Sony A58 vs Olympus E-M5 II

The Sony Alpha SLT-A58 and the Olympus OM-D E-M5 Mark II are two digital cameras that were officially introduced, respectively, in February 2013 and February 2015. The A58 is a DSLR, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (A58) and a Four Thirds (E-M5 II) sensor. The Sony has a resolution of 19.8 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A58		Olympus E-M5 II
Digital single lens reflex		Mirrorless system camera
Sony A mount lenses		Micro Four Thirds lenses
19.8 MP – APS-C sensor		15.9 MP – Four Thirds sensor
1080/60i Video		1080/60p Video
ISO 100-16,000 (100 - 25,600)		ISO 200-25,600
Electronic viewfinder (1440k dots)		Electronic viewfinder (2360k dots)
2.7" LCD – 460k dots		3.0" LCD – 1037k dots
Tilting screen (no touchscreen)		Swivel touchscreen
5 shutter flaps per second		10 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
690 shots per battery charge		310 shots per battery charge
129 x 95 x 78 mm, 492 g		124 x 85 x 45 mm, 469 g

Check A58 offers at
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Check E-M5 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha SLT-A58 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Sony A58 and the Olympus E-M5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the A58 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (14 percent) than the Sony A58. Moreover, the E-M5 II is markedly lighter (5 percent) than the A58. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the A58 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the A58 gets 690 shots out of its Sony NP-FM500H battery, while the E-M5 II can take 310 images on a single charge of its Olympus BLN-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A58	129 mm	95 mm	78 mm	492 g	690	n	Feb 2013	599	ebay.com
2.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
3.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
4.		Canon T5i	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
5.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
6.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	599	ebay.com
7.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	1,199	ebay.com
8.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
9.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
10.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
11.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
12.		Pentax K-S1	121 mm	93 mm	70 mm	558 g	410	n	Aug 2014	749	ebay.com
13.		Sony A68	143 mm	104 mm	81 mm	610 g	540	n	Nov 2015	699	ebay.com
14.		Sony A77 II	143 mm	104 mm	81 mm	647 g	480	Y	May 2014	1,199	ebay.com
15.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
16.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
17.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A58 was launched at a markedly lower price (by 45 percent) than the E-M5 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A58 features an APS-C sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A58 has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.

With 19.8MP, the A58 offers a higher resolution than the E-M5 II (15.9MP), but the A58 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the E-M5 II) due to its larger sensor. However, the E-M5 II is a somewhat more recent model (by 1 year and 11 months) than the A58, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A58 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A58 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the A58, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Sony Alpha SLT-A58 has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A58	APS-C	19.8	5456	3632	1080/60i	23.3	12.5	753	74
2.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
3.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
4.		Canon T5i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
5.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
6.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
7.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
8.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
9.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
10.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
11.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
12.		Pentax K-S1	APS-C	20.0	5472	3648	1080/30p	23.5	13.0	1061	78
13.		Sony A68	APS-C	24.0	6000	4000	1080/60i	24.1	13.5	701	79
14.		Sony A77 II	APS-C	24.0	6000	4000	1080/60p	24.4	13.4	1013	82
15.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
16.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
17.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a faster frame rate than the A58. It can shoot movie footage at 1080/60p, while the Sony is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a substantially higher resolution than the one in the A58 (2360k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Sony A58, the Olympus E-M5 II, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A58	1440	n	2.7 / 460	tilting	n	1/4000s	5.0/s	Y	Y
2.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
4.		Canon T5i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
6.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
7.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
8.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
9.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
10.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
11.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
12.		Pentax K-S1	optical	n	3.0 / 921	fixed	n	1/6000s	5.4/s	Y	Y
13.		Sony A68	1440	Y	2.7 / 460	tilting	n	1/4000s	8.0/s	Y	Y
14.		Sony A77 II	2359	Y	3.0 / 1229	full-flex	n	1/8000s	12.0/s	Y	Y
15.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
16.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
17.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A58 has one, while the E-M5 II does not. While the built-in flash of the A58 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A58 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the E-M5 II uses SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A58 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha SLT-A58 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A58	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
4.		Canon T5i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
5.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
7.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Pentax K-S1	Y	stereo / mono	-	-	micro	2.0	-	-	-
13.		Sony A68	Y	stereo / mono	Y	-	micro	2.0	-	-	-
14.		Sony A77 II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the E-M5 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the A58 does not provide wifi capability.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the A58) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the A58 and the E-M5 II have been discontinued, but can regularly be found used on ebay. The A58 was replaced by the Sony A68, while the E-M5 II was followed by the Olympus E-M5 III. Further information on the features and operation of the A58 and E-M5 II can be found, respectively, in the Sony A58 Manual (free pdf) or the online Olympus E-M5 II Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Sony A58 and the Olympus E-M5 II? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Sony Alpha SLT-A58:

• More detail: Offers more megapixels (19.8 vs 15.9MP) with a 14% higher linear resolution.
• Longer lasting: Can take more shots (690 versus 310) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (45 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in February 2013).

Reasons to prefer the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.57x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (124x85mm vs 129x95mm) and will fit more readily into a bag.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Was introduced somewhat (1 year and 11 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 II is the clear winner of the contest (20 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A58 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the A58 and the E-M5 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A58	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	599	ebay.com
2.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
3.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
4.		Canon T5i	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
5.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
6.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	599	ebay.com
7.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	1,199	ebay.com
8.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
9.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
10.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
11.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
12.		Pentax K-S1	4/5	..	..	..	4.5/5	4/5	Aug 2014	749	ebay.com
13.		Sony A68	3/5	..	..	..	4/5	4/5	Nov 2015	699	ebay.com
14.		Sony A77 II	4/5	..	..	80/100	4.5/5	5/5	May 2014	1,199	ebay.com
15.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
16.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
17.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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