the A6000 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 1D X is considerably larger (230 percent) than the Sony A6000. Moreover, the 1DX is substantially heavier (351 percent) than the A6000. It is noteworthy in this context that the 1DX is splash and dust-proof, while the A6000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6000) and the Canon EF Lens Catalog (1DX). Mirrorless cameras, such as the Sony A6000, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Sony A6000 (⇒ rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
|Canon 1D X (⇒ lft)||158 mm||168 mm||83 mm||1551 g||1120||YES||2011||6,799||discont.||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||150 mm||160 mm||80 mm||1385 g||1800||YES||2007||7,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||156 mm||157.6 mm||80 mm||1215 g||1200||YES||2004||7,999||discont.||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||110 mm||63 mm||36 mm||269 g||420||no||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||128 mm||91 mm||85 mm||411 g||470||no||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||110 mm||62 mm||35 mm||269 g||480||no||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||111 mm||59 mm||39 mm||2776 g||330||no||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||120 mm||67 mm||43 mm||345 g||360||no||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||117 mm||67 mm||42 mm||314 g||470||no||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||120 mm||67 mm||43 mm||400 g||430||no||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||117 mm||62 mm||33 mm||297 g||330||no||2010||599||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a markedly lower price (by 91 percent) than the 1DX, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A6000 vs Canon 1D X
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A6000 features an APS-C sensor and the Canon 1D X a full frame sensor. The sensor area in the 1DX is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Sony A6000 offers a higher resolution of 24 megapixel, compared with 17.9 MP of the Canon 1D X. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.95μm for the 1DX). However, it should be noted that the A6000 is much more recent (by 2 years and 3 months) than the 1DX, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A6000 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
|Canon 1D X (⇒ lft)||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1Ds Mark II (⇒ lft | rgt)||Full Frame||16.6||4992||3328||no||23.3||11.3||1480||74|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony A5000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79|
|Sony A3000 (⇒ lft | rgt)||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78|
|Sony NEX-3N (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74|
|Sony NEX-5T (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78|
|Sony NEX-6 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78|
|Sony NEX-F3 (⇒ lft | rgt)||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73|
|Sony NEX-7 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81|
|Sony NEX-3 (⇒ lft | rgt)||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6000 provides a higher frame rate than the 1DX. It can shoot video footage at 1080/60p, while the Canon is limited to 1080/30p.
Feature comparison: Sony A6000 vs Canon 1D X
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), while the 1DX has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Sony A6000 and Canon 1D X in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Sony A6000 (⇒ rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
|Canon 1D X (⇒ lft)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1Ds Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||4.0||no||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony A5000 (⇒ lft | rgt)||no||no||3.0||461||tilting||no||4000||3.5||4||no|
|Sony A3000 (⇒ lft | rgt)||202||no||3.0||230||fixed||no||4000||2.5||6||no|
|Sony NEX-3N (⇒ lft | rgt)||no||no||3.0||460||tilting||no||4000||4.0||4||no|
|Sony NEX-5T (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||10.0||no||no|
|Sony NEX-6 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-F3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.5||6||no|
|Sony NEX-7 (⇒ lft | rgt)||2359||no||3.0||921||tilting||no||4000||10.0||6||no|
|Sony NEX-3 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||7.0||no||no|
Both the A6000 and the 1DX have been discontinued, but can regularly be found used on eBay. The 1DX was replaced by the Canon 1DX Mark II, while the A6000 was followed by the Sony A6300.
Review summary: Sony A6000 vs Canon 1D X
So what conclusions can be drawn? Which of the two cameras – the Sony A6000 or the Canon 1D X – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A6000:
- More detail: Offers more megapixels (24 vs 17.9MP) with a 16% higher linear resolution.
- More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (120x67mm vs 158x168mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 1207g or 78 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the 1DX launch.
Advantages of the Canon EOS-1D X:
- Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (1120 versus 360) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been around for much longer (launched in October 2011).
If the count of relative strengths (bullet points above) is taken as a measure, the A6000 comes out slightly ahead of the 1DX (11 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A6000 or the 1DX. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A6000 (⇒ rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
|Canon 1D X (⇒ lft)||-||-||4.5/5||4.5/5||4.5/5||2011||6,799||discont.||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1Ds Mark II (⇒ lft | rgt)||-||HiRec||-||-||-||2004||7,999||discont.||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony A5000 (⇒ lft | rgt)||Rec||-||4.5/5||reviewed||4.5/5||2014||449||discont.||check|
|Sony A3000 (⇒ lft | rgt)||Rec||-||4/5||4.5/5||4/5||2013||329||discont.||check|
|Sony NEX-3N (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2013||499||discont.||check|
|Sony NEX-5T (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||699||discont.||check|
|Sony NEX-6 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||5/5||4.5/5||2012||999||discont.||check|
|Sony NEX-F3 (⇒ lft | rgt)||-||74/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Sony NEX-7 (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||5/5||5/5||2011||1,349||discont.||check|
|Sony NEX-3 (⇒ lft | rgt)||-||70/100 Silver||4.5/5||5/5||4/5||2010||599||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.
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