Sony A5000 vs NEX-3
The Sony Alpha A5000 and the Sony Alpha NEX-3 are two digital cameras that were announced, respectively, in January 2014 and May 2010. Both the A5000 and the NEX-3 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The A5000 has a resolution of 19.8 megapixels, whereas the NEX-3 provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony A5000||Sony NEX-3|
|Mirrorless system camera||Mirrorless system camera|
|Sony E mount lenses||Sony E mount lenses|
|19.8 MP, APS-C Sensor||14 MP, APS-C Sensor|
|1080/60i Video||720/30p Video|
|ISO 100-16000||ISO 200-12800|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 461k dots||3.0" LCD, 920k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|3.5 shutter flaps per second||7 shutter flaps per second|
|420 shots per battery charge||330 shots per battery charge|
|110 x 63 x 36 mm, 269 g||117 x 62 x 33 mm, 297 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A5000 and the Sony Alpha NEX-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony A5000 vs NEX-3
The physical size and weight of the Sony A5000 and the Sony NEX-3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The A5000 can be obtained in three different colors (black, silver, white), while the NEX-3 is also available in three color-versions, but different ones (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3 is somewhat larger (5 percent) than the Sony A5000. Moreover, the NEX-3 is markedly heavier (10 percent) than the A5000. In this context, it is worth noting that neither the A5000 nor the NEX-3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Sony E-Mount Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the A5000 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Sony A5000»||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||-||Sony A5000|
|Sony NEX-3«||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||-||Sony NEX-3|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon M10« »||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||-||Canon M10|
|Nikon 1 J5« »||98 mm||60 mm||32 mm||231 g||250||n||Apr 2015||399||-||Nikon 1 J5|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Sony RX100 III« »||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||-||Sony RX100 III|
|Sony A3000« »||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||-||Sony NEX-3N|
|Sony RX100 II« »||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||-||Sony RX100 II|
|Sony NEX-F3« »||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-C3« »||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-5« »||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699||-||Sony NEX-5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A5000 was launched at a somewhat lower price (by 25 percent) than the NEX-3, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Sony A5000 vs NEX-3
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-3 is 2 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Sony A5000 offers a higher resolution of 19.8 megapixels, compared with 14 MP of the Sony NEX-3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.25μm versus 5.11μm for the NEX-3). However, it should be noted that the A5000 is much more recent (by 3 years and 7 months) than the NEX-3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inch or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inch or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inch or 46.2 x 30.8 cm. The corresponding values for the Sony NEX-3 are 23 x 15.3 inch or 58.3 x 38.8 cm for good quality, 18.4 x 12.2 inch or 46.7 x 31 cm for very good quality, and 15.3 x 10.2 inch or 38.9 x 25.9 cm for excellent quality prints.
The Sony Alpha A5000 has a native sensitivity range from ISO 100 to ISO 16000. The corresponding ISO settings for the Sony Alpha NEX-3 are ISO 200 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A5000 provides substantially higher image quality than the NEX-3, with an overall score that is 11 points higher. This advantage is based on 1.7 bits higher color depth, 1 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Sony A5000»||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony NEX-3«||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Nikon 1 J5« »||1-inch||20.7||5568||3712||4K/15p||21.1||12.0||479||65||Nikon 1 J5|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-5N« »||APS-C||16.0||4912||3264||1080/60i||23.6||12.7||1079||77||Sony NEX-5N|
|Sony NEX-C3« »||APS-C||16.0||4912||3264||720/30p||22.7||12.2||1083||73||Sony NEX-C3|
|Sony NEX-5« »||APS-C||14.0||4592||3056||1080/60i||22.2||12.2||796||69||Sony NEX-5|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A5000 provides a higher video resolution than the NEX-3. It can shoot video footage at 1080/60i, while the NEX-3 is limited to 720/30p.
Feature comparison: Sony A5000 vs NEX-3
Beyond body and sensor, cameras can and do differ across a range of features. The A5000 and the NEX-3 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the NEX-3 can be equipped with an optional viewfinder – the FDA-SV1. The adjacent table lists some of the other core features of the Sony A5000 and Sony NEX-3 along with similar information for a selection of comparators.
|Sony A5000»||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony NEX-3«||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Nikon 1 J5« »||-||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 J5|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-5N« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5N|
|Sony NEX-C3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||n||n||Sony NEX-C3|
|Sony NEX-5« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-5|
One difference between the cameras concerns the presence of an on-board flash. The A5000 has one, while the NEX-3 does not. While the built-in flash of the A5000 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
Concerning the storage of imaging data, both the A5000 and the NEX-3 write their files to SDXC or Memory Stick PRO Duo cards. The A5000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Sony A5000 vs NEX-3
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A5000 and Sony Alpha NEX-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony A5000»||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony NEX-3«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Nikon 1 J5« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon 1 J5|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-5N« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5N|
|Sony NEX-C3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-C3|
|Sony NEX-5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-5|
It is notable that the A5000 offers wifi support, while the NEX-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the A5000 and the NEX-3 have been discontinued, but can regularly be found used on eBay. The NEX-3 was replaced by the Sony NEX-3N, while the A5000 was followed by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony website.
Review summary: Sony A5000 vs NEX-3
So what conclusions can be drawn? Is the Sony A5000 better than the Sony NEX-3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Sony Alpha A5000:
- More detail: Offers more megapixels (19.8 vs 14MP) with a 19% higher linear resolution.
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Longer lasting: Can take more shots (420 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 3 years and 7 months of technical progress since the NEX-3 launch.
Arguments in favor of the Sony Alpha NEX-3:
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More detailed LCD: Has a higher resolution rear screen (920k vs 461k dots).
- Faster burst: Shoots at higher frequency (7 vs 3.5 flaps/sec) to capture the decisive moment.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in May 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the A5000 is the clear winner of the match-up (13 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A5000 and the Sony NEX-3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the A5000 or the NEX-3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Sony A5000 vs NEX-3
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony A5000»||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony NEX-3«||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Nikon 1 J5« »||-||-||4.5/5||4/5||4.5/5||Apr 2015||399||-||Nikon 1 J5|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-5N« »||+ +||79/100||4.5/5||5/5||4.5/5||Aug 2011||699||-||Sony NEX-5N|
|Sony NEX-C3« »||+ +||74/100||4.5/5||4.5/5||4/5||Jun 2011||599||-||Sony NEX-C3|
|Sony NEX-5« »||+ +||71/100||4.5/5||4/5||4/5||May 2010||699||-||Sony NEX-5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Sony A5000
- Canon 5D Mark III vs Sony A5000
- Canon G12 vs Sony NEX-3
- Fujifilm GFX 50S vs Sony A5000
- Fujifilm X-T2 vs Sony A5000
- Fujifilm X-T20 vs Sony A5000
- Nikon 1 V2 vs Sony A5000
- Nikon D5300 vs Sony A5000
- Panasonic FZ100 vs Sony A5000
- Pentax K-1 II vs Sony A5000
- Sony A5000 vs Sony A6500
- Sony A5000 vs Sony NEX-6
Specifications: Sony A5000 vs Sony NEX-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A5000||Sony NEX-3|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Sony E mount lenses||Sony E mount lenses|
|Launch Date||January 2014||May 2010|
|Launch Price||USD 449||USD 599|
|Sensor Specs||Sony A5000||Sony NEX-3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.2 x 15.4 mm||23.4 x 15.6 mm|
|Sensor Area||357.28 mm2||365.04 mm2|
|Sensor Diagonal||27.8 mm||28.1 mm|
|Sensor Resolution||19.8 Megapixels||14 Megapixels|
|Image Resolution||5456 x 3632 pixels||4592 x 3056 pixels|
|Pixel Pitch||4.25 μm||5.11 μm|
|Pixel Density||5.55 MP/cm2||3.84 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||720/30p Video|
|ISO Setting||100-16000 ISO||200-12800 ISO|
|Image Processor||BIONZ X||BIONZ|
|DXO Sensor Quality (score)||79||68|
|DXO Color Depth (bits)||23.8||22.1|
|DXO Dynamic Range (EV)||13.0||12.0|
|DXO Low Light (ISO)||1089||830|
|Screen Specs||Sony A5000||Sony NEX-3|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||461k dots||920k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Sony A5000||Sony NEX-3|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||3.5 shutter flaps/s||7 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Sony A5000||Sony NEX-3|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Sony A5000||Sony NEX-3|
|Battery Type||NP-FW50 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||420 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
117 x 62 x 33 mm
(4.6 x 2.4 x 1.3 in)
|Camera Weight||269 g (9.5 oz)||297 g (10.5 oz)|
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