Sony A5100 vs Panasonic GF7

The Sony Alpha A5100 and the Panasonic Lumix DMC-GF7 are two digital cameras that were officially introduced, respectively, in August 2014 and January 2015. Both the A5100 and the GF7 are mirrorless interchangeable lens cameras that are based on an APS-C (A5100) and a Four Thirds (GF7) sensor. The Sony has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A5100		Panasonic GF7
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/60p Video		1080/60p Video
ISO 100-25,600		ISO 200-25,600
No viewfinder, LCD framing		No viewfinder, LCD framing
3.0" LCD – 922k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Tilting touchscreen
6 shutter flaps per second		5.8 shutter flaps per second
400 shots per battery charge		230 shots per battery charge
110 x 63 x 36 mm, 283 g		107 x 65 x 33 mm, 266 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A5100 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A5100 and the Panasonic GF7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The A5100 can be obtained in two different colors (black, white), while the GF7 is also available in two color-versions, but different ones (black, pink).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5100 and the Panasonic GF7 are of equal size. However, the GF7 is markedly lighter (6 percent) than the A5100. In this context, it is worth noting that neither the A5100 nor the GF7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A5100) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A5100 gets 400 shots out of its Sony NP-FW50 battery, while the GF7 can take 230 images on a single charge of its Panasonic DMW-BLH7 power pack. The power pack in the A5100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
2.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
3.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
4.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
5.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
6.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
7.		Panasonic GX850	107 mm	65 mm	33 mm	269 g	210	n	Jan 2017	549	ebay.com
8.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
9.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
10.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
11.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
12.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
13.		Sony NEX-5T	111 mm	59 mm	39 mm	276 g	330	n	Aug 2013	699	ebay.com
14.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
15.		Sony RX100	102 mm	58 mm	36 mm	240 g	330	n	Jun 2012	649	ebay.com
16.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
17.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was somewhat cheaper (by 9 percent) than the A5100 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Sony A5100 features an APS-C sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the A5100 has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.

With 24MP, the A5100 offers a higher resolution than the GF7 (15.8MP), but the A5100 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.77μm for the GF7) due to its larger sensor. However, the GF7 is a somewhat more recent model (by 5 months) than the A5100, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Sony A5100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5100 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The A5100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Sony Alpha A5100 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
2.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
3.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
4.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
5.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
6.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
7.		Panasonic GX850	Four Thirds	15.8	4592	3448	4K/30p	23.2	13.3	586	73
8.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
9.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
10.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
11.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
12.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
13.		Sony NEX-5T	APS-C	16.0	4912	3264	1080/60p	23.6	13.0	1015	78
14.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
15.		Sony RX100	1-inch	20.0	5472	3648	1080/60p	22.6	12.4	390	66
16.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
17.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The A5100 and the GF7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Sony A5100, the Panasonic GF7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
2.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
3.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
4.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
5.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
6.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
7.		Panasonic GX850	none	n	3.0 / 1040	tilting	Y	1/500s	10.0/s	Y	n
8.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
9.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
10.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
11.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
12.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
13.		Sony NEX-5T	optional	n	3.0 / 922	tilting	Y	1/4000s	10.0/s	n	n
14.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
15.		Sony RX100	none	n	3.0 / 1229	fixed	n	1/2000s	10.0/s	Y	Y
16.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
17.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The A5100 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the GF7 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A5100 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
3.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
4.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Panasonic GX850	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
9.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
13.		Sony NEX-5T	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
14.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony RX100	-	stereo / mono	-	-	micro	2.0	-	-	-
16.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-

Both the A5100 and the GF7 have been discontinued, but can regularly be found used on ebay. The GF7 was replaced by the Panasonic GX850, while the A5100 does not have a direct successor. Further information on the features and operation of the A5100 and GF7 can be found, respectively, in the Sony A5100 Manual (free pdf) or the online Panasonic GF7 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Sony A5100 and the Panasonic GF7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Sony Alpha A5100:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
• Longer lasting: Can take more shots (400 versus 230) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• More heavily discounted: Has been on the market for longer (launched in August 2014).

Arguments in favor of the Panasonic Lumix DMC-GF7:

• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More modern: Was introduced somewhat (5 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A5100 is the clear winner of the match-up (10 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A5100 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A5100 and the GF7 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
2.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
3.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
4.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
5.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
6.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
7.		Panasonic GX850	..	+	..	76/100	4.5/5	4.5/5	Jan 2017	549	ebay.com
8.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
9.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
10.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
11.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
12.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
13.		Sony NEX-5T	..	..	..	..	4.5/5	4.5/5	Aug 2013	699	ebay.com
14.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
15.		Sony RX100	5/5	+ +	..	78/100	4/5	5/5	Jun 2012	649	ebay.com
16.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
17.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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