Sony A58 vs Panasonic GX80
The Sony Alpha SLT-A58 and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were officially introduced, respectively, in February 2013 and April 2016. The Sony A58 is a DSLR, while the GX80 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (Sony A58) and a Four Thirds (GX80) sensor. The Sony has a resolution of 19.8 megapixels, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Sony A58||Panasonic GX80|
|Digital single lens reflex||Mirrorless system camera|
|Sony A mount lenses||Micro Four Thirds lenses|
|19.8 MP, APS-C Sensor||15.8 MP, Four Thirds Sensor|
|1080/60i Video||4K/30p Video|
|ISO 100-16000 (100-25600)||ISO 200-25600|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (2765k dots)|
|2.7" LCD, 460k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|5 shutter flaps per second||8 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|690 shots per battery charge||290 shots per battery charge|
|129 x 95 x 78 mm, 492 g||122 x 71 x 44 mm, 426 g|
Body comparison: Sony A58 vs Panasonic GX80
An illustration of the physical size and weight of the Sony A58 and the Panasonic GX80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is notably smaller (29 percent) than the Sony A58. Moreover, the GX80 is markedly lighter (13 percent) than the Sony A58. In this context, it is worth noting that neither the Sony A58 nor the GX80 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Sony A58»||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||-||Sony A58|
|Panasonic GX80«||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||-||Nikon D3200|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-||Olympus E-M10|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic G80« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G80|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony RX100« »||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649||-||Sony RX100|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Sony A58 was launched at a somewhat lower price (by 25 percent) than the GX80, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony A58 vs Panasonic GX80
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony A58 features an APS-C sensor and the Panasonic GX80 a Four Thirds sensor. The sensor area in the GX80 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the Sony A58 has a native 3:2 aspect ratio, while the one in the GX80 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 19.8MP, the Sony A58 offers a higher resolution than the GX80 (15.8MP), but the Sony A58 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.77μm for the GX80) due to its larger sensor. However, the GX80 is a somewhat more recent model (by 3 years and 1 month) than the Sony A58, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Sony Alpha SLT-A58 has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600..
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony A58»||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Panasonic GX80«||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Nikon D3200« »||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic G80« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX100« »||1-inch||20.0||5472||3648||1080/60p||22.6||12.4||390||66||Sony RX100|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GX80 provides a better video resolution than the Sony A58. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60i.
Feature comparison: Sony A58 vs Panasonic GX80
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a substantially higher resolution than the one in the Sony A58 (2765k vs 1440k dots). The adjacent table lists some of the other core features of the Sony A58 and Panasonic GX80 along with similar information for a selection of comparators.
|Sony A58»||1440||n||2.7||460||tilting||n||4000||5.0||Y||Y||Sony A58|
|Panasonic GX80«||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Panasonic GX80|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T5i|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5600|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3300|
|Nikon D3200« »||optical||n||3.0||921||fixed||n||4000||4.0||Y||n||Nikon D3200|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y||Olympus E-M10|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y||Panasonic GX9|
|Panasonic G80« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y||Panasonic G80|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y||Panasonic GX7|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A5100« »||-||n||3.0||922||tilting||Y||4000||6.0||Y||n||Sony A5100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||4000||2.5||Y||n||Sony A3000|
|Sony RX100« »||-||n||3.0||1229||fixed||n||2000||10.0||Y||Y||Sony RX100|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX80 has a touchscreen, while the Sony A58 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GX80 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A58 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GX80 uses SDXC cards.
Connectivity comparison: Sony A58 vs Panasonic GX80
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A58 and Panasonic Lumix DMC-GX80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A58»||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Panasonic GX80«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Nikon D3200« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic G80« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX100« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony RX100|
It is notable that the Sony A58 has a microphone port, which is missing on the GX80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The GX80 is a recent model that features in the current product line-up of Panasonic. In contrast, the Sony A58 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the Sony A58 was succeeded by the Sony A68.
Review summary: Sony A58 vs Panasonic GX80
So what is the bottom line? Is the Sony A58 better than the Panasonic GX80 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Sony Alpha SLT-A58:
- More detail: Offers more megapixels (19.8 vs 15.8MP) with a 14% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Longer lasting: Can take more shots (690 versus 290) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2013).
Advantages of the Panasonic Lumix DMC-GX80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 1440k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (122x71mm vs 129x95mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 66g or 13 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 3 years and 1 month of technical progress since the Sony A58 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GX80 is the clear winner of the contest (13 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Sony A58 or the GX80 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony A58 vs Panasonic GX80
This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Sony A58»||-||-||4.5/5||4.5/5||4.5/5||Feb 2013||599||-||Sony A58|
|Panasonic GX80«||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Canon SL1« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3300« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Nikon D3200« »||HiRec||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599||-||Nikon D3200|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Panasonic GX9« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic G80« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||Panasonic G80|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A5100« »||Rec||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A6000« »||Rec||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||Rec||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony RX100« »||HiRec||78/100||4/5||5/5||5/5||Jun 2012||649||-||Sony RX100|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 40D vs Panasonic G85
- Canon 70D vs Olympus E-3
- Canon G5 X vs Sony RX10 II
- Canon M3 vs Olympus E-PL9
- Canon M6 vs Nikon D3400
- Fujifilm X-T100 vs Canon 1D Mark III
- Hasselblad X1D vs Nikon D850
- Leica TL2 vs Sony RX100 IV
- Nikon D850 vs Sony RX1R II
- Ricoh WG-60 vs Fujifilm X100F
- Sony A6500 vs Canon 450D
- Sony A6500 vs Canon 650D
Specifications: Sony A58 vs Panasonic GX80
|Camera Model||Sony A58||Panasonic GX80|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Sony A mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2013||April 2016|
|Launch Price||USD 599||USD 799|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 15.6 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||19.8 Megapixels||15.8 Megapixels|
|Image Resolution||5456 x 3632 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.31 μm||3.77 μm|
|Pixel Density||5.41 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60i Video||4K/30p Video|
|ISO Setting||100-16000 ISO||200-25600 ISO|
|ISO Boost||100-25600 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||74||71|
|DXO Color Depth (bits)||23.3||22.9|
|DXO Dynamic Range (EV)||12.5||12.6|
|DXO Low Light (ISO)||753||662|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||2765k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||8 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||MS or SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Battery Type||NP-FM500H power pack||DMW-BLG10 power pack|
|Battery Life (CIPA)||690 shots per charge||290 shots per charge|
129 x 95 x 78 mm
(5.1 x 3.7 x 3.1 in)
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
|Camera Weight||492 g (17.4 oz)||426 g (15.0 oz)|
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