Sony A58 vs A7R III
The Sony Alpha SLT-A58 and the Sony Alpha A7R III are two digital cameras that were officially introduced, respectively, in February 2013 and October 2017. The A58 is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (A58) and a full frame (A7R III) sensor. The A58 has a resolution of 19.8 megapixels, whereas the A7R III provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A58||Sony A7R III|
|Digital single lens reflex||Mirrorless system camera|
|Sony A mount lenses||Sony E mount lenses|
|19.8 MP, APS-C Sensor||42.2 MP, Full Frame Sensor|
|1080/60i Video||4K/30p Video|
|ISO 100-16,000 (100 - 25,600)||ISO 100-32,000 (50 - 102,400)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (3686k dots)|
|2.7 LCD, 460k dots||3.0 LCD, 1440k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|5 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|690 shots per battery charge||650 shots per battery charge|
|129 x 95 x 78 mm, 492 g||127 x 96 x 74 mm, 650 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha SLT-A58 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Sony A58 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A58 and the Sony A7R III are of equal size. However, the A7R III is markedly heavier (32 percent) than the A58. It is noteworthy in this context that the A7R III is splash and dust-proof, while the A58 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A58 gets 690 shots out of its NP-FM500H battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A58||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Canon SL1||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549|
|Canon T5i||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649|
|Nikon Z7||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399|
|Nikon D5600||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699|
|Nikon D3300||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499|
|Nikon D3200||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599|
|Sony A9||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
|Sony A68||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Sony A5100||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549|
|Sony A6000||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599|
|Sony A3000||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A58 was launched at a markedly lower price (by 81 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A58 features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the A58 (19.8MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 4.31μm for the A58) due to its larger sensor. Moreover, the A7R III is a much more recent model (by 4 years and 8 months) than the A58, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Sony A58 are 27.3 x 18.2 inches or 69.3 x 46.1 cm for good quality, 21.8 x 14.5 inches or 55.4 x 36.9 cm for very good quality, and 18.2 x 12.1 inches or 46.2 x 30.8 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the A58, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Sony Alpha SLT-A58 has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the A58 (overall score 26 points higher). The advantage is based on 2.7 bits higher color depth, 2.2 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a better video resolution than the A58. It can shoot movie footage at 4K/30p, while the A58 is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R III offers a substantially higher resolution than the one in the A58 (3686k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Sony A58, the Sony A7R III, and comparable cameras.
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The A58 has one, while the A7R III does not. While the built-in flash of the A58 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7R III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the A58 and the A7R III write their files to SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the A58 only has one slot. The A7R III supports UHS-II cards on its first slot and UHS-I on its second one, while the A58 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A58 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the A58 does not provide wifi capability.
Studio photographers will appreciate that the Sony A7R III (unlike the A58) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the A58 and the A7R III have been discontinued, but can regularly be found used on eBay. The A58 was replaced by the Sony A68, while the A7R III was followed by the Sony A7R IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
So what conclusions can be drawn? Is there a clear favorite between the Sony A58 and the Sony A7R III? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Sony Alpha SLT-A58:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less heavy: Is lighter (by 158g or 24 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2013).
Reasons to prefer the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 19.8MP), which boosts linear resolution by 46%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (26 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.2 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.57x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 4 years and 8 months of technical progress since the A58 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (29 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A58 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A58 and the A7R III in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A58||..||..||4.5/5||4.5/5||4.5/5||Feb 2013||599|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Canon SL1||+||78/100||4/5||4/5||4/5||Mar 2013||549|
|Canon T5i||..||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649|
|Nikon Z7||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399|
|Nikon D5600||..||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D3300||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499|
|Nikon D3200||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Sony A68||..||..||4/5||..||4/5||Nov 2015||699|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony A5100||+||..||4.5/5||4.5/5||5/5||Aug 2014||549|
|Sony A6000||+||80/100||4.5/5||5/5||5/5||Feb 2014||599|
|Sony A3000||+||..||4/5||4.5/5||4/5||Aug 2013||329|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon R6 vs Sony A7R III
- Canon SX50 vs Sony A7R III
- Canon T100 vs Sony A7R III
- Canon T1i vs Sony A58
- Fujifilm GFX 50R vs Sony A58
- Fujifilm X-M1 vs Sony A7R III
- Nikon D1 vs Sony A7R III
- Nikon D80 vs Sony A7R III
- Ricoh GR III vs Sony A58
- Sony A3000 vs Sony A7R III
- Sony A6300 vs Sony A7R III
- Sony A7R III vs Sony HX99
Specifications: Sony A58 vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A58||Sony A7R III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Sony A mount lenses||Sony E mount lenses|
|Launch Date||February 2013||October 2017|
|Launch Price||USD 599||USD 3,199|
|Sensor Specs||Sony A58||Sony A7R III|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.9 x 24.0 mm|
|Sensor Area||366.6 mm2||861.6 mm2|
|Sensor Diagonal||28.2 mm||43.2 mm|
|Sensor Resolution||19.8 Megapixels||42.2 Megapixels|
|Image Resolution||5456 x 3632 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.31 μm||4.52 μm|
|Pixel Density||5.41 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100 - 16,000 ISO||100 - 32,000 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 102,400 ISO|
|Image Processor||BIONZ||BIONZ X|
|DXO Sensor Quality (score)||74||100|
|DXO Color Depth (bits)||23.3||26.0|
|DXO Dynamic Range (EV)||12.5||14.7|
|DXO Low Light (ISO)||753||3523|
|Screen Specs||Sony A58||Sony A7R III|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||460k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony A58||Sony A7R III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||500 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Sony A58||Sony A7R III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony A58||Sony A7R III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||690 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 95 x 78 mm
(5.1 x 3.7 x 3.1 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||492 g (17.4 oz)||650 g (22.9 oz)|
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