Sony A5100 vs Fujifilm X-E3

The Sony Alpha A5100 and the Fujifilm X-E3 are two digital cameras that were announced, respectively, in August 2014 and September 2017. Both the A5100 and the X-E3 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Sony A5100		Fujifilm X-E3
Mirrorless system camera		Mirrorless system camera
Sony E mount lenses		Fujifilm X mount lenses
24 MP – APS-C sensor		24 MP – APS-C sensor
1080/60p Video		4K/30p Video
ISO 100-25,600		ISO 200-12,800 (100 - 51,200)
No viewfinder, LCD framing		Electronic viewfinder (2360k dots)
3.0" LCD – 922k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fixed touchscreen
6 shutter flaps per second		8 shutter flaps per second
400 shots per battery charge		350 shots per battery charge
110 x 63 x 36 mm, 283 g		121 x 74 x 43 mm, 337 g

Check A5100 offers at
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Check X-E3 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A5100 and the Fujifilm X-E3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Sony A5100 and the Fujifilm X-E3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The A5100 can be obtained in two different colors (black, white), while the X-E3 is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is notably larger (29 percent) than the Sony A5100. Moreover, the X-E3 is markedly heavier (19 percent) than the A5100. In this context, it is worth noting that neither the A5100 nor the X-E3 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Sony E-Mount Lens Catalog (A5100) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the A5100 gets 400 shots out of its Sony NP-FW50 battery, while the X-E3 can take 350 images on a single charge of its Fujifilm NP-W126S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A5100	110 mm	63 mm	36 mm	283 g	400	n	Aug 2014	549	ebay.com
2.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
3.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	849	amazon.com
4.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380	n	Feb 2019	899	ebay.com
5.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
6.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
7.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	699	ebay.com
8.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
9.		Sony A5000	110 mm	63 mm	36 mm	269 g	420	n	Jan 2014	449	ebay.com
10.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
11.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
12.		Sony NEX-3N	110 mm	62 mm	35 mm	269 g	480	n	Feb 2013	499	ebay.com
13.		Sony NEX-5T	111 mm	59 mm	39 mm	276 g	330	n	Aug 2013	699	ebay.com
14.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
15.		Sony NEX-F3	117 mm	67 mm	42 mm	314 g	470	n	May 2012	599	ebay.com
16.		Sony RX100	102 mm	58 mm	36 mm	240 g	330	n	Jun 2012	649	ebay.com
17.		Sony NEX-3	117 mm	62 mm	33 mm	297 g	330	n	May 2010	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A5100 was launched at a markedly lower price (by 39 percent) than the X-E3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Even though the X-E3 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-E3 has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A5100), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-E3 is much more recent (by 3 years) than the A5100, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The Sony Alpha A5100 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm X-E3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the A5100 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-E3 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Sony A5100	APS-C	24.0	6000	4000	1080/60p	23.8	12.7	1347	80
2.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
3.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
4.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
5.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
6.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
7.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
8.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
9.		Sony A5000	APS-C	19.8	5456	3632	1080/60i	23.8	13.0	1089	79
10.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
11.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
12.		Sony NEX-3N	APS-C	16.0	4912	3264	1080/60i	22.8	12.5	1067	74
13.		Sony NEX-5T	APS-C	16.0	4912	3264	1080/60p	23.6	13.0	1015	78
14.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
15.		Sony NEX-F3	APS-C	16.0	4912	3264	1080/60i	22.7	12.3	1114	73
16.		Sony RX100	1-inch	20.0	5472	3648	1080/60p	22.6	12.4	390	66
17.		Sony NEX-3	APS-C	14.0	4592	3056	720/30p	22.1	12.0	830	68
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-E3 provides a better video resolution than the A5100. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5100 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Sony A5100, the Fujifilm X-E3, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Sony A5100	none	n	3.0 / 922	tilting	Y	1/4000s	6.0/s	Y	n
2.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
3.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
4.		Fujifilm X-T30	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
5.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
6.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
7.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
8.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
9.		Sony A5000	none	n	3.0 / 461	tilting	n	1/4000s	3.5/s	Y	n
10.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
11.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
12.		Sony NEX-3N	optional	n	3.0 / 460	tilting	n	1/4000s	4.0/s	Y	n
13.		Sony NEX-5T	optional	n	3.0 / 922	tilting	Y	1/4000s	10.0/s	n	n
14.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
15.		Sony NEX-F3	optional	n	3.0 / 920	tilting	n	1/4000s	5.5/s	Y	n
16.		Sony RX100	none	n	3.0 / 1229	fixed	n	1/2000s	10.0/s	Y	Y
17.		Sony NEX-3	optional	n	3.0 / 920	tilting	n	1/4000s	7.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The A5100 has one, while the X-E3 does not. While the built-in flash of the A5100 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-E3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The A5100 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the X-E3 uses SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A5100 and Fujifilm X-E3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Sony A5100	-	stereo / mono	-	-	micro	2.0	Y	Y	-
2.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
3.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
4.		Fujifilm X-T30	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
5.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
9.		Sony A5000	-	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Sony NEX-3N	-	stereo / mono	-	-	micro	2.0	-	-	-
13.		Sony NEX-5T	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
14.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony NEX-F3	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Sony RX100	-	stereo / mono	-	-	micro	2.0	-	-	-
17.		Sony NEX-3	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the X-E3 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The A5100 does not feature such a mic input.

Both the A5100 and the X-E3 have been discontinued, but can regularly be found used on ebay. The X-E3 was replaced by the Fujifilm X-E4, while the A5100 does not have a direct successor. Further information on the features and operation of the A5100 and X-E3 can be found, respectively, in the Sony A5100 Manual (free pdf) or the online Fujifilm X-E3 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Sony A5100 or the Fujifilm X-E3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Sony Alpha A5100:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (110x63mm vs 121x74mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 54g or 16 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2014).

Reasons to prefer the Fujifilm X-E3:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
• Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 3 years of technical progress since the A5100 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 comes out slightly ahead of the A5100 (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Sony A5100 and the Fujifilm X-E3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the A5100 and the X-E3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Sony A5100	4.5/5	+	..	..	4.5/5	5/5	Aug 2014	549	ebay.com
2.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
3.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	849	amazon.com
4.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	899	ebay.com
5.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
6.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
7.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
8.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
9.		Sony A5000	3/5	+	..	..	4.5/5	4.5/5	Jan 2014	449	ebay.com
10.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
11.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
12.		Sony NEX-3N	3/5	..	..	..	4.5/5	4.5/5	Feb 2013	499	ebay.com
13.		Sony NEX-5T	..	..	..	..	4.5/5	4.5/5	Aug 2013	699	ebay.com
14.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
15.		Sony NEX-F3	4/5	..	..	74/100	4.5/5	4.5/5	May 2012	599	ebay.com
16.		Sony RX100	5/5	+ +	..	78/100	4/5	5/5	Jun 2012	649	ebay.com
17.		Sony NEX-3	..	..	..	70/100	4.5/5	4/5	May 2010	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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